Мрвице речи
Poetry written by Daniela Andonovska-Trajkovska:МРВИЦЕ РЕЧИ (СЛАНО ЕХО; ВОШТАНЕ СУЗЕ; ЗЕМЉА У ОЧИМА И НЕБО У ДУШИ; ЗАРОБЉЕНО ДИСАЊЕ; ПАСОШ; ПРИПИТОМЛЕНЕ РЕЧИ)
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Poetry written by Daniela Andonovska-Trajkovska:МРВИЦЕ РЕЧИ (СЛАНО ЕХО; ВОШТАНЕ СУЗЕ; ЗЕМЉА У ОЧИМА И НЕБО У ДУШИ; ЗАРОБЉЕНО ДИСАЊЕ; ПАСОШ; ПРИПИТОМЛЕНЕ РЕЧИ)
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Poetry written by Natalija Sovjetna: НА ЗЕМЉИ СУНЦЕМ ОБАСЈАНОЈ (ПОДРАНДА; БУЂЕЊЕ; АЛИЛУЈА)
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Poetry written by Ivo Mijo Andrić: RIMOVANKE (KRUGOVI POVIJESTI; KLUPKO ŽIVOTA; MUZE ŠUTNJE; ŽIVOT MALIH LJUDI; ŽIVOTNA ISTINA; GASE SE ZVIJEZDE; POHVALNA ODA; ZADNJA ST(R)ANICA).
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Poetry written by Savo Teodorović: ИСКРЕНА ПЈЕСМА ( „СМРТ СТАРЦИМА...“; ДЕБЕЛА ЖИЦА КОЈА СЈА; ОБЛУТАК; ПОСЛЕДЊА ЉУБАВНА).
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Poetry written by Nikola Šimić Tonin: ŠESTINSKI KIŠOBRAN (ČOBANOVA DJEVOJKA; T – A – D – I – J – A…).
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Poetry written by Jasna Milenović: ПЛЕС СА ХРАСТОМ (ПЛЕС НА МЕСЕЧИНИ; ПЛЕС СА ТРЕСКАВЦЕМ; ПЛЕС СА СУНЦЕМ; ПЛЕС СА ТАМОМ; ПЛЕС СА СТРАХОМ; ПЛЕС СА КАМЕНОМ).
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Poetry written by Hakija Karić: TUŽNE PJESME (Sanjao sam; Čari zime; Kad kažeš mart; Puste kuće; Danas, Ti i ja).
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Poetry written by Sabahudin Hadžialić: SUNOVRAT (IZGUBLJENI SIN; LUDILU... MUŠKOM; NJEGOVA MOLITVA; Neotkani Sizif; INTERAKCIJA SUBLIMARIS; LOVELESS1; MARE NOSTRUM; MARGARITAS ANTE PORTAS2).
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Poetry written by Marija Dejanović: SELIDBA (Na putu do trgovine; Za mene, koja je odlučila ostati tamo; Neko će vrijeme čekati).
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Poetry written by Dajana Lazarević: УСПОМЕНЕ (Венац за Максима Богдановича (1891-1917); Ана; Путем Вишеграда; Узалуд се трудим; Пас детињства).
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Poetry written by Hasiba Mujačić: NE PITAJ ME (POSTAĆU GOSPODAR MISLI; HLADNA KIŠNA JESEN; JA ŽIVIM ŽIVOT; REKOH TI KO SAM).
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Gane Todorovski is an irreplaceable virtuoso with verses, and the thing that makes him special is his perfectionist style. The poet pays a great attention to the words, he develops them and improves them, enriches them with new meanings, making combinations of them in various relations and in this way giving them new possibilities. In the center of the poet’s untamable restlessness is the game with the common word and its constant dressing in unusual outfits. He constantly tries to engage us with the verses. He is a magician who plays with the poetry and above all with the language, who doesn’t reveal his own secrets which are a constant provocation for the critics. In the poetry, he is driven by the desire to achieve with words the same effect that the music achieves with notes. His ideal goes towards classical harmony, word composition and creation of accords.
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Istanbul, the birth city of the poet, is a metaphorical symbol of Matevski’s poetry. As Istanbul magically connects and brings together the differences, Matevski’s poetry opens for us the oxymoronic worlds, which neither can, nor want to lock themselves in any frames, both national, ethnic or stylistic. It is a poetry of self-knowledge in one turning time, during the adoption of modernism. But Matevski has emerged as a poet who breaks up, or even better who suspends, the established tradition, without being confronted. The subjective-sentimental view of the world through pessimistic-confessional sensations, which are features of the dominant intimate lyrics of that moment, are incorporated into poet’s experience. In it, the nature is a kind of mediator, which turns personal feelings into super-personal, symbolic image. Hence thoughtfulness and sense of fair vision overcome the frames of the intimate poetry. It is that semantic-contemplation side of the poetry of Matevski that marks the Macedonian modernism, which follows the European symbolists and surrealists. That poetry does not require description, but revealing, perfect balance between thoughtfulness and emotional. Poetics of Matevski is an effort to get into the drama of existence in its trans-historical sense, leading to the identification and self-understanding. It demonstrates the "new feeling in the world" in which personal vision has two reliable constants: the yearning and the hope. The poet's hope is recognized in cosmopolitanism, in the space, not in time.
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