The Sound of Yellow: Kandinsky's yellow colour in von Hartmann's and Schnittke's music

Author(s): Neda Kolić / Language(s): English Issue: 03 (30)/2016

The pioneer of abstraction, Wassily Kandinsky (Васи́лий Васи́льевичКанди́нский, 1866–1944), used musical terms as titles for his paintingswith intention to release them from the themes, considering that musicis “the art which has devoted itself not to the reproduction of naturalphenomena, but rather to the expression of the artist’s soul, in musicalsound”. Through his paintings Kandinsky rethought the principles ofmusic. Not a painting, but an another artistic creation, through whichwe are given a chance to cognize Kandinsky’s comprehension of music,is The Yellow Sound (Der gelbe Klang, 1912), a “composition” for stage.It is the paradigm of Kandinsky’s “true stage-composition”, his totallynew view of theatre that consists of three elements – musical movement,pictorial movement, and physical movement, but interwoventogether in harmony that will trigger inner harmony in a spectator.Music for his scenario was provided by the composer Thomas vonHartmann (Фома́ Алекса́ндрович Га́ртман, 1886–1956), and anothermusical version was written by Alfred Schnittke (Альфре́д Га́рриевичШни́тке, 1934–1998 / Der gelbe Klang, 1974). In Concerning the Spiritualin Art Kandinsky presented his theory of colour through which he explainedhis own (synesthetic) view of yellow colour / sound, particularlyin comparison with blue colour, that was “musicalized” through TheYellow Sound. What kind of yellow and blue tone Kandinsky had inmind, and what nuances of these colours did von Hartmann / Schnittkesee / hear? What musical instrument(s) can produce yellow, i.e. bluecolour? Which music scale / tone / interval has yellow / blue tone(s)?Are we able to perceive all the shades of yellow / blue sound?

Elya Tzaneva. Ethnosymbolism and the Dynamics of Identity. Cambridge Scholars Publishing. 2015.

Author(s): Evgenia Troeva / Language(s): Bulgarian Issue: 3/2016

Млечният път в космическото и обредното пространство

Author(s): Nikolay Sivkov / Language(s): Bulgarian Issue: 1/2017

In the folklore of many peoples, the luminous bodies and phenomena are related tothe traditional concepts of the world structure. In the Bulgarian popular astronomythe Milky Way is seen as a Straw Road. The folklore texts present the “road” as both aborder and a bond between the “own” and the “alien” space, between the earthly andthe “divine” world. It is a process of movement in the mythological space but it couldalso be a place where the worlds in this space meet. Such development of the conceptof the “road” in the Bulgarian popular tradition is related to liminal rituals typical ofcalendar festivals including Christmas.

EXPLANATORY PARADIGMS OF THE RELATIONSHIP BETWEEN LANGUAGE, CULTURE, AND REPORTING TO REALITY

Author(s): Vlad Ovidiu Cioacă / Language(s): English Issue: 1/2018

This article seeks to outline the polemics on the relationship between language and dialect and between language and social inter-action, and to present, in an analytical, synthetic and comprehensive manner, some theoretical models that provide explanatory patterns regarding the way in which language, as the basis of culture, is influencing how we relate to objective reality. First we will make a conceptual distinction on the relationship between dialect and language, we will review the philosophical premises of the issues addressed, after which the emphasis will move on the analysis of the language from four distinct paradigmatic positions: evolutionary, relativist, interactionist and constructivist.

МеДиалог: медиите като логос и диалог?

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 1/2017

The introductory article of the first issue of 'Medialog' journal presents the new academic journal, part of a new media culture portal. 'Medialog' is a journey into the media worlds. 'Medialog' is an invitation to dialogue addressed to academic researchers and university lecturers, PhD students and students; to all who are curious to understand something more and different about media, communications and culture.

Paradigms of Cinema Communication – Constellations in the Field of Cinema Art

Author(s): Irina Kitova / Language(s): English Issue: 4/2019

Determining the structuring models of communication in the plane of cinema art – the paradigms of communication in the field of art that mediate not only the interactions in the ‘author-film-audience’ relation but also function as implicit premises, both in the creation of a film and the establishment of its expressional, emotional and meaning consistency, and in its being perceived, experienced and understood by each separate viewer, as well as by the audience as a whole – would contribute to the restored legitimacy of cinema as an art in the current informational and cultural contexts.

Интернет мемета и комуникация онлайн

Author(s): Dafina Genova / Language(s): Bulgarian Issue: 3/2020

The paper focuses on the genre and structural features of internet memes as a means of communication online – a topic unexplored so far by Bulgarian scholars. A critical overview of the scholarly publications in English on the subject is carried out and a discourse analytic approach is employed on a number of selected internet memes from English and Bulgarian internet sites in Google and the social media. “Internet meme” is regarded as a narrower concept than the concept of “meme” as understood in memetics, the evolutionary theory of culture. The analysis covers only those internet memes in which image and text interact. Internet memes are not viewed as isolated artefacts, but as a group or system: otherwise, they are perceived as chaotic and arbitrary. Internet memes are preceded by viral artefacts – a photograph, a text, an advertisement, a song, a video, a film trailer, etc., which internet users share and disseminate without change, whereas alteration and transformation are emblematic for internet memes. Necessary parallels are drawn between humour in internet memes and humour in jokes as well as parallels between intertextuality and multimodal communication in internet memes and those in political cartoons and print advertisements.

Езикът на сънищата

Author(s): Kalina Micheva-Peycheva / Language(s): Bulgarian Issue: 2/2021

The study analyses texts that refer to dreams, excerpted from biblical, Medieval Bulgarian, literary and folklore works, and from fieldwork material collected personally by the author. The text reveals the most important features of the narrative in the dream, such as models, language formulas, and strategies for representing time. The analysis of the dream-book’s language demonstrates that today the dream-book is designed as a dictionary with its own vocabulary list and specific rules for constructing the interpretive definition, which include semantic, lexical, morphological, and syntactic laws.

„Задачата на преводача“ на Валтер Бенямин и невъзможността за пряко съобщение

Author(s): Kristiyan Enchev / Language(s): Bulgarian Issue: 4/2021

The text analyzes the possibilities to think of pure language as indicated in the harmonization of modes of intention in the translation activity. This language is, in a sense, a regulative idea and it have to be liberated in translation. It is essential to distinguish between the modes of intention and intended objects, between what is named in pure language and what is „overnamed“ in human languages. One of the theses in this text – that language in its auto-relation undergoes auto-modalization – makes the connection with Kierkegaard's understanding of the impossibility of direct communication. The indication of the untranslatable is an opportunity in the language of the translator to insert as indicated the elusive in the translation and thus to introduce the use of a broken language. Awakening of the "echo of the original" means a „thinking more“ (according to Kant) through the figure.

Научен отзив за Кръглата маса на тема: Образи на прехода: кино, театър и визуални изкуства

Author(s): Elena Fuchedzhieva / Language(s): Bulgarian Issue: 10/2021

How do different arts - cinema, theater, literature, music - tell the story of the transition to democratization? This was the main topic discussed at a Round Table, held in the end of September at G8 Cinema by researchers for the project ‘The Transition after 1989 - Interpretations of Historical Change, Social Experience and Cultural Memory in Contemporary Bulgarian Literature’. The cultural heritage of Transition was at the center of discussions about the memory, the clash between the image of freedom and the market mechanisms of governing culture and art and the role of the media.

Български места на памет, възпоменателни чествания в Република Северна Македония и техните медийни отражения

Author(s): Lozanka Peycheva,Lozanka Peycheva / Language(s): Bulgarian Issue: 10/2021

The research focuses on commemorative practices around the figure of Mara Buneva and her memorial plaque in the center of Skopje, which can be interpreted as a Bulgarian place of memory. The study tracked only online reporting of the practices, without observing the corresponding offline events. Online versions of electronic media and agencies (TV, radio, news agency websites); online media (information websites) and social ‘we-media’ (video sharing websites, blogs, social networks, etc.) were researched. The studied materials reveal the care of some communities to establish the memorial plaque as a special Bulgarian place of memory in Northern Macedonia and the efforts of other groups seeking complete amnesia and ultimate delegitimization of the past related to Mara Buneva.

Удвояване или за любословието на филологията

Author(s): Miglena Nikolchina / Language(s): Bulgarian Issue: 10/2021

Modern Mimesis: Self-Reflexivity in Literature is a passionate defence of philology that traverses the distances from Ancient Hellas to present-day Japan, from Ulysses to robots. This movement follows a logic described by the author as reconceptualization, and creates conceptual nodes configured through horizontal and vertical, temporal and spatial self-reflexive reduplications. The broad arc from the libraries of Alexandria and Pergamum to the mimetic valleys of robotics thus turns out to be underpinned by the reconceptualization of the ancient dispute between ‘analogy’ and ‘anomaly’, turning any attempt at ordering into an ‘endless series of rearrangements’.

Лиляна Деянова и градините на паметта

Author(s): Zhana Popova / Language(s): Bulgarian Issue: 10/2021

In the end of September 2021 one of the celebrations of the academic community took place – colleagues and friends congratulated prof. Lilyana Deyanova with the publishing of the anniversary anthology ‘Time and Memory’. Compilers and organizers of the academic celebration are Maya Grekova, Petya Kabakchieva, Momchil Hristov, Milena Yakimova.

Re-reading the Bulgarian Folklore Journal

Author(s): Valentina Ganeva-Raycheva / Language(s): English Issue: Special 2/2020

This article is dedicated to the fortieth anniversary of the founding of the Bulgarian Folklore Journal. The reflections on the Journal which are discussed here are made in the context of the political and sociocultural development of Bulgaria, as well as in the context of national and international traditions in the study of folklore. At the same time, these reflections address changes in scientific paradigms and theoretical approaches, the problems of the existing boundaries between disciplines, the re-definition of scientific scope and newly defined fields of research. The interdisciplinary nature of the Journal, the development of its scientific profile, and its transformation into a journal for scholarly research in the field of folklore studies, ethnology and anthropology in the 1990s are given special attention. Editorial politics and practices, as well as different aspects of its theoretical sensibility and applied aims are traced. The place of the Journal among Bulgarian humanities periodicals and its international visibility are also highlighted.

Putting analysis and construction of concepts into its legitimate position

Author(s): Ewelina Grądzka / Language(s): English Issue: 71/2021

Analytic description, according to members of the Lvov-Warsaw School (LWS) like Czeżowski, Ajdukiewicz, Ossowska, Tarski is a powerful and an indispensable tool, not only in philosophy but also in any natural science – in psychology especially. It should be equally respected together with empirical analysis and even it is recommended that it should precede any further research. Therefore, the book Analiza i konstrukcja: o metodach badania pojęć w Szkole Lwowsko-Warszawskiej [Analysis and construction: on the methods of researching concepts in the Lvov-Warsaw School] can be recommended to philosophers as well as scientists.

THE POST-TRUTH PHENOMENON INFILTRATING THE US POLITICAL SYSTEM, MEDIA, AND POPULACE: THE CRITICAL THINKING ANALYSIS ABOUT DONALD TRUMP’S POLITICAL LEADERSHIP

Author(s): Evi Aryati Arbay,Ari Santoso Widodo / Language(s): English Issue: 2/2022

Donald J. Trump, one of the 2016 US presidential candidates, is thought to have benefited from political fact-doctoring in his attempt to diminish his adversary's reputation using the post-truth phenomena. This research aimed to identify and analyze post-truth phenomena that infiltrated the political system, media, and the American people during Donald J. Trump's leadership. This study used a qualitative approach with a critical thinking analysis method. The findings found that individual rationality's post-truth disrupted and then directed to online information impulses, in which people tended to seek information that supported their own opinions, particularly on issues connected to Donald J. Trump's leadership in all sectors of policy, including irrelevant facts or reality and the use of language increasingly exploited by hyperbole without a clear basis reference.

Тялото на езическия български владетел

Author(s): Oksana Minaeva / Language(s): Bulgarian Issue: 4/2021

The article discusses notions referring to the ruler and his body according to the pagan views of the Bulgarians in the epoch before Christianity was adopted in the Bulgarian lands. Drawing on written sources and material evidence, an attempt is made to interpret ideas, signs and objects which form the system of the ruler’s ideology. Typological similarities are pointed out between the ruler’s ideology of the Bulgarians and that of the peoples of the Eurasian Steppes, Central Asia, and with other peoples from the Migration period.

Репрезентацията и нейните кризи: поглед към теоретичните дебати

Author(s): Orlin Spassov / Language(s): Bulgarian Issue: 12/2022

This paper offers an overview of some of the main aspects of the theoretical debate on representation. The section presented here is mainly illustrative in terms of some of the theoretical foundations on which later authors engaged specifically in discussing the phenomenon of representation in contemporary media build (a topic addressed in another text). The analysis focuses on the ways in which representation has been discussed in texts by Roland Barthes, Jacques Derrida, Michel Foucault and others. The emphasis is on problematizing the possibilities of representation by means of language.

„Вода от извор извирала“ – за символиката на водата в южнославянската устна поезия

Author(s): Dejan Ilić / Language(s): Bulgarian Issue: 2/2022

Book Review: Ана Вукмановић. У трагању за извир водом. Слике воде у јужнословенској усменој лирици. Београд: Академска књига, 2020. 296 стр. ISBN 978-86-6263-301-9

Форми на идентификация сред българо-арменци (По примери от гр. Хасково)

Author(s): Tanya Matanova / Language(s): Bulgarian Issue: 3/2023

As a result of the increasing number of Bulgarian-Armenian marriages in Bulgaria since the 1950s more and more people are born and grown up in such interethnic and intercultural settings. The main focus of this study is on respondents who are descendants of Bulgarian-Armenian marriages and the different identifications they construct in their mundane lives. The text will also pay attention to the interlocutors’ notions of homeland and their feeling of territorial identification from national and European perspectives.