Etnický obraz Košíc v slovenskej historiografii od jej počiatkov do roku 1918

Author(s): Ondrej Ficeri / Language(s): Slovak Issue: 1/2014

The article aims to reconstruct the ethnic image of the town of Košice produced by members of Slovak historiography in the period of existence of the historical Hungary. In the development of the ethnic structure of Košice, the most decisive role played the town’s location on the ethnic border between areas with prevailing Slovak, and on the other side Hungarian inhabitants. To define the affiliation of Slovak historiography to the multi-ethnic town of Košice, it was necessary to trace contemporary images of Slovak scholars about the ethnic composition and realia of Košice and answer the question, whether they considered Košice as one of the Slovak towns, and whether Košice became one of the places of Slovak collective memory. The article contemplates what role did Košice play in constructing the Slovak national discourse and, eventually, it outlines reasons why the town, despite a huge potential, did not become one of the significant centres of the Slovak national life before 1918.

Muzykalia w zbiorach Państwowego Muzeum Auschwitz-Birkenau

Author(s): Hubert Szczęśniak / Language(s): Polish Issue: 01 (32)/2017

The article presents the conclusion of the research conducted by the author in the collection of the State Museum of Auschwitz-Birkenau, former German Nazi concentration and extermination camp. The sources are fully featured and described for the first time. The article focuses on showing a complicated post-war history of the camp items connected with music (musical instruments, printings, manuscripts, handwritten copies of instrumental books), which are auxiliary sources to reconstruct the repertoire of chapels in KL Auschwitz-Birkenau. The main aim of the article is to also discuss the preserved repertoire. In the last chapter, the author presents a short characteristics of original works composed by musicians and composers in slavery with a short analysis of all of them. Presented musical printings are a reflection of tastes of the German public in the 1930s as well as an example of ridiculous anthropological establishments of Nazi music scientists and no ability to implement it on listeners practice. In addition, the work contains annexes: musical instruments, original works composed during camp existence, and musical printings – a list of music materials which survived in the collection of the Auschwitz-Birkenau State Museum.

Encounters between Disability Studies and Critical Trauma Studies: Introduction

Author(s): Anne-Marie Callus,Arleen Ionescu / Language(s): English Issue: 01/2018

When setting up the premises for a dialogue between disability studies and critical trauma studies and embarking on editing this pilot issue on ‘encounters’ between the two disciplines, we necessarily welcomed interdisciplinary approaches, ranging across disability studies, trauma studies, literary and cultural studies, media studies, as well as many other disciplines in the humanities. The first step in introducing this issue to our readers will be to present the histories of both disability studies and trauma studies in order to see how they evolved and see why our proposal that they should meet half way or at least more often can be considered a valid one.

Un illo tempore n’a pas d’âge...Interview avec le poète Șerban Foarță

Author(s): Vladimir Agrigoroaei,Cristina Beatrix Bogdan,Florin Curta ,Corneliu Dragomirescu,Ana Dumitran,Brînduşa Grigoriu,Ovidiu Olar,Alexandru Pătrașcu / Language(s): French Issue: 5/2021

Né à Turnu-Severin (Roumanie) en 1942, fils de Nicolae Foarță, médecin, et de Yvonne Foarță, née Burger, professeure de musique, Șerban Foarță a fait ses études à la Faculté de Philologie de l’Université de Timișoara (1960-1965), spécialisation roumain-allemand. En 1978, il a soutenu sa thèse de doctorat en littérature dans le cadre de la même université, thèse publiée deux années plus tard : Eseu asupra poeziei lui Ion Barbu [‘Essai sur la poésie d’Ion Barbu’], Timișoara, éditions Facla, 1980. Il a été professeur à la Faculté des Lettres de l’Université de l’Ouest,à Timișoara, de 1992 à 2005. Membre de l’Union des Écrivains de Roumanie, Șerban Foarță est premièrement poète, essayiste, prosateur et critique littéraire. Il est trèsconnu pour sa poésie qui, lui a valu non seulement desprix littéraires mais surtout une large reconnaissance auprès de ses lecteurs: Simpleroze (Timișoara, éditions Facla,1978); Șalul, eșarpele Isadorei / Șalul e șarpele Isadorei (Bucarest,éditions Litera, 1978); Holorime (Bucarest, éditionsLitera, 1986) et nombre d’autres volumes après 1989. Il atraduit en vers les livres poétiques de la Bible (Hexachordos: Psalmii. Ecleziastul. Cantarea Cantarilor. Iov. Psalmii lui Solomon. Odele, pre stihuri retocmite; Timișoara, éditions Brumar, 2011). Il a traduit des poèmes de la littérature française médiévale, y compris les fatrasies de Philippede Beaumanoir (dans la plaquette 33 de fatrazii, Bucarest,éditions Art, 2008). Cependant son début en tantque poète, avant la publication de la première plaquette (Texte pentru Phoenix, Bucarest, éditions Litera, 1976) s’est fait dans deux LP. Ses vers ont été enregistrés par Phoenix en 1974 (Mugur de Fluier) et 1976 (Cantafabule).

The Murals of the Church of Saint-Nicholas at Bârsău in the Late 19th-Century Drawings of Szinte Gábor

Author(s): Ionuţ-Cosmin Codrea / Language(s): English Issue: 5/2021

Articolul aduce în atenția istoricilor de artă veche transilvăneană o serie de desene și acuarele reprezentând picturile murale ale bisericii „Sfântul Nicolae” din Bârsău, realizate în secolul al XIX-lea. Dintre cele 15planșe păstrate încă în registrele Muzeului Maghiar al Arhitecturii și Centrului Documentar pentru Protejarea Monumentelor de la Budapesta, una îi aparține lui Horváth Miklós, restul lui Szinte Gábor – ambii profesori de desen la Școala Superioară Regală Maghiară de Stat din Deva în perioada 1882-1886. Valoarea de neprețuit a acestor desene este efectul direct al degradărilor continue ale picturilor bisericii din Bârsău. Stadiul dezastruos de conservare din ziua de astăzi face ca cercetarea picturilor datate în a doua jumătate a secolului al XVI-lea să fie aproape imposibilă pornind de la realitatea in situ.

Neagoe Basarab at Sinai

Author(s): Alice Isabella Sullivan / Language(s): English Issue: 5/2021

Mănăstirea Sfânta Ecaterina de pe Muntele Sinai păstrează un portret al lui Neagoe Basarab și al familiei sale, pictat pe capacul interior al unui scrin din lemn. Imaginea oferă dovezi fizice ale contactelor dintre Țara Românească și Mănăstirea Sinai în timpul lui Neagoe Basarab, a cărui domnie a continuat îndelungata tradiție a patronajului domnilor români asupra locurilor sfinte.

The Painter Grigorie Popovici and His Master Jovan. Contacts Between East and West During the Second Half of the 18th Century

Author(s): Cristina Cojocaru / Language(s): English Issue: 5/2021

Grégoire Zugravul (‘le Peintre’), connu toute sa vie comme Papathodor, Popovici et Frujinescu, a été l’un des peintres les plus importants de la Valachie à la fin du XVIIIe siècle et l’initiateur du courant d’occidentalisation dans l’art local. Constantin Săndulescu-Verna a découvert dans un carnet de croquis ayant appartenuau peintre que Grégoire est né près de Bucarest, dans le village de Frunzănești, au sein de la famille du prêtrepeintre Tudor, et qu’il a fait son apprentissage en 1766, à la l’âge de 16 ans, auprès d’un certain maître Jean / kirIancu. Ensemble, les deux hommes ont voyagé pendant dix ans sur le territoire de l’Empire des Habsbourg etont signé ensemble l’iconostase du monastère de Lepavina en Croatie, ainsi que celui de l’église de la Nativité de Saint-Jean-Baptiste à Székesfehérvár, en Hongrie. De retour en 1777, Grégoire a commencé une carrière prolifiqueen tant que peintre d’icônes; mais il a également peint les fresques de l’Église de l’Icône (Biserica Icoanei) àBucarest, des enluminures de manuscrits et des peintures à l’huile, y compris la vaste composition historique représentant Nicolas Mavrogheni distribuant des récompenses aux soldats qui avaient participé aux combatscontre les Autrichiens (1789), aujourd’hui dans les collections du Musée National d’Art de Roumanie, à Bucarest. Jusqu’à présent, cependant, l’identité de Maître Jean et la portée européenne de la carrière de Grégoire n’étaient pas connues en Roumanie. On considérait à tort que Jean devait être un peintre local, identifié soit au maître de l’école de peinture de l’évêché de Râmnic, soit à Ivan ‘le Russe’ (Rusul), maître de l’école de peinture du monastère de Căldărușani. Plus récemment, C. Săndulescu-Verna et M. Sabados ont supposé qu’il pouvait être d’origine balkanique, mais sans réussir à repérer son identité précise : peut-être un peintre grec ou macédo-valaque. La présente étude relie pour la première fois les recherches roumaines sur ce sujet à celles menées en Serbie(Aleksandra Kučeković), Bulgarie (Emmanuel Moutafov) et Bosnie-Herzégovine (Ljiljana Ševo). Les documents permettent d’identifier ‘kir Iancu’ avec Jovan Četirević Grabovan, aroumain d’Albanie, auteur de fresques dusanctuaire et de la nef de la cathédrale épiscopale de Roman (Moldavie). La carrière de ce dernier est jalonnéepar les étapes d’un parcours remarquable pour cette époque. Ses voyages relient littéralement l’Occident à l’Europe de l’Est, de la Croatie en Russie à travers Buda et Bucarest, et dessinent une perspective entièrementnouvelle sur les relations qui animaient le milieu culturel des peintres valaques du XVIIIe siècle. Comme Jovan, son élève Grégoire a joué également le rôle d’un ‘véhicule’ exemplaire des transferts culturels entre Occident et Orient, maillon d’un grand réseau commercial et politique développé à l’intersection des trois grands Empires: ottoman, russe et autrichien. Il a influencé de manière décisive l’évolution de l’atelier de peinture du monastèrede Cernica et s’est imposé comme une figure clé de la scène artistique locale ; il a été l’un des premiers peintresà moderniser l’art local. Par-delà les éclaircissements qu’elle apporte sur l’apprentissage de Grégoire Popovici,cette étude permet aussi d’attribuer les icônes de l’iconostase de l’Église Manea Brutaru de Bucarest au peintreJovan Četirević Grabovan, et d’identifier dix nouvelles oeuvres du peintre Grégoire, y compris les fresques del’Église de l’Icône à Bucarest. Elle transcrit sept inscriptions inédites des icônes de cette église et identifie le ssources artistiques du cahier de modèles du peintre et des icônes de l’iconostase de la chapelle dédiée à Saint Lazare au monastère de Cernica dans un exemplaire de la Bible Ectypa ayant appartenu au même Maître Jean.

‘Saints and Soldiers’. 19th-Century Russian Religious Art in Southern Bulgaria

Author(s): Angel Nikolov / Language(s): English Issue: 5/2021

Articolul prezintă câteva observații asupra a două instituții monahale rusești înființate pentru comemorarea vitejiei și eroismului soldaților și ofițerilor ruși morți în timpul războiului ruso-turc din 1877-1878: Mănăstirea Înălțării Domnului, cu biserica „Sf. Alexandru Nevski”, construite între 1879-1882 pe dealurile Bakadzhik de lângă Yambol, la ordinul celebrului „General Alb” Mihail Skobelev, și Mănăstirea Nașterii Domnului din orașul Shipka, construită (și probabil și sfințită în 1902) la inițiativa mamei generalului, OlgaSkobeleva, de către un comitet director condus de diplomatul și omul de stat rus Nikolai Ignatiev.

Jaroslav Otčenášek and Vihra Baeva (Eds.). Dictionary of Terms of Verbal Folklore. Bulgaria. Prague–Sofia: EI – ASCR and IEFSEM – BAS, 2013. 380 p., with illustrations

Author(s): Stanoy Stanoev / Language(s): English Issue: Special 2/2020

Book review

Периодика 2021

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 43/2021

Content of the main Bulgarian scientific journals for the current year in linguistics, literature, history, folklore, ethnography, archaeology, and art studies

Echoes

Author(s): Alice Isabella Sullivan,Vladimir Agrigoroaei,Ileana Sasu,Adinel C. Dincă / Language(s): English Issue: 6/2022

Review of: Faces, icons and books for the soul: Moldavians in Ukraine, Ukrainians in Moldavia. Testimonies of sacred art; 16th-19th centuries, exhibition organized by the Metropolitan Museum of Iași between April 14 and August 14, 2022, to support Ukrainian refugees. Vladimir Ivanovici and Alice Isabella Sullivan (eds), Natural Light in Medieval Churches, Series: East Central and Eastern Europe in the Middle Ages, 450-1450, Volume 88 Leiden and Boston, Brill, 2023 Daniela Marcu Istrate, Church Archaeology in Transylvania. (ca. 950 to ca. 1450), Leiden and Boston, Brill, 2022, 522 p. Daniela Marcu Istrate, Dan Ioan Mureșan and Gabriel Tiberiu Rustoiu (eds), Christianization in Early Medieval Transylvania. The Oldest Church in Transylvania and Its Interpretation, Leiden and Boston, Brill, 2022, 499 p. Mihail K. Qaramah, O istorie a Molitfelnicului Românesc. Evoluția formularelor Sfintelor Taine (sec. xvi-xvii) [A History of the Romanian Euchologion: The Evolution of the formularies of the Sacraments (16th -17th c.)], Alba Iulia, Editura Reîntregirea, 2022, 310 p.

Научни форуми

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 45/2022

Data about scientific events in the field of the humanities in Bulgaria in the second half of 2022

Книги 2022 – 2023

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 46/2023

Selected bibliography in the field of Bulgarian Studies published in the current year.

75 Years of Transcontinental Diplomacy: Exploring Romania-India Bilateral Relations

Author(s): Alexandra-Iulia Nuc-Rosu / Language(s): English Issue: 1/2023

In the last 75 years, Romania and India managed to follow common interests and created a strong partnership. Celebrating the fruitful cooperation between the two countries, His Excellency Mr. Rahul Shrivastava, the Ambassador of India to Romania, Albania and Moldova, and Her Excellency Mrs. Daniela Sezonov-Țane, the Ambassador of Romania to India, Nepal and Bangladesh were kind to address their perspectives on the evolution of relations between Romania and India, highlighting both the differences and similarities between the two countries, and also the latest challenges.

Cultural Diplomacy or Cultural Relations? Lost in Terminology and Rediscovering the Meaning of Culture

Author(s): Hilda-Hedvig Varga / Language(s): English Issue: 1/2023

When discussing such a complex concept as culture, it is forever interesting, even surprising, to find out what definitions people give to this all-encompassing notion; what better way to delve into Indian culture and the inner workings of cultural diplomacy and relations than to speak to someone most knowledgeable in the field, the Ambassador of India to Romania, Moldova and Albania, Mr. Rahul Shrivastava. His Excellency was kind enough to sacrifice his time in favor of cultural matters, despite his busy schedule.

Научна периодика 2023

Author(s): Emiliya Voleva,S. Yu. Strashniuk / Language(s): Bulgarian Issue: 47/2023

Content of the main Bulgarian scientific journals for the current year in linguistics, literature, history, folklore, ethnography, archaeology and art studies.

Научни форуми

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 47/2023

Data about scientific events in the field of the humanities in Bulgaria in the second half of 2023.

Книги 2023–2024

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 48/2024

Selected bibliography in the field of Bulgarian Studies published in the current year.

Периодика 2024–2024

Author(s): Emiliya Voleva / Language(s): Bulgarian Issue: 48/2024

За книгата: Балканските култури: диалог, трансфер, метаморфози. Под ред. Орлин Събев, Лора Тасева, Антоанета Балчева.

Author(s): Fotiny Christakoudy-Konstantinidou,Kristina Stoyanova / Language(s): Bulgarian Issue: 1/2024

Book review: Балканските култури: диалог, трансфер, метаморфози. Под ред. Орлин Събев, Лора Тасева, Антоанета Балчева. София, ИБЦТ – БАН, 2023, 234 с., ISBN 978-619-7179-38-5 [The Balkan Cultures: Dialogue, Transfer, Metamorphoses. Ed. Orlin Sabev, Lora Taseva, Antoaneta Belcheva. Sofia, IBSCT – BAS, 2023].