ПЕРМСКАЯ МОНУМЕНТАЛЬНАЯ РИТОРИКА МЕСТНОЙ ИДЕНТИЧНОСТИ: ПАМЯТНИКИ, ЭМБЛЕМЫ И АРТ ОБЪЕКТЫ В ПРОСТРАНСТВЕ ГОРОДА

Author(s): V.V. Abashev / Language(s): Russian Issue: 1/2015

The article considers public monuments in a rhetorical perspective – as manifestations of local identity, or statements about the nature and mission of the city. It is demonstrated that there exist two competing monumental rhetorics in the urban environment of Perm. The industrial-military rhetoric unites an extensive group of monuments dating back to the Soviet era and those newly erected. Such monuments inscribe Perm into the heroic discourse of the Soviet epoch. Although the soviet memorial policy used to be universal for the whole state, in Perm it is not lacking for local individuality. Here, in particular, instruments of production and sample armament are displayed in the function of monuments. An alternative to this industrial-military rhetoric could be viewed in that of ‘Perm the Great’ (Perm’ Velikaya). It aggregates monuments appealing to the archaic heritage and ancient history of Perm Krai. This group of monuments suggests an image of Perm as a successor to the ancient culture, a city that made a special contribution to the history of Russian culture. Rhetoric of ‘Perm the Great’ was actively developed in the 2000-s. One of its distinctive features is the motive of Permian animal style. These are employed both in sculpture and in architectural decorum. The article establishes that the urban environment development highlights the multi layered and multidimensional nature of the city identity and its irreducibilty to a common denominator. Likewise, territory images construction, though sometimes acquiring a form of the search for a metaphysical substance of a city, such as Genius Loci, is in fact a ground for struggle and competition of various social, professional and political groups.

An examination of Clara Schumann’s musical salons and the research problems that occurred

Author(s): Marlene Priller / Language(s): English Issue: 03 (30)/2016

Clara and Robert Schumann were connected very closely to the culture of the musical salons serving young and ambitious musicians and composers. Clara Schumann’s life is documented very well, but there is only a very small amount of literature dealing with her activities in the musical salon. This paper aims at providing an insight into the different circles Clara as well as her husband organised. The existent and non-existent source material is discussed and, by doing that, the current state of research on this subject is elaborated. Furthermore, this paper endeavours to point out the difficulties of research on this topic. That part is followed by a closer look at the characteristics of the private circles of the Schumanns during their years of marriage and the years after Robert Schumann’s death from 1856 to 1896.

Czy pianiści to również aktorzy, czyli kilka refleksji nad gestem w muzyce

Author(s): Michał Bruliński / Language(s): Polish Issue: 03 (26)/2015

Apart from the functional dimension, the pianist’s gesture, which cannot be compared to linguistic sign, is a medium of various meanings, therefore it plays an important role in the extraverbal process of communication between the pianist and the audience during the piano recital. It is stated that the agreement between pianists, as representatives of airtight world of classical music, and a crowd of aesthetically open-minded people, lies in the sphere of body and gesture. The author outlines some proposals on how to define a musical gesture and how to examine it. It is proved that the gesture is a powerful tool in the pianist's hands and that the arsenal of emotionally-communicative gestures during the piano performance process is enormous. Immensely important in the gestural context is coherence and naturalness. There exists a contradiction between the reflections derived from the modern performance practice and the common knowledge of the majority of piano teachers, caused by numerous 'historical misunderstandings'. A brief study of selected gestural cases (Franz Liszt, Ignacy Jan Paderewski, Sviatoslav Richter, Emil Gilels, Lang Lang, Martha Argerich, Yuja Wang, Waldemar Malicki) was done.

ERZURUM YÖRESİNDE İCRA EDİLEN SÖZLÜ ESERLERDE KULLANILAN TÜRK DİN MUSİKİSİ VE GELENEKSEL TÜRK HALK MÜZİĞİ ORTAK MAKAMLARININ İNCELENMESİ

Author(s): Ahmet Mutlu Terzİoğlu / Language(s): Turkish Issue: Special/2016

Erzurum has a quite wide and old culture structure as it has been on the route of Silkroad and has hosted various big civilizations for centuries. This cultural accumulation emerges itself not only in one specific field but also in various fields. Because Erzurum is in a geopolitical location which is open to interaction, it has made great progress in all fields of art and it is a city where religious and nonreligious written, oral and visual art works can be frequently seen. The limitations of this study are Turkish Religious Music and Traditional Turkish Folk Music samples which are performed in Erzurum, and the purpose of this study is to determine the similarities of these modes performed in Erzurum territory, to contribute to the literature with the obtained findings and to prepare the necessary ground for the future generations to continue to perform these modes.

PARİS’İN ÖLÜMÜ, NEW YORK’UN DOĞUŞU; SOYUT EKSPRESYONİZM

Author(s): Muhammet Emin Kayserili / Language(s): Turkish Issue: Special/2016

The cities which can be qualified as the art center, also take on the identity of being capital cultures. While Paris has been taking on this task in the first half of 20th century which is also named modern age, New York has become the center of the art in the afterwards of 1940. While the greatest supporter of the art and artist is necessitating a conscious bourgeoisie, the annihilation of this support causes to weaken of art in tow. This power which supports European art in accordance with this awareness for five centuries, has started to lose its mission gradually with the clump of oncoming war and had to transfer the assignment to another continent. The depression and chaos which has started in Europe around of 1930 year, caused monetary resources to tend towards to U.S.A either with the World War two. A major migration has been lived through art and thought world with this period, most of painter and scientist have interiorized this new world as the center of art and science. This expression language which cannot be predicted in advance even by its creator artist, sustains its topicality with the curiosity of instinction and unconscious. This attitude which can achieve to hold its audience inside of this creative action, seems like it will keep living through in

ÇİZGİ FİLMLERİN İLKÖĞRETİM ÇAĞI ÇOCUKLARININ TOPLUMSALLAŞMA SÜRECİNE ETKİLERİNİN DEĞERLENDİRİLMESİNE YÖNELİK ÖLÇEĞİN GELİŞTİRİLMESİ

Author(s): Özcan Demir,Ahmet Atan,Yücel Gelişli / Language(s): Turkish Issue: 31/2016

The effect of media content to the socialization process of children is a major subject of communication studies. Cartoons are one of the most watched contents of television among children. In this study it is aimed to develop the scale about the effects of cartoons telecast on Turkish televisions to the socialization process of elementary school students in Turkey. The research is a descriptive study. 10-12 years of age group students in elementary schools in 9 counties within the borders of the Ankara city Metropolitan Municipality made up the research population. In the scale development stage, the application was made with 572 students in the scope of Explanatory Factor Analysis (EFA) and with 350 students for Confirmatory Factor Analysis (CFA). The scale was prepared to determine the relationship between cartoons and socialization in the research scope and applied to 150 students. As a result of the explanatory Factor Analysis it is concluded that the scale has a structure of 35 items with 2 factors. The Confirmatory Factor Analysis (CFA) verified the two factors structure of the scale. The fit indices were found as χ2=1770.02, X2/sd= 3.17, RMSEA=0,079, CFI=0.94, NNFI=0.94 and NFI=0.91.

TELİF HAKLARI KAVRAMI VE HUKUKİ STATÜSÜ ÜZERİNE KISA BİR İNCELEME

Author(s): Şanser Vurgun,Müge Akpinar / Language(s): Turkish Issue: 31/2016

The people who own creations and intellectual products become extremely important issue since the beginning of background and was highly contested. what emerges as the concept of the Copyright law only provide protection in this regard. works set out in particular music and performing arts; accumulation in these areas and the creators are reflected in the works as a combination of sensory predictions and personal characteristics. Therefore, should the legal protection of the works they try to build people up. This concept of copyright in the work, for example, the legal infrastructure in some countries, my general condition of our country and emerging forms of protection of copyright works are discussed.

SANAT EĞİTİMİNDE YARATICILIK ALANI OLARAK HEYKEL SANATI ÜZERİNE: TOPLUMSAL BELLEK

Author(s): Hülya Uysal / Language(s): Turkish Issue: 32/2016

In the education system the areas of sculpture art education is not at a spot it should be and the attenion towards it should be more. In our land for thousands of years the there have been outbursts of sculture within our culture and arts. This accumulation can evaluate the structure in the best way is nowdays education system. We are in such a state that we have a art past but no future. Today is the best way to assess depends on the past and the future. Art is the reason of existence. There has been a dialogue between art and human nature for centuries, and they both complement each other. Education is a scientific concept and much later, so the evolutionary development of the human mind and as a result brought by this development, thoughts and writings began with the creation of thought. Art is the memory of a society. Every community has with the art and culture that it created itself. Each society's understanding of art and art policy as well as the necessity of art is a universal value that should not be ignored. For this reason art, and art education, sculpture art and sculpture education on the subject of individuals and consequently as a result of collecting and winning the event will be focused on the results and suggestions will be given.

OKUL ÇALGILARI I VE OKUL ÇALGILARI II DERSLERİNİN ÖĞRENCİ BEKLENTİLERİ VE BEKLENTİLERİN KARŞILANMA DÜZEYİ AÇISINDAN İNCELENMESİ (ÖMER HALİSDEMİR ÜNİVERSİTESİ ÖRNEĞİ)

Author(s): Aysun Rabia Hamzaoğlu Birer / Language(s): Turkish Issue: 32/2016

The purpose of this research is to determine the students’ expectations from the School Instruments I ve II (Recorder) lessons at Ömer Halisdemir University Faculty of Education Department of Fine Arts Education, Music Department. 38 students who attend this course have been interviewed at their first lesson and their expectations have been recorded. The result of this interview shows that 73,69% of the students’ expectation is “to be best at playing a recorder and teaching it to their future students”. The School Instruments I ve School Instruments II lessons have been studied with the same research students and they have been asked to evaluate the level of their expectations met with five point Likert scale at the last lesson. Results show that 50% of the students’ expectations have been met “totally”, and 44,74% have been met “significantly”.

BÖLGELERE GÖRE TÜRKÜLERDE KADIN KIYAFETLERİ

Author(s): Serenat Istanbullu,Feyzan Göher Vural / Language(s): Turkish Issue: 23/2014

Folk songs reflect the characteristics of the society which they belong. Turkish Folk Songs (Türkü) include numerous cultural features and historical development which spread over thousands years of Turkish society. There are some investigations on Turkish Folk Songs’ rhythmic and musical structures. But at the same time, Turkish Folk Songs’ lyrics are very important for cultural investigations. This descriptive research which based on literature review, has analyzed that 2000 Turkish Folk Songs which belong Turkey’s seven region. It has been determined that clothes and accessories which belong women and has been compared among seven geographic region.

ORTA ASYA TÜRK DÜNYASINDA “DAVUL”UN ÖNEMİ ve SİMGESEL ANLAMI

Author(s): Feyzan Göher Vural / Language(s): Turkish Issue: 20/2013

The drum is not only a symbol of existence, independence and sovereignty but also is the main instrument of Turkish military music teams and Shamans. Additionally the drum is the indispensable instrument of entertainments with shawn. It has taken apart in many ceremonies from weddings to funerals. This descriptive study based on literature has been emphasized that mission of drum, the symbolic value of the drum and importance of drum’s military, religious and social aspects in Central Asia Turkish Statements which established before Islam.

BÜYÜK UYGUR DEVLETİ DÖNEMİNDE “ARP ÇALGISI”

Author(s): Feyzan Göher Vural,Timur Vural / Language(s): Turkish Issue: 17/2013

Great Uighur State was one of the most prominent civilization of scientific and cultural features. Turkish music culture also demonstrated significant improvements in this state age. Numerous instruments emerged and old instruments developed in this state. The harp, which based on Hun State, also developed in Uighur State. However, there is little or no information about the harp’s Turkish origin in national and international literature.The research based on literature review, is provided Uighur Turk’s harps and it is determined that these harps’ features. Based on Uighur miniatures and documents, it is commented that how and where these instruments plays. In addition it has been argued that, Uighur didn’t adopt the harp from Chinese.

Zachodnia i wschodnia tradycja wykonawcza śpiewu sakralnego: aspekt estetyczny

Author(s): Ievgeniia Lazarevych / Language(s): Polish Issue: 04 (31)/2016

Fundamental differences between Kyiv-Pechersk choral style and Western model of performance of religious chants can be considered in various contexts and at several levels. One should take into account diversity of church rules (canon), mentality, even geographical location and physiological capabilities of voices of the singers coming from a particular area. The performance practice is also connected with such factors as cultural traditions, language, way of life and social issues related to faith. It is therefore understandable that, after a short period of a fragile cultural unity of the Church, different traditions emerged. The author argues that the way of singing is directly dependent on the fundamental philosophical and theological ideas, originating from the Church canon. Then, the differences between chant performance in two main branches of the Christian Church seem to be a consequence of the distinct ways in which the theological doctrine, dogma of the Church, the temporal and spatial principles of worship and art developed in Roman Catholic and Byzantine Orthodox traditions. The two different perceptions of communication with God and its influence on church singing are considered by the author as an exemplary case.

How Turkish is it? Art and culture in Vienna

Author(s): Wiebke Sievers / Language(s): English Issue: 3/2014

The Viennese Turkish community constitutes 4% of all people residing in Vienna. This considerable presence has also brought with it many artistic and cultural activities. In this paper I question how far these activities have diversified Viennese cultural life. The results are two-fold: my quantitative analysis of public-funding data shows that Viennese Turkish artistic activities are still perceived as a marginal addendum to Viennese cultural life. However, as my qualitative analysis of selected activities highlights, they have contributed to making the diversity of both Austrian and Turkish cultures visible, albeit only in the margins, rather than in the centre of Viennese cultural life.

BOLLYWOODIZATION OF FOREIGN POLICY: HOW FILM DISCOURSE PORTRAYS TENSION BETWEEN STATES

Author(s): Azmat Rasul,Mudassir Mukhtar / Language(s): English Issue: 1/2015

As the nexus between film industry and state apparatus has grown critical and complex in the wake of war on terror, academic circle have paid attention to identify the patterns of relationship between entertainment industry of a country and its foreign policy. To understand the role of the soft power in assisting governments to secure their interests at international level, this article examines the relationship between Bollywood and the Indian foreign policy through the lens of critical political economy of communication approach. Popular films portraying tension and cooperation between the South Asian neighbors were critically analyzed, and the results indicated that Bollywood closely followed the foreign policy initiative of the Indian government.

Književnost i umetnost u Jugoslaviji: (DIS)KONTINUITETI (1918 – 1992)

Author(s): Jana Gligorijević / Language(s): Serbian Issue: 3/2016

Leone Leoni – zapomniany kompozytor wczesnego baroku

Author(s): Róża Zuzanna Różańska / Language(s): Polish Issue: 01 (32)/2017

The article is a pioneer attempt in Polish literature to develop a syn- thetic resume and the characteristics of the work of the Italian Baroque composer Leone Leoni. Leoni was highly valued in his time; also, he is said to be one of the creators of dramma per musica genre, and his religious compositions served as model examples of counterpoint for many centuries. e rst part of the text presents the state of research concerning the life and work of the artist; then, the second part con- tains his biography. e last part discusses Leoni’s works. Finally, the rank of his output is regarded.

Документалното кино като поле на взаимното проникване на индивидуалните светове

Author(s): Irina Kitova / Language(s): Bulgarian Issue: 1/2017

A film idea and its realization are creating a potential field of relationships and interactions in which there are two worlds, the world of the cinema and the world of the individual experience, and every film is a reality.  An objective reality in documentary movies is reconstructed in a film reality and meets individual worlds of authors, characters and viewers through the ability of each person (including any spectator) to understand himself/herself, others and the world.This is an opportunity to see the world through the eyes of others, but also we turn our attention inward. The documentary approach implies much stronger impression of authenticity of the worlds, characters, stories, also feels strongly about the truth in the concrete form of the image and evaluates the artistic message as an existential standard.

Как социално ангажираното кино се „превърна“ в арткино

Author(s): Hristo Simeonov / Language(s): Bulgarian Issue: 1/2017

The contemporary situation of mass cinema consumption and the development of popular film critic imposed a dilution of some of the classical concepts such as socially engaged cinema and art cinema. If a film tells a social story and is shot in a naturalistic way, with main characters that come from the poor stratum, featuring non-professional or infamous actors – there is a big chance for this film to be defined as “art cinema” or as a replica of the films of the Dardenne brothers, who are now among the most noticeable socially engaged directors. Pop culture characterizes each film, that hasn’t been created for commercial purpose, as an “art film”. This widespread distinction automatically splits the audience, according to its primal preferences and takes away its chance for a new and different experience. Both of the sides keep a distance from each other, but in the end the lost is for the films themselves, stuck into the frames of the vague “art film” concept – that’s how they are deprived from audience that wouldn’t identity with this concept.

Strip u socijalizmu: Kapitalistički šund ili edukativno štivo?

Author(s): Haris Cerić / Language(s): Bosnian Issue: 2/2015

Considering that making a comprehensive overview of the role of comics in all former socialist regimes would imply a research adventure per se, i.e. an adventure that largely goes beyond what was written in this text, this piece of work will try in a lapidary fashion to present relationship between the socialist establishment and comics in the former Socialist Federal Republic of Yugoslavia throughout different periods of its existence. In the former Socialist Federal Republic of Yugoslavia, the comics threaded its way through being characterized as disputed mass culture capitalistic media, over to proselyte educational literature, and finally to the media that completely legitimately, in creative and emphatic way, stands shoulder to shoulder with the greatest cultural achievements.