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The study presents a brief biography of university teacher, scientist and intellectual Carl Johannes Zinner († around 1810). His activities are connected in a special way with Košice, he worked at the Royal Academy. Interest in the modern history of the United States led him to make contact with Benjamin Franklin. In consideration of this he obtained a special position in the history of Hungary and belonged to the important persons of history at the late 18th century. The study maps Zinner's life, work as well as scientific and political thoughts of Zinner to the recent or past events.
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Discontinuum-continuum: the theory of composition by Julio Estrada. The Julio Estrada’s output is still the unexplored area, what creates the opportunity to study the phenomenon called discontinuum-continuum. During the last 36 years of the creative activity, Estrada has developed several aspects of the macro timbre that integrate several compounds of a composition. In his research, Estrada confronts two different situations in the compositional process: continuous transformation of the sound and chronographical method, using strictly defined recording process in order to receive three-dimensional movements of the sound in the topological order. As a result of existing these two situations, a musical work is impossible to be defined by one technique or musical style. Examination of the theory of composition called discontinuum-continuum allows one to understand a new methodology of musical creation that involves scientific research of the physical phenomenon of sound and introspection of the imagination of the sound.
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It is extremely difficult to identify the centre of Jan Patočka’s philosophy. This can be either the concept of natural world, but also subjective phenomenology or philosophy of history. I believe that the diversity of perspectives, and the motives that intermingle and cross with each other do not distort the centre of his thoughts, it is the struggle for authentic being of a human. Patočka addresses a human who fights for his soul which manifests in that he rejects the obvious, the absolute, the otherworldly, the certain.Patočka was critical about the history of classical metaphysics (from Plato to Husserl), believing that it aimed at what is certain and objective, and finally – absolute and eternal. He contrasted it with the Socratic uncertainty and problematicity. The concept of Patočka was particularly visible in the interpretation of Plato’s theory of ideas. The Czech philosopher showed a specific form of knowledge about the absolute transcendence with special relationship of human life to the entirety, including the primary reference to the non‑existence. Patočka emphasized the negativity as an inherent characteristic of human freedom. The horizon of this freedom is formed by temporality and historicity.Patočka’s approach to the philosophy of history is special. One can say that the concept of the Prague philosopher went beyond the framework of the classical understanding of the philosophy of history. Patočka did not treat it as a philosophical reflection on the history especially that he did not think of any historiographical reflections: the philosophy of history is not an interpretation of what happened. According to Patočka, the history always represents the history of man. The history is an objective power that is beyond the understandingof a man. On the other hand, people may only give the meaning to theirlives in the history.The history of Europe was another important topic of Patočka. Europe is a philosophical concept. When asked what was Europe, he replied by describing and clarifying its history and forces that governed it. In his deliberations, Patočka was focusing on its formation (by asking: how has Europe become Europe?) and on what happened later and was described by him as the post‑European era (why did Europe fall?). Also all that have spread between thebirth and the death, what was the course of spiritual fate of Europe, was of importance. According to Patočka, it was the caring for soul that had made the foundation of the European heritage.In the discussion concerning the meaning and the continuity of Czech history Patočka had to take the floor. Firstly, he referred to the history of the dispute, arguing against the opinions of Jungmann, Bolzana and, above all, of Masaryk. Secondly, in this context it is possible to take a wider look at the very concept of the Patočka’s philosophy of history, looking at it from the angle of its national application, in other words: from the side of the philosophical and political responsibility of individuals in their social and political lives.Because the philosophy of Patočka is closely associated with his life, the last part of the book includes his intellectual biography. It consists of two parts: the first one describes the meetings with philosophers who influenced the development of his views, starting from the Greek philosophy, through Husserl to the Comenius. All this variety of inspirations shows that the unity of the history of philosophy and the philosophy of history come to the fore in the philosophical achievements of Patočka. The second part addresses the philosophical(and personal) participation of Patočka in the political events that took place in Czechoslovakia. This is how the tragic synthesis of Socratic life and thinking took place.According to Patočka, a man who wants to live in truth must not let the calm harmony of everyday life dull him, he must open to what is disturbing and mysterious – to what is left aside by life – to be able to pass from the order of the day to the mystery of the night.
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In the folklore of many peoples, the luminous bodies and phenomena are related tothe traditional concepts of the world structure. In the Bulgarian popular astronomythe Milky Way is seen as a Straw Road. The folklore texts present the “road” as both aborder and a bond between the “own” and the “alien” space, between the earthly andthe “divine” world. It is a process of movement in the mythological space but it couldalso be a place where the worlds in this space meet. Such development of the conceptof the “road” in the Bulgarian popular tradition is related to liminal rituals typical ofcalendar festivals including Christmas.
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The article is part of a series of observations related to the problem of the identity construction of the Easteauropean emigrants/immigrants “in the West” (Europe andUSA) before and after the “democratic changes”. Here, the author examines the first case (the second one is published in the second volume of the thematic issue “The Road”) which is based on materials from Estonia. The article shows the specifics of the Estonian labour mobility to Scandinavia in the context of the identification “main stays” developed by the Estonian society and related to the so-called popular religion and the neo-paganism which form a “working” national narrative.The article is based on the fieldwork of the author, published sources and Internet materials.
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The publication deals with ontological, ethical and axiological issues. The author presents a philosophical position which he describes as transcendental rationalism. The book concludes a four-volume publishing cycle, which collected texts containing often controversial views and opinions of the Author – a Polish philosopher, logician, and founder of the ontology of the situation.
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This jubilee publication dedicated to Professor Jacek Migasiński contains texts from his friends, colleagues and students, which refer directly to the philosophical and academic activity of the celebrated professor, as well as addressing issues close to his heart, and falling within the spectrum of issues from metaphysics through phenomenology. The professor devoted most of his research to these two, huge spheres of problems.
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The NOEMA Journal continues to publish, in a series, the book THE SECRET OF GENIALITY (Yerevan, Armenia, Noyan Tapan Printing House, 2002) by our colleague Robert Djidjian, not only because we all must know the philosophical research and creation (in our domain of epistemology and philosophy of science and technology) from a wider geographic area than that provided by the established fashion in virtue of both extra-scientific reasons and a yet obsolete manner to communicate and value the research; but also because the book as such is living, challenging and very instructive. The title of the book is suggestive enough to make us to focus on an old age question: the dialectic of the insight, of the discovery, its psychology moving between flashes of intuitions and cognizance stored in memory, and its logic of composition of knowledge from hypotheses to their demonstration and verification. The realm of science is most conducive to the understanding of this dialectic and the constitution of the ideas which are the proofs of what is the most certain for humans: the “world 3”, as Popper called the kingdom of human results of their intellection, and though transient and perishable in both their uniqueness and cosmic fate, the only certain proof of the reason to be of homo sapiens in the frame of multiversal existence. Therefore, creation is the secret of the human geniality, and how to create science is a main part of this secret.
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Learning, creativity, and innovation are considered as the axis of the activities of all educational and entrepreneur-based institutions. Learning style of students as one of the factors effective in learning and academic progress has always been taken into consideration. By identifying the learning style and rate of creativity of individuals, each style can be a more appropriate teaching method adopted by teachers and also a more correct method of learning by learners. Accordingly, the main goal of the present article is to identify the differences of learning styles of individuals in different academic majors and the rate of the creativity of individuals in each learning style. The present methodology employed in this research is of descriptive-correlational research design. The statistical population consists of all the last-year students at the high school level in the city of Ghaen. The statistical sample consisted of 115 girls and 117 boys selected by classified sampling. Kolb’s learning style inventory and Abedi creativity were used to collect the required data. These two tools are standardized, therefore their validity is verified. On the other hand, the reliability of the Kolb’s inventory and that of Abedi’s creativity were 0.74 and 79.5, respectively. To analyze the data obtained by Chi-square tests, one-way analysis of variance, Pierson covariance, and stepwise regression were employed. The results show that there is a meaningful difference between the creativity of the students with diverging and assimilator learning styles. Learning styles of students of different branches are also different. Creativity of the students of Mathematicsis more than that of the Humanities and there is also a meaningful negative relation between concrete experiential learning methods and creativity (r=0.702 and p<0.01).
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The text analyzes the possibilities to think of pure language as indicated in the harmonization of modes of intention in the translation activity. This language is, in a sense, a regulative idea and it have to be liberated in translation. It is essential to distinguish between the modes of intention and intended objects, between what is named in pure language and what is „overnamed“ in human languages. One of the theses in this text – that language in its auto-relation undergoes auto-modalization – makes the connection with Kierkegaard's understanding of the impossibility of direct communication. The indication of the untranslatable is an opportunity in the language of the translator to insert as indicated the elusive in the translation and thus to introduce the use of a broken language. Awakening of the "echo of the original" means a „thinking more“ (according to Kant) through the figure.
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Modern Mimesis: Self-Reflexivity in Literature is a passionate defence of philology that traverses the distances from Ancient Hellas to present-day Japan, from Ulysses to robots. This movement follows a logic described by the author as reconceptualization, and creates conceptual nodes configured through horizontal and vertical, temporal and spatial self-reflexive reduplications. The broad arc from the libraries of Alexandria and Pergamum to the mimetic valleys of robotics thus turns out to be underpinned by the reconceptualization of the ancient dispute between ‘analogy’ and ‘anomaly’, turning any attempt at ordering into an ‘endless series of rearrangements’.
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The monograph is a work in the field of philosophy and concerns its section called metaphilosophy, which studies the nature, methods, tasks, goals, subject and scope of philosophical research. The point of reference for metaphilosophical considerations are the metaphilosophical views of the most eminent representatives of the most important Polish philosophical school in the twentieth century, i.e. the Lvov-Warsaw School, founded at the end of the 19th century by Kazimierz Twardowski. They were supplemented and contrasted with the views of other prominent Polish philosophers of the 20th century, such as Henryk Elzenberg and Bogusław Wolniewicz.
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Analytic description, according to members of the Lvov-Warsaw School (LWS) like Czeżowski, Ajdukiewicz, Ossowska, Tarski is a powerful and an indispensable tool, not only in philosophy but also in any natural science – in psychology especially. It should be equally respected together with empirical analysis and even it is recommended that it should precede any further research. Therefore, the book Analiza i konstrukcja: o metodach badania pojęć w Szkole Lwowsko-Warszawskiej [Analysis and construction: on the methods of researching concepts in the Lvov-Warsaw School] can be recommended to philosophers as well as scientists.
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The article discusses the origin and meaning of the notion and the term leonine partnership, as well as the problems associated with the distribution of profits and losses between the partners in the consensual contract for partnership in Roman law. The fragment from the Digests of Justinian where actually is the unique mention of the expression societas leonina and this form of partnership is defined by the Romal classical jurist Cassius is subjected to a legal-dogmatic and linguistic analysis. The fable of Phaedrus for the partnership between a lion, a goat, a cow and a patient sheep which is considered to be the original source, used for forming the concept of the leonine partnership in Roman legal thought is completely analysed and interpreted. The author paid special attention to the magna questio (the great discussion) among Roman jurisprudence, dating from the period of the end of the Roman Republic with some projections and in the classical period in connection with the distribution of profits and losses in the consensual contract of partnership as a result of the partnership`s activity. And on the other hand the article examines the problem about the existence of privileges or restrictions for certain partners regarding the profits and analysis of the two leading opinions on the subject through the exegesis of a fragment of the Institutions of Gaius.
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The knowledge existent at present, which generates the need for a new approach to the myth of Dracula, refers to an almost unanimous reception based on the novel published in 1897 by Bram Stoker and on the tens of the subsequent portrayals which have induced a social and cultural paradigm standardized as commercial kitsch. Within this fictitious construct Dracula has been expounded in manifold keys. However, to ordinary perception, his figure is reduced to the semi-caricatural vampire character, the living-dead craving for blood. This article aims to answer a series of questions about the representations of Dracula and their relevance to the fields of cultural and literary studies: Which is the “real” Dracula? Which are the psychological, cultural, social and historical impulses determining the actions of the character and the established myth? To what extent the deeds of the personage can be accounted for through the instrumentality of psychological impetus and by the agency of cultural, philosophical, esoteric, and occult principles? Thus can the “real” Dracula be integrated into an ampler context of culture and civilization, where his alienation and his monstrosity belong less to the paradigm of “the other”, of “the stranger” and refer more to the revealing of some of “our” intimately repressed human features?The article proposes a critical examination and reinterpretation of Dracula’s image, starting from the novel Jurnalul lui Dracula (Dracula’s Diary) (1992) by the Romanian writer and academic Marin Mincu. Original responses are being suggested to the questions defined previously – through several writing and literary theory techniques, including references to Corpus Hermeticum.By comparing and contrasting the hermetic philosophical text and the Romanian novel, the essay aims at finding out whether the entire construct of the myth of Dracula can be explained through two cultural and philosophical aspects, namely death and immortality. It also offers a new reading, another conceptualization of a familiar but debatable subject, which reinterprets and even rejects the mainstream view. The work by the extremely well-informed Romanian academic, which was first published in Italy, has nothing in common with Bram Stoker’s (“vampiric falsification”, asserts the author in the preface…), but vividly portrays the “real” Dracula, the Prince Vlad the Impaler, imprisoned in the underground cave of a castle under the Budapest Danube, writing a journal between February, 2nd, 1463 and August, 28th, 1464. In his diary the character recalls his historical fate and legendary destiny through references to aspects of Romanian culture and civilization considered in a European context. For instance, the study approaches topics such as: the religion of Zalmoxis as the philosophical and existential foundation of the Romanians; Dacians’ attitude towards death, as described by Herodotus, which might have influenced Pythagoras, Socrates, the Eleusinian and the Orphic Mysteries; the boycott of history by the Romanian people (an echo from philosopher Lucian Blaga’s writings); the orality of the Romanian culture (as opposed to the written culture of the western Europe); the oral folkloric creations, the ballad Miorița (The Little Ewe) and the fairy-tale Tinerețe fără bătrânețe și viață fără de moarte (Youth without old age and life without death), etc. All of these are put forward within the humanistic, Renaissance context of the epoch, given that Dracula was a friend of Marsilio Ficino, Nicolaus Cusanus, Pope Pius II, Cosimo de’ Medici, etc. Researchers will discover new speculative themes and directions with regard to the seemingly exhausted myth of Dracula.
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After a theoretical review of the studies of dreams in anthropologically oriented research, the author especially considers folkloristic studies of the dreams symbolism, as well as the dream stories as a genre. The second part of the paper is dedicated to the analysis of field narratives – the stories of prophetic dreams. The focus is on the problems of the interpretation logic, the way of fitting into the autobiographical experience, and the relationship between the individual conceptions of dreams symbolism and the traditional matrices.
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The paper examines the folklore understanding of weather conditions, archaic conceptualization of cataclysms and contemporary newspaper/internet articles on similar topics in a comparative context. It turns out that modern civilization inherits part of the rhetorical repository and imaginary of traditional cultures when it comes to meteorological phenomena, employing them in a new context in the already recognized global “discourse of fear/intimidation” (F. Furedi, D. Altheide, P. Cap). At the same time, this rhetorical identification is seductive insofar as all its parameters (the planet has warmed since pre-industrial times, glaciers are melting, sea levels have risen, a large percentage of forests emitting oxygen have been cut down, the ozone layer and ecosystem-regulating animal species vanish, humanity has increased enormously) speak that on a global level something dramatic is happening and that we are not just witnessing another of the great resurrections of history and its (mis)use.
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Book Review: Ана Вукмановић. У трагању за извир водом. Слике воде у јужнословенској усменој лирици. Београд: Академска књига, 2020. 296 стр. ISBN 978-86-6263-301-9
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Book Review: Disenchantment, Re-enchantment and Folklore Genres. Ed. by Nemanja Radulović, Smiljana Đorđević Belić. Belgrade: Institute for Literature and Arts, 2021. 286 pp. ISBN 978-86-7095-286-7
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