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Voljeti smrt kao sestru, umirati skupa: autobiografija i
žalovanje

Author(s): Zoran Janković / Language(s): Serbian Publication Year: 0

Derrida, a l’encontre de Heidegger, essaie d’effacer les frontičres que l’ontologie fondamentale trace rigoureusement entre “ma mort”, toujours la mienne et la mort d’autrui. Pour brouiller cette distinction stricte heideggerienne, Derrida, tout comme Ricoeur, assigne un rôle crucial au deuil. En examinant ce “deuil originaire”, et la fonction du ton autobiographique qui devient omniprésent chez le “dernier” Derrida, cet article souleve la question qui est celle de savoir ce qui se passe quand mon deuil est raconté. Rapprochant de cette maniere Ricoeur et Derrida, il tâche tout d’abord de faire apparaître que l’autobiographie ne peut pas “approprier” la mort par principe, et, ensuite que le deuil originaire derridien, en derničre analyse et paradoxalement, implique une certaine violence.

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Niko živ ne može vršiti dekonstrukciju. Ka Deridinoj epistemologiji fantomskog

Author(s): Ugo Vlaisavljević / Language(s): Bosnian Publication Year: 0

Already in his earliest writings on Husserl, Derrida came to believe that the essence ofWestern thought lies in its will to secure a lasting presence of things. His determination of metaphysics as a metaphysics of presence has become very known and abundantly interpreted. However, there is a scandalous silence concerning his complementary determination of metaphysics as a metaphysics of life. As for all history of philosophy, and most evidently at its end in Husserl, the presence meant a vivid presence, a full presence of Life to itself. So the famous critique of metaphysics has to be, not in a second place, a critique of the philosophy of Life. How much seriously have we taken Derrida’s early insight that “the living present”, that ultimate ground of phenomenology, which is in turn characterized as “the most modern, critical and vigilant form of metaphysics,” is “a concept that cannot be broken down into a subject and an attribute?” To take a clear hold on this issue is to see in deconstruction a thought that tries to introduce into philosophy not death in general but “my own death.” In comparison with the metaphysics, its proper register is neither life nor death. Deconstruction turns out to be a thought that is not afraid of being haunted by specters and phantoms.

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Utopija razlike

Author(s): Miroslav Milović / Language(s): Serbian Publication Year: 0

Derrida´s deconstruction can be regarded as a radical consequence of the question of ontological difference. According to him, Heideggerian project is still related to the specific hermeneutic reification. The new Derridian difference also has important ethical and political consequences. It is the framework within which it is possible to think democracy beyond metaphysics.

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Еросът във феноменологичен контект. Метафизичен поглед към един неопредметен Ерос

Author(s): Nevena Krumova / Language(s): Bulgarian Publication Year: 0

The main purpose of this paper is to review the place of the concept of Eros within the parameters of the metaphysics, seeing Eros not as a social, psychological, esthetic or any other kind of concept, but exactly as a subject of a metaphysical inquiry. What is this metaphysical inquiry, within which the issue of Eros can be unfolded, in particular, and what is the answer to the question „Do we fall in love with the metaphysics?”? To find out the answer, we need to define what we mean by metaphysics in this study, i.e. we cannot ask any kind of metaphysical question without facing the question „What is metaphysics?”, entering the same circle of thoughts faced by Heidegger himself. But our „here and now” is different and therefore the answers to this question would be different. We make the clarification that the critical transcendental metaphysics, which Kant wrote about in the „Critic of Pure Reason”, is different from the way Heidegger raised his metaphysical issues. We underline that we make a difference between the being concept of Heidegger and the cognitive concept of Kant, but in both cases it is with no doubt a metaphysical problem.

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ARISTOTELOVA „PRVA FILOZOFIJA“

Author(s): Damir Marić / Language(s): Bosnian Publication Year: 0

The purpose of this paper is to give a general account of Aristotle’s first philosophy or metaphysics. The author pays special attention to the following problems: substance (ousia), the dichotomy between ontology and theology, the first mover or God.

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ARISTOTEL KAO NAJAVLJIVAČ

Author(s): Miodrag Živanović / Language(s): Bosnian Publication Year: 0

Das Hauptthema in diesem Text ist mogliche und wirkliche Einflus von Aristoteles auf zukunftlichen Ereignisen in der Entwicklung von Philosophie. Auf andere Seite, hier wir haben noch ein Teil uber Aristoteles Beziehung mit Philosophen, durch ein Beispiel bei Alteren Pythagoreer. In diesem Sinn, ganz wesentlich ist die Aristotelesverstandnis die Ursprungen von altgriechische Philosophie.

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Töprengések

Author(s): Zádor Tordai / Language(s): Hungarian Publication Year: 0

A megváltás csillaga az asszimilációban A misztika fogalmáról Történelem és emlékezés határán Vallomás a Nyugatról Apocalypse Now

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MEVLANA, RAZUM I FILOZOFIJA

Author(s): Ibrahim Kalin / Language(s): Bosnian Publication Year: 0

In this essay, restraints of the human mind in Mevlana’s critique of ratio are pointed out, and relativity of all teachings that observe truthfulness and the Absolute Truth through narrow horizons of individual cognition, enquiries and doubts as well. Mevlana does not reject the mind – he only points to snares and traps that mind has to avoid and overcome to reach insight. A clear insight is reached when the mind – following the process set by it – overcomes its own doubts, that is, the state of cognition which is reached by the mind limited by its own borders. However, when the mind realizes its own limitations, it becomes open for insights into the Absolute Mind, a collection of principles that inspire each individual mind.The Absolute Mind is wholeness, while the limited mind is a part.Each and every human insight is relative. It can be a sign, a symptom of the Truth, but it does not represent the truth in wholeness, and there fore the meaning of being has to be more than its individual manifestations.

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Humanistička i bogočovečanska kultura

Author(s): Justin Popović / Language(s): Serbian Publication Year: 0

Evropska kultura počiva na čoveku kao na temelju. Čovekom se iscrpljuje njen program i cilj, njena sredstva i sadržina. Humanizam je njen glavni arhitekt. Sva je izgrađena na sofističkom principu i kriterijumu: čovek je mera svih stvari, vidljivih i nevidljivih, i to evropski čovek. On je vrhovni stvaralac i davalac vrednosti. Istina je ono što on proglasi za istinu; smisao života je ono što on proglasi za smisao; dobro i zlo je ono što on proglasi za dobro i zlo. Kratko i iskreno rečeno: evropski čovek je sebe proglasio za boga. Zar niste primetili kako on neizmerno voli da boluje, da boguje naukom i tehnikom, filosofijom i kulturo, religijom i politikoim, umetnošću i modom, – da boguje po svaku cenu, makar inkvizicijom i papizmom, makar mačem i ognjem, makar – trogloditstvom i ljudožderstvom? On je jezikom svoje humanističko – pozitivističke nauke objavio da – nema Boga. I vođen tom logikom on je smelo izveo zaključak iz toga: pošto nema Boga, onda sam ja – bog !

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Svetosavska filosofija kulture

Author(s): Justin Popović / Language(s): Serbian Publication Year: 0

Mi živimo na geografskoj i duhovnoj vododelnici između dva sveta, između dve kulture, između Istoka i Zapada. Naša narodna duša poslata je u ovaj zagonetni svet, i rečeno joj je živi – na oštrici mača! Može li iko od nas bez opasnosti po sebe živeti na oštrici mača? Nije li za takav život neophodno da se svi atomi bića našeg pretvore u oči neuspavljive, i sve misli duše naše u zenice neoslepljive? S jedne strane, dušu našu privlači metežni Zapad magnetskom težinom svojom, a s druge – mami nas spokojni Istok tajanstvenom krasotom svojom. Pod politiranom korom Zapada tutnje vulkanske protivrečnosti, pod hrapavom korom Istoka šume bogočežnjive ponornice duha. I nas rastržu dva sveta. Kuda ćemo ići: na Istok ili na Zapad. Naša duša mora biti heruvimski vidovita i serafimski sluhovita, da bi mogla poći i ići putem, koji se neće završiti njenom smrću. Ne reci: neka se razdeli duša naroda našeg, neka pola pođe na Istok a pola na Zapad. Prijatelju, može li oko tvoje gledati, ako ga razdeliš? može li srce tvoje osećati, ako ga rasečeš? može li carstvo opstati, ako se razdeli? Same činjenice neporečno odgovaraju i nepobitno svedoče: ne može. Kako onda duša naroda našeg može živeti, i ne umreti, i besmrtna postati, ako se razdeli?

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Cu privire la conceptul „Sfârșitul / Moartea filosofiei” din perspectiva fenomenelor cultural-didactice actuale

Author(s): Valeriu Parnovel / Language(s): Romanian Publication Year: 0

The present paper is a study of the modern of „the crisis of Philosophy” in the realm of the new cultural and educational phenomena, such as, the penetration of Philosophy in all spheres of education, the establishment of the International Olympiad in Philosophy for school pupils, of the International Day of Philosophy, the development of the “Children’s Philosophy”. The approach of confrontation allows to present the crisis of Philosophy not as its decline, but vice versa, as a turning point towards its Socratic model of existence.

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Über die Möglichkeit Visuellen Denkens

Author(s): Alexei Krioukov / Language(s): German Publication Year: 0

In letzter Zeit ist die Ansicht populär geworden, dass auf dem Grund des Denkens die visuelle Vorstellung liegt. Auf den ersten Blick scheint es zwar so, dass alles Gesehene ursprünglich in einer willkürlichen Unordnung besteht. Doch dieser Anschein ist falsch, da die visuelle Wahrnehmung eine eigentümliche Logik aufweist. In diesem Beitrag möchte ich drei Aspekte davon ansprechen: Erstens: Das visuelle Denken liegt im Hintergrund des Denkens in einem weiteren Sinne. Das läßt sich sehr gut mit Hilfe der phänomenologischen Analyse zeigen. Zweitens: Das Sehen läßt sich selbst erziehen, was von bestimmten Praktiken abhängt. Sehen und Betrachten sind mithin nicht das gleiche. Drittens: Das Sehen ist kein willkürlicher Akt, wenngleich vorausgesetzt werden kann, dass jeder das sieht, was er will, sondern es gibt eine eigentümliche Logik des Sehens und bestimmte Organisationprinzipien der visuellen Wahrnehmung. Mein Beitrag besteht aus drei Teilen. Im ersten Teil Sehen als vorprädikative Erfahrung skizziere ich diejenigen Positionen, die die These vertreten, dass das Denken auf der Anschauung als Prinzip basiert. Im zweiten Teil Erziehung des Sehens diskutiere ich diejenigen Positionen, die das Sehen als Erziehungsprozess in Betracht nehmen. Im dritten Teil Logik des Sehensstelle ich einige Aspekte der eigentümlichen Logik des Sehens dar.

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Z otčiny na galeje a späť. K významovým a výrazovým dimenziám motívu domova v spisoch uhorských protestantských exulantov v 17. storočí

Author(s): Petra Rusňáková / Language(s): Slovak Publication Year: 0

Until the half of the 17th century Hungary was a country where even non-catholic religious communities were tolerated. Although in the second half of the 17th century the ruling dynasty of Habsburgs reacted more strictly to movements in Europe and inside the monarchy (Turkish occupation, thirty years’ war, anti-habsburg rebellions). In order to internally strengthen his empire, the monarch took steps related also to religion. Religious homogenity was at that time considered to be one of the country stability aspects. Due to that catholic Habsburgs decided to eliminate majoritarian protestant communities—evangelicals a. c. and the reformed (calvins). On the basis of events from this period there came to existence a new type of literature reflecting mentioned facts. Authors were scholars and priests that became exiles or even galleymen. In connection with that they work explicitly or implicitly with a motif of home in their writing. The paper focuses on analysis of semantic and expressive dimensions of this motif.

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Patočkova kritika metafyziky v kontexte Nietzscheho a Heideggerovej filozofie

Author(s): Dušan Hruška / Language(s): Czech Publication Year: 0

The idea of negative platonism, formulated by Jan Patočka in the early 50’s, can be understood as an interpretation of the history of philosophy, with a special reference to it’s Greek origin. It opens the way to critical thinking in connection with the metaphysical tradition and to the formulation of basic phenomenological themes, but ultimately it leads to the reconstruction of the conditions for further Greek interpretation of the Christian heritage. Patočka reconstructs the approach of Greeks understanding of metaphysics in the sense of shifting from a non-objectivizing way of understanding the world as a whole to fulfilling the ambition of a systematic knowledge of absolute reality. Based on this, Patočka proposes a new reading of Plato – a sphere of thought, separated from empirical reality, becomes a symbol of human freedom, which is understood as the ability to overcome the (objective) world, creating the possibility of understanding it as an absolute horizon. Then the concept of freedom refers to the hidden subject of metaphysics, with a more explicit rethinking of this problem in the context of Patočka’s reflections associated with selected problems of Nietzsche and Heidegger’s philosophy.

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THE HEART AS AN IMAGE OF DEIFICATION IN MYSTICAL WRITING

Author(s): Magda Kučerková / Language(s): English Publication Year: 0

The paper explores two phenomena powerful in life and interpretive terms: the heart and deification. One is understood as deeply human, the other as metaphysically appealing. It is a connection present in the history of Christian thinking for a long time, since the heart is perceived as an inner space where God meets man, in the most intimate form, which can only acquire the character of unification. Deification, as the experience of Christian mystics and mystics shows, basically means the deepest unification with God and activation of the change in God’s love. The issue examined in the paper is presented in the form of a brief guide to the theological concept of deification, and also the convergence of the historical and biblical views of the heart. The core of thinking about the topic is the interpretation of the heart as an inner image the (heart as the center, exchange of hearts) and the interpretation of the phenomenality of deification in the context of written mystical experience.

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TRACING THE ABSENT. HILMA AF KLINT’S MYSTICAL LANGUAGE

Author(s): Mónica Sánchez Tierraseca / Language(s): English Publication Year: 0

The main aim of this paper is to study the mysticism of the Swedish artist Hilma af Klint (1862–1944) in relation to her religious experience and her searching for existential answers through contact with divine entities. Although the identity of these figures is not clear, we are aware of their familiarity with Christian beliefs. Thus, in this paper we attempt to approach Af Klint’s Christian, metaphysical and anthroposophical message by analysing her notebooks. Particularly, we focus on the symbolic aspect of one of them made between 1919 and 1920, entitled Flowers, Mosses, and Lichens.

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« Le Horla » de Guy de Maupassant - entre réalité, pathologie et métaphysique des seuils

Author(s): Ana-Elena Costandache / Language(s): French Publication Year: 0

Novel with biographical echoes, "Le Horla" by Guy de Maupassant join the series of fantasy stories that explore the human dyad, or the double of the individual. Made in the form of a (fake) private diary that involves both author and reader, the novel develops an approach that pendulum between several “realities” through questions of identity. Lost between reality and dream, reason and madness, logical and fantastic, the character-narrator offers the reader the possibility of deciding, for himself, whether the reveals events could be considered as rational or whether they cross the threshold of the supernatural. Consequently, we offer a fine analysis of this dramatic ambiguity which is maintained by the distinct points of view of the author and the narrator.

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ДУХОВНЫЕ ОСНОВЫ ОБЩЕСТВА

Author(s): Semen Lyudvigovich Frank / Language(s): Russian Publication Year: 0

Новая западноевропейская философия, начиная с Декарта, усматривает в «я», в неопределимом далее носителе личного индивидуального сознания, некое абсолютно первичное, ни с чем иным не сравнимое и все иное объемлющее начало. Этот носитель и центр личного сознания совпадает, с этой точки зрения, с тем, что называется «гносеологическим субъектом», т. е. с «познающим» или «сознающим». Все остальное, что так или иначе доступно человеческому сознанию и познанию, противостоит в качестве предмета или содержания познания, в качестве «не-я» этому «я» и вместе с тем объемлется им, так как существует только в нем или в отношении к нему, для него. По сравнению с этой абсолютной первичностью и с этим верховенством «я», с этой идеальной точкой, в которой бытие есть для себя, в которой оно впервые раскрывается, озаряется сознанием, то собирательное целое, которое мы разумеем, «мы», есть нечто совершенно производное и внешнее. Под «мы» здесь может разуметься (в согласии с обычным учением грамматики, для которой «мы» есть «множественное число» от «я») только субъективно-сознаваемая множественность отдельных субъектов, собрание или сумма многих «я», которая, в отличие от самого «я», есть уже не «субъект», не что-то первичное и для себя самого сущее, а лишь содержание сознания каждого отдельного «я».

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Hymn na dzień Zwiastowania N. P. Maryi i metafizyka

Author(s): Jerzy Fiećko / Language(s): Polish Publication Year: 0

The author dissects one of Adam Mickiewicz’s first mystical poems, entitled Hymn for the Day of the Annunciation of the Blessed Virgin Mary, written in Decem- ber 1820. The article ultimately presents the thesis that this poem introduces themes of prophethood, pride and the genius of the prophet-artist that are fundamental to the later, mature phase of the poet’s oeuvre; it also makes an initial attempt to develop the poetics of a mystical vision, to search for language suitable for it, to use the trick of the ‘mystical paradox’. He also analyses the Judaic-Jewish and, less obviously, neo-Gnostic references that are important in this poem (he is particularly concerned with Jakob Boehme’s ideas), and enters into a critical dialogue with the research tradition (especially with the studies by Stefania Skwarczyńska and Zdzisław Kępiński). In the first part of the argument, he de- votes a great deal of attention to the poetics of the work, and its hymnic connections, but also recognises that the form of the visionary work was subordinated to the poet’s mental projection, and this is the sphere to which the author of the sketch devoted most attention.

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Platon, Katon i Tadeusz Rejtan: tyrania i metafizyka u Jacques’a Delille’a i Adama Mickiewicza

Author(s): Mateusz Stróżyński / Language(s): Polish Publication Year: 0

The article discusses the significance of the portrait of Tadeusz Rejtan in Book I of Pan Tadeusz, showing how Mickiewicz combines the ancient and medieval tradition associated with Cato the Younger and Jacques Delille’s Dithyramb on the Immor- tality of the Soul. Rejtan becomes an archetype of opposition to tyranny transplanted into Polish culture and the experience of the partition. Mickiewicz imbues this archetype with a distinctly metaphysical character, inspired by Plato’s philosophy, going beyond the his- torical context and towards the eternal and universal.

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