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The present paper entitled “Exaltaions about Name: or, Two Contemporary Anthologies Dedicated to the Apostle and Beyond Them” comments the existence/non-existence of interest about the historical figure and life's work of Vasil Levski as a thematic field in Bulgarian poetry in the last few years. The observations, made on the basis of separate works of art, books and virtual sites, are a scientific attempt to outline the profile of current trends. These trends are combining aesthetic and socio-political attitudes towards the figure of the Bulgarian national hero.
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This paper analyzes the unpublished overview of Bosniak literature written by Enver Čolaković. Written during the time of the Independent State of Croatia (NDH) within the project entitled “Croatian Muslim Monographs”, this study, content wise, had to adhere to the rigid national-ideological framework of the cultural policy of that time. However, the author, insisting on his Bogomil roots, Bosnianhood and Bosnian identity of the Bosniak literature managed to achieve, to the extent it was possible, a counterbalance to the nominal Croatianhood and the officially promoted “Croatian-Muslim literary canon”. The quality of his work can be seen in the fact that Čolaković wrote not only literary-historical overview of the Bosniak literature, but also provided its general periodization, and established, according to his personal ideas and literary-esthetic predilection, anthological-chrestomathic order of writers and works of Bosniak literature.
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The article presents perspectives adopted in research related to linguistics studies dedicated to Polish old catholic sermons, mainly preached in 19th century. First part of this paper presents characteristics of newer linguistic research carried on basis of sermons in 19th century in comparison to sermons preached prior to this period. In second part the author discusses the perspective of research that she have adopted during own research on sermons created and published in second half of 19th century. The author considers as the most crucial reference the concept of historical and linguistic, also communicative idea developed by Stanisław Borowski that has been associated with category of communicative community as well as its bonding and shaping communicative processes. Equally important to author’s research is generic perspective, which allows to describe meaning and function of religious statement genre, such as sermon, in order to realize communicative needs of religious communicative community. Direction of research within this area is based mainly on the concept of genres created by Maria Wojtak and Bożena Witosz, especially assumptions of historical genology. Another point of view, allowing to discover interesting possibilities of analysis, brings consideration of historical, cultural and social realities that accompanied creating and functioning of preaching texts. Last part presents sample lingual analysis of hell’s image, in which it is including delineated research perspectives. The paper discusses assortment criterion in analyzing preaching texts that are believed to guarantee representativeness of research material.
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Rhetorics of Letters written to Ceausescu by Dorin Tudoran Letters written to Ceausescu by Dorin Tudoran represent a way to express the negative attitude towards the totalitarian communist system in Romania. The structure of the letters reveals the author’s unique style. The detected style is an argumentative one, where the logical open argument is always announced. The author uses the sentence to communicate with the reader. Thus, the sentence, in the greatest number of cases, is simple, although the inversion can often be observed too. The composite sentence is distinguished by its complexity. Still, the subordinate clauses are more often used than the coordinate ones. The letters are written in a combined style (administrative official style and the belletristic one) which generates an easy, expressive, and coherent exposure.
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Considering as premise the playwriting of William Shakespeare being one of the touchstones of humanities, in this study we will rise the question about the method through which the work of the classic writer became a way of the contemporary society to reflect some of its most polemized, keen, difficult or challenging topics. Going on, a necessary answer will be given regarding the fact that the plays of the English author get today rather the utilitarian aspect in the scenic approach or if, in fact, there are more nuanced positioning. And there are, as we can not put aside the way that artists are often perceiving the message in a whole, not only on the edge of social, documentary or politic theatre. Therefore, what is it transmitted to us and what do we transmit to history when Shakespearean plays are staged in refuges camps or when debating the veteran’s status. In our approach we will focus on some main artistic directions or forum theatre examples: Love’s Labour’s Lost directed by Corinne Jabel at Kaboul in 2005, the Hamlet Globe Théâtre's production directed on refuges camp in Calais, in 2016, and also Macbeth directed by Peter Callender or the one directed by Amy Attaway from 2019, both talking about the veteran’s or vulnerable groups status. But we believe that each of those visions are simply emphasizing the idea that the great literature fights for fundamental humanist and moral principles.
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The research focuses on the main texts of the Old Bulgarian hagiographical cycle about Saint John of Rila. Text analysis of the post-biographical parts leads to the conclusion that the relics of the Rila saint extremely actualize their impact in historical periods that are dramatic for the ethnic destiny.
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This article presents an unknown until now old printed books collection of the “Holy Trinity Monastery” in Novo Selo, Apriltsi. It contains 18 printed books, most of them are Russian liturgical books, the earliest of which are the Gospel and the Apostle, published in the Kievo-Pechorian Lavra in 1752. Rare editions of engravings are presented and is given the content of the contributions, which gives information about the books themselves, about their owners and about the history of “The Holy Trinity Monastery” in Novo Selo. Particular attention is paid to an unknown note from the famous Bulgarian Revival writer Stoyan Kovanlushki.
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The study is an essay to draw a classification of the lexemes with foreign origin, mostly Greek and Latin, according to the 13th original works of Patriarch Eythymius. Those lexical strata englobe multifunctional and nonhomogeneous unities, dispersed in different textual contexts. They are just a nuance, not the base of the vocabulary, but perform important historical, cognitive, and stylistic functions, rising the prestige of the lexical richness, and crediting it with international dimensions in basic conceptual spheres of Christianity.
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The article treats the means of expression of hesychastic apophaticism, used by Old Bulgarian writers of the 14th – 15th centuries, and the author tries to show that these means are very old, and were characteristic even for the mind of primitive people. He pays attention to the synonymy of ‘aphophatic’ negative pronouns and ‘cataphatic’ summative pronouns; to the pleonastic use of the negative particle не; to the syntactic but- constructions; and to necessative constructions.
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The semantic realizations of the concept of will in the history of Bulgarian literary language are examined in this paper. The linguistic facts of Old Bulgarian manuscripts, original works of Patriarch Euthimius, New Bulgarian damascenes and modern language are used. The system of phrases and sentences with “will” and its distribution in different contexts are analyzed in a relation with cultural situation in the ХIV c., Christian ideas and strategy of the author.
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Versed dictionaries in the Ottoman literary tradition are smaller dictionaries, typically containing several hundred words of one language interpreted with semantic matches in another language. The words are arranged according to the metrical feet of Arabic metrics and principles of rhyming in a specific poetic form. The most numerous are those featuring lexicons of two or all three languages of Ottoman culture: Arabic, Persian and Turkish. Words are listed in a sequence so that those that are mutually interpreted in terms of meaning stand next to each other and only one meaning is given. The lexical material is divided into several units, or longer stanzas, each in a different poetic meter, with varying poetic forms.. They are intended for learning by heart with the aim of acquiring the basic lexicon of a second language and for getting to know the metrics and characteristics of poetry. The originality of versed dictionaries lies in the author’s choice of vocabulary and the poetic skill of composing verses with words from different languages. They represented basic literature at a lower level of language learning. They were used in both public and private education throughout the Ottoman period. The paper provides an overview of the tradition of writing versed dictionaries in the Ottoman period. It refers to Uskufi’s 17th-century Turkish-Bosnian verse dictionary Makbûl-i ʿÂrif as part of that tradition. The structure of versed dictionaries is described as their common characteristic exemplified by verses from various dictionaries, including Uskufi’s Turkish-Bosnian dictionary.
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