CORPUSUL RĂSPUNSURILOR LA CHESTIONARELE ION MUȘLEA, vol. V, CHESTIONARUL XII. OBICEIURI JURIDICE, ediție critică de documente etnologice inedite, prefață, note, indici și glosar de Anamaria LISOVSCHI, Editura Mega, Cluj-Napoca, 2020

Author(s): Ela Cosma / Language(s): Romanian Issue: 63/2024

Review of: ORPUS OF ANSWERS TO THE ION MUȘLEA QUESTIONNAIRES, vol. V, QUESTIONNAIRE XII. LEGAL CUSTOMS, critical edition of unpublished ethnological documents, preface, notes, indices and glossary by Anamaria LISOVSCHI, Mega Publishing House, Cluj-Napoca, 2020

Български езиковедски дисертации за 2023 г.

Author(s): Sonya Boyadzhieva / Language(s): Bulgarian Issue: 1/2024

The Art of Urban Design. Post-Industrial Regeneration in the Work of Marcel Smets

Author(s): Șerban Țigănaș / Language(s): English Issue: 11/2023

The exhibition. The title of the exhibition is “The Art of Urban Design. Post-Industrial Regeneration in the Work of Marcel Smets”. Although one may be surprised by the unreserved description of urban practices as art, the levels of complexity, innovation, and competence manifested in the works are raising the results to the very level of artistic expression. Let’s look at the content of the exhibition as defined by its authors: “Encompassing three decades of recent urbanistic practice, the exhibit highlights the complex environments and co-creative processes at work in the renewal of the contemporary city. Rather than a métarécit of the prodigious career that connects the showcased projects, the exhibit occasions the opportunity of starring many individuals, organizations, and communities, grouped into professional or social constellations are generated by two kinds of gravity: on the one hand, the axiological weight of the city and, on the other hand, the undeniable attraction force exerted on contemporary subjectivity by derelict industrial and infrastructural places. The selected projects display a threefold diversity: (a) chronological – from the early ‘90s to the present; (b) typological – railway stations, port districts, urban river fronts, road infrastructure, and derelict industrial areas or public facilities; (c) geographical – projects from Belgium, France, Italy, and Portugal.”

Constructed Geographies: Paulo Mendes da Rocha Curators: Jean-Louis Cohen and Vanessa Grossman; Scienti(c Consultant: Catherine Otondo; Exhibition project: Eduardo Souto de Moura and Nuno Graça Moura Casa da Arquitectura — Portuguese Centre for Archi

Author(s): Alexandra Demetriu / Language(s): English Issue: 11/2023

The exhibition “Constructed Geographies: Paulo Mendes da Rocha,” Jean-Louis Cohen’s last curatorial project, is currently on view at the Casa da Arquitectura in Matosinhos, Portugal. For more than ten months, from May 2023 until February 2024, this display offers the unique opportunity to explore the life and work of one of Brazil’s most celebrated figures, Pritzker Prize architect Paulo Mendes da Rocha. Running in parallel with major architectural shows such as Pompidou’s Norman Foster or Herzog & de Meuron at the Royal Academy in London, the Mendes da Rocha retrospective stands out for its unique approach.

Bibliografia prac Profesora Romana Mazurkiewicza

Author(s): Author Non Specified / Language(s): Polish Issue: 2/2024

Bibliografie

Author(s): Author Not Specified / Language(s): Romanian Issue: 01/2023

This article contains titles of works on the theme of maritime law.

List of peer reviewers for the journal Sociološki pregled / Sociological review, 2024

Author(s): Snežana S. Stojšin / Language(s): English,Serbian Issue: 4/2024

Indexul revistei Pontica (2008–2017)

Author(s): Andreea Andrei / Language(s): Romanian Issue: 56/2023

The structure of the present index follows the model of the two previously developed indexes – the first, for the period 1968–2001, published in Pontica 35–36 (2002–2003), and the second, for the period 2002–2007, published in Pontica 40 (2007) – namely: summary, author index, locality index, and thematic index, which is further divided into several sections.

A MINIMALIST APPROACH TO ACADEMIC PRESENTATIONS

Author(s): Teodora Cernău / Language(s): English Issue: 1/2024

”Presentation Zen: Simple Ideas on Presentation Design and Delivery” by Garr Reynolds (2020) provides a comprehensive framework for enhancing presentation design and delivery through principles rooted in simplicity, clarity, and visual storytelling. This book challenges traditional, text-heavy presentation norms by introducing a minimalist approach. This review explores how the principles of the books apply to the academic context, examining its relevance for lecturers, students, and researchers seeking to convey complex ideas effectively. In addition, it highlights key strategies, including the use of visual aids, storytelling techniques, and principles of design. It also discusses the potential challenges of adopting these methods in academia and offers a critical perspective on their implementation.

Tăcerile născătoare de cuvinte/ Gunoiul nostru cel de toate zilele

Author(s): Alexandru Oraviţan / Language(s): Romanian Issue: 1/2025

Books review. The new volume aligns with the trend of essentialization and the cultivation of the thanatic, a dreamlike exploration through which Blandiana once again delves into her "ceremony of silence." / Ruxandra Cesereanu, in Regii gunoaielor, proposes a literary slalom through the milestones of Romania’s history over the past 35 years, capturing the reader’s attention from the very first pages by exploring the blurred boundary between reality and fiction.

Forța autodistructivă a ranchiunei/ Așteaptă și speră

Author(s): Adina Baya,Cristina Chevereșan / Language(s): Romanian Issue: 1/2025

The Count of Monte Cristo, the canonical novel by Alexandre Dumas, contains such a rich array of film-worthy themes that it is no surprise it has been adapted numerous times for both the big and small screen.

Квалификационен курс Каталогизиране в системата COBISS – основен курс

Author(s): Anelia Ivanova / Language(s): Bulgarian Issue: 6/2024

Библиография на научните трудове на Вера Маровска

Author(s): Desislava Dimitrova / Language(s): Bulgarian Issue: 2/2024

Библиография на научните трудове на Елена Каневска-Николова

Author(s): Slavka Keremidchieva / Language(s): Bulgarian Issue: 2/2024

Съдържание на годишнина XLIХ (2024) на списание Съпоставително езикознание

Author(s): Ina Mihaylova / Language(s): Bulgarian Issue: 2/2024

Една препоръчителна библиография за Вазов

Author(s): Tatyana Yanakieva / Language(s): Bulgarian Issue: 5/2024

Изложба от преписите на Паисиевата „История славянобългарска“ в Народната библиотека „Св. св. Кирил и Методий“

Author(s): Elisaveta Musakova / Language(s): Bulgarian Issue: 5/2024

Да уважаваме миналото, да изграждаме бъдещето. Интервю със ст.н.с.д-р А. Дипчикова

Author(s): Gancho Ganchev / Language(s): Bulgarian Issue: 5/2024

Обзор на османотурските документи за Казанлък и околността, съхранявани в отдел „Ориенталски сбирки“ на Националната библиотека „Св. св. Кирил и Методий“

Author(s): Hristiyan Atanasov / Language(s): Bulgarian Issue: 5/2024

The paper is an overview of the Ottoman Turkish archival records stored in the “Oriental Collections” department of the National Library “St. St. Cyril and Methodius”, which are related to the history of Kazanlak and its district from the 17 th century to the period after the Liberation. The presented records are part of various collections: “OAK” and “НПТА”, as well as from some archival funds (main funds, the so called “A” massif funds and pre-funds) of Kazanlak, Stara Zagora, Plovdiv and the old sanjak Chirmen. It is presented also a brief review on the history of the town and the region.

Egymás nélkül nem megy

Author(s): Katalin Gyürky / Language(s): Hungarian Issue: 3/2024

Between 21–29 June 2024, theatre professionals gathered in Kisvárda for the 36th time to see the past season’s outstanding performances produced by Hungarian theatres from Hungary and beyond in the form of a festival. Katalin Gyürky was primarily interested in the question whether one could find hidden or not so hidden connections between the various productions seen at the prestigious professional gathering, although they were featuring plays by different classical and contemporary authors and represented very different directorial visions.