![Библиография на проф. д.и.н. Елена Александрова Грозданожа. Непознатата Елена Грозданова](/api/image/getbookcoverimage?id=document_cover-page-image_476664.jpg)
Библиография на проф. д.и.н. Елена Александрова Грозданожа. Непознатата Елена Грозданова
Full bibliography of the publications and studies by Prof. Grozdanova and texts of unknown poems written by her.
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Full bibliography of the publications and studies by Prof. Grozdanova and texts of unknown poems written by her.
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The first part of this paper deals with the possible manuscripts that Divković used for writing Abarmovi verši (‘Abarm’s Verses’). After recapitulating previous studies, it is concluded that Divković used one unknown or maybe two known manuscripts. In the second part, after considering two theological topoi (mandatum–promissio and sola fide) that were prevalent in the dramatizations of biblical texts, the paper emphasises that Divković chose his dramatization based on the topos of sola fide. Later on the paper points out that such a choice is unexpected because it is characteristic of Protestant dramatizations, which advocate “justification by faith”, while Roman Catholic dramatizations advocate “justification by works”.
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This essay deals with poetic representations of death in the Hispanic-American modernist poetry. Firstly, it introduces basic characteristics of the poetics of the above mentioned esthetic movement and then it focuses on the analysis of some of the poems of the modernist poets coming from various Hispanic-American countries. It attempts to find the divergent and convergent points regarding the treatment of the theme – these points range from an optimistic vision of beauty to the pessimism of the “fin de siècle”, and also submit a humoristic vision of the theme.
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The text is about the Czech translation of Vladimir Martinovski’s works, published by Slavomira Ribarova in Brno between 2011–2013. He is a renowned poet and musician coming from the younger generation of Macedonian poets. Martinovski participated in the international residential programme “Journey Across Europe-Remeasuring Cultural Space”, 2010–2011, which was coordinated by the publishing house “Windmills” (Větrné Mlýny) in the Czech Republic. The same house has later introduced the full paper edition of Martinovski’s “Quartets”, intended for reading, watching, singing and listening, to the Czech audiences and poetry scene. Ribarova‘s translations are carefully crafted in a correct and precise manner.
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Ever since mythical days identity has been designed through the “Other one” prism, and consequently, these Dorovski couple verses, show the phenomena of their personal identity as well as the possibility of its double poetic consideration both in their own language, and in the language of the „Other one”. Hence the 17 poems of Dagmar Dorovska and the 16 poems of Ivan Dorovski have both a Czech and a Macedonian version, and thus become available / readable for both the Macedonian and the Czech reader. The 33 poems from “The town, the Water, the People” represent a poetic picture of their deepest insights, confessions never told to their very end, confessions wanted to be uttered but not, sometimes simply because it was not the right time, pictures that draw a possible first person plural selfportrait, creating a hyperbolic „WE” through the strong power of the dichotomy nature – culture.
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UVODNA BILJEŠKA, Aharon Shabtai: Rat u ljubavi, ljubav u ratu, Mahmoud Darwish: Pod opsadom: lica stvanosti; Mahmoud Darwish: Drugih sjetih se, On je spokojan baš kao ja, Iz poeme ''MURAL'', Zastani, ovdje i sada; Aharon Shabtai: Moje srce, Lotem abdel shafi, Rat, Razlog za život na ovoj zemlji, Mome prijatelju, Pjesma o Neti Golan;
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The paper offers an insight into some preliminary results of a more general literary-historical and textological research of Mak Dizdar’s manuscript heritage, first of all the poetry collection Stone sleeper, the most important author’s book and one of the most important books of Bosniak and Bosnian-Herzegovinian literature in general. Special attention is given to some key issues of history of the text of the Stone sleeper in the context of the author’s manuscript collection as well as to the modes of its textological historical-critical reading. Along with opening of new research perspectives, some key foundations for the preparation of a critical edition of Dizdar’s most important poetry book are laid in this way.
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In this paper author wrote about contemporary Bosnia and Hercegovina poetry for children. Themes are different and poets like Alija Dubocanin, Ivica Vanja Roric, Muahrem Omrevic, Bisera Alikadic, Ismet Bekric and others are writing about nature, family members, school, play, etc. Somteimes these children’s poems are more didactic, some poems are descriptive and some are more artistic.
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The original versions were primarily issued in "La Critica. Rivista di Letteratura, Storia e Filosofia", a journal edited by Benedetto Croce in the years 1903-1944. The presented work is accompanied by a historical and philological commentary of the editor as well as a list of printed references related to Croce (both source texts and critical editions available for Polish language).
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Iz zbirke „Putovati u Lavov“, prevod sa poljskog Petar Vujičić, Narodna knjiga 1988.
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This paper tries to present Pietism as a current and set of ideas linked to the Enlightenment, as a culture focused on individualism and “subjectification”, as well as on the need to dismantle the old authorities and hierarchies. Such a way of thinking is visible in the religious poetry at that time, with the Danish pastor Hans Adolph Brorson. His main work The Rare Jewel of the Faith (Troens rare Klenodie, 1739), a collection of hymns used in the Danish and Norwegian church till today, belongs to the canon of the Danish literature.
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The paper attempts to present Adam Mickiewicz’s idea behind the ‘Lutheran spirit’ against a background of the vicissitudes of producing Poezje (Poetry), vol. 8 (1836). The author of the article ponders why the poet returns to the Lutheran mentality based on the need for forging an individual bond with God outside church. Consequently, the author’s interest revolves around Mickiewicz’s project of spirituality, created in the eight volume of the Paris edition, which goes beyond Catholicism and blurs the boundaries between Christian denominations.
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The poems by Julia Hartwig, Schütz’s Cantata from the volume Obcowanie (1987) and Bach’s Cantata from Czułość (1992), constitute a poetic record of the reception of ancient musical works (which are gaining more and more popularity in modern times). The poet is interested in cantatas by Schütz i Bach — religious works of art of two baroque composers from 17th and 18th century, whose artistic activity was strictly connected with Lutheran spirituality and liturgy. For the poet these cantatas are not only the source of aesthetic experience. Its reception (most probably from the radio, recordings or concerts) becomes a great inspiration for existential and religious reflections. It also makes the poet recognise their uniqueness: as being examples of theocentric art and deep religiousness of their composers, these cantatas reveal the ability to harmonise the human psyche, and consequently they seem to be a perfect art form.
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Due to the horrors and evils of slavery blacks firmly believed in God’s promise of retribution against the wickedness and cruelty of those slaveholders who brutalized them. The Apocalypse exerted a powerful influence on slaves and was viewed as the Bible’s main argument that God denounced slavery and would come in a catastrophic event to judge those who mistreated blacks. The language of cosmic struggle between good and evil was vividly embraced by the poets of slave spirituals and themes of the end of time pervaded the texts of many songs. Slave spirituals reflect Apocalyptic thinking among blacks who viewed themselves as brave soldiers fighting on the side of Christ in the coming war of Armageddon. The paper explores how blacks perceived themselves as valiant soldiers fighting in the army of the Lord of the Apocalypse. We will see that slaves alluded to the belief in the inevitability of the military struggle over slavery and thus anticipated the Civil War.
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𝑆𝑜𝑐𝑖𝑒𝑡𝑎𝑠 𝐶𝑙𝑎𝑠𝑠𝑖𝑐𝑎 is a multilingual collection of papers presented at the international scientific conference that has been organized by the Department of Classical and Eastern Languages and Cultures of St. Cyril and St. Methodius University of Veliko Tarnovo (Bulgaria) since 2002. Until 2015, the conference was held annually. Since 2018, it is held once every two years. St Cyril and St Methodius University Press issues the collection within the Dr. Nicola Piccolo series. The wide range of topics and the opportunity for authors to submit their academic publications in the original language attracts researchers from all over the world.
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𝑆𝑜𝑐𝑖𝑒𝑡𝑎𝑠 𝐶𝑙𝑎𝑠𝑠𝑖𝑐𝑎 is a multilingual collection of papers presented at the international scientific conference that has been organized by the Department of Classical and Eastern Languages and Cultures of St. Cyril and St. Methodius University of Veliko Tarnovo (Bulgaria) since 2002. Until 2015, the conference was held annually. Since 2018, it is held once every two years. St Cyril and St Methodius University Press issues the collection within the Dr. Nicola Piccolo series. The wide range of topics and the opportunity for authors to submit their academic publications in the original language attracts researchers from all over the world.
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𝑆𝑜𝑐𝑖𝑒𝑡𝑎𝑠 𝐶𝑙𝑎𝑠𝑠𝑖𝑐𝑎 is a multilingual collection of papers presented at the international scientific conference that has been organized by the Department of Classical and Eastern Languages and Cultures of St. Cyril and St. Methodius University of Veliko Tarnovo (Bulgaria) since 2002. Until 2015, the conference was held annually. Since 2018, it is held once every two years. St Cyril and St Methodius University Press issues the collection within the Dr. Nicola Piccolo series. The wide range of topics and the opportunity for authors to submit their academic publications in the original language attracts researchers from all over the world.
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