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Author(s), authority…
“Third Annual SCREEN INDUSTRIES IN EAST-CENTRAL EUROPE CONFERENCE: INDUSTRIAL AUTHORSHIP”, 29 November – 1 December 2013, Palacký University, Olomouc, Czech Republic.
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“Third Annual SCREEN INDUSTRIES IN EAST-CENTRAL EUROPE CONFERENCE: INDUSTRIAL AUTHORSHIP”, 29 November – 1 December 2013, Palacký University, Olomouc, Czech Republic.
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La série synonimique – fragmentarisme, décomposition, écartèlement – se propose à illustrer la modalité cioranniene de rédiger, une méthode pleine de valences esthétiques, valeurs existentielles, psychanalitiques. La recherche compare deux essais biographiques qui retracent la vie et l`oeuvre de Cioran. Dans les portraits de L`exercices d`admiration, l'un des points de départ d`Ilina Gregori - Cioran. Sugestii pentru o biografie imposibilă, le philosophe parle de soi-même, l`introverti, l`égocentrique incorigible, Les Exercices... étant un élément essentiel de sa philosophie qui pivote autour de l`individu, de l`identité. Nous croyons qu`il ne s`est pas proposé de surprendre le monde littéraire par l'aspect fragmentaire de l`écrit; pourtant, cela évoque parfaitement sa structure psychique angoissée, scindée. Peut-être qu`il n'était pour le grand spectacle du logique, c`est encore que le fragmentarisme désigne une structure intérieure greffée sur Nietzsche et Pascal. Un Cioran ambivalent, partagé entre le morbide, le régressif par la peinture des morts et la rédemption par le portrait même, les deux pôles plus représentatifs par rapport au couple intérieur-extérieur, proposé par Ilina Gregori, dont la source d'inspiration se trouve dans la philosophie de Schopenhauer: la pitié et la méchanceté. On a mis en évidence le style de Cioran, la forme fragmentaire, destructurée, aphoristique de son écrit. L`essai biographique de Stéphane Barsacq Cioran. Ejaculări mistice în oglindă est centré sur la perspective religieuse, mystique, théologale de la vie du philosophe roumain, depuis que chaque journal ou biographie est un devenir du héros, une initiation aux mystères du monde. Le journaliste tente à effacer le versant roumain de l`oeuvre cioranienne, en la jugeant d`hystérique et désagréable, tout en prenant Cioran pour un sacré tombé et ressuscité grâce aux moralistes français, une tentative de s'emparer de Cioran pour la culture française.
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The function of the dean’s archive is not regulated in the canon law of the Catholic Church. The duties of a dean, who is the bishop’s close associate, require an independent dean’s office. The records produced by Polish synods recognise the necessity of establishing the dean’s archive, which can preserve the records and documentation produced by a dean or collected by him from parishes in accordance with the laws. The regulations of the synods require running the dean’s archive as an institution independent of parish archives, but they do not specify in detail how these records should be preserved and made available, and when the materials ought to be transferred to the central historical archives in the diocese.
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Jan Matejko’s drawings depicting seals stored in the Archives of the Cistercian Monastery in Mogiła reflect the state of historical awareness, the cultural needs of Poles in the 19th century and the model of historicism developed in Galicia in the mid-19th century. They are a testimony to the Polish reception of 17th century erudite historiography, which, as a sign of local patriotism, ascribed value to the local heritage of material culture and included it in the concept of world history, and, in the 19th century, also in the concept of national and world history of civilisation. The analyses are based on historiographic, collectors’ and cultural views shaping the activities and artistic excellence of the historical painter in the 19th century. The views that might have affected Jan Matejko’s perception of the seal were highlighted. A key role in this process is played by the issues of broadening the semantic field of objects produced in the past centuries, which, at the beginning of the 19th century, were given the status of a souvenir and were willingly collected together, and which at the same time, like seals, constituted a source of historical knowledge understood in an erudite way, i.e. not only as a carrier of information about dates, characters and events, but also about clothes, militaries, material culture and customs, which in the 19th century became an object of interest for historical painters. Analyses of Jan Matejko’s drawings reveal the vastness of perception of single medieval seals also in terms of aesthetics, art and style, since the painter’s ultimate goal was not only to reconstruct the appearance of the seal, but also a historical reconstruction and historiosophical evaluation of the past. The differences between the inventory-oriented perception of seal images and the perception summing up the above mentioned determinants of the artist’s work with an artistic, individualised type of his creative expression have been emphasized, which in the case of Jan Matejko’s studies has additionally acquired the adopted of analytical research on seals as visual fragments of historical sources.
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The article supplements our earlier knowledge of the incunables from the Szczecin Marian Gymnasium in the University Library in Poznań (BUP). The article describes three unknown so far exemplars from this collection (GW 1754, GW 8478, GW M35433), bound together with 11 other 16th century prints. The initial results are also presented of the study on the printed bookbinding waste paper used in the bindings of the old prints of Szczecin provenience in the BUP collection. Fragments of five incunables were identified, among which particularly remarkable are the editions unrecorded in the IBP – fragments of a work by Piotr Berchorius Liber Bibliae Moralis (Deventer: R. Paffraet, 1477 = GW 3864) and the remnants of Missale Sverinense(?) (Rostock: Fratres Domus Viridis Horti, post 1500(?) = GW M23994). The discovered incunables and the 16th century prints are presented in the form of the catalogue records consisting of the bibliographic description completed with the individual features of each of the exemplars.
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This article brings to the fore the main titles of romanian and foreign books under the management of the MNHAC library in 2017.
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