Paradigms of Cinema Communication – Constellations in the Field of Cinema Art
Paradigms of Cinema Communication – Constellations in the Field of Cinema Art
Author(s): Irina KitovaSubject(s): Philosophy, Social Sciences, Education, Fine Arts / Performing Arts, Psychology, Visual Arts, Semiology, Aesthetics, Special Branches of Philosophy, Sociology, Philosophy of Mind, Vocational Education, Adult Education, Individual Psychology, Social psychology and group interaction, Social development, Social differentiation, Family and social welfare, Environmental interactions, Film / Cinema / Cinematography, Social Norms / Social Control, Inclusive Education / Inclusion
Published by: Национално издателство за образование и наука „Аз-буки“
Keywords: paradigms; communications; cinema; author;audience;
Summary/Abstract: Determining the structuring models of communication in the plane of cinema art – the paradigms of communication in the field of art that mediate not only the interactions in the ‘author-film-audience’ relation but also function as implicit premises, both in the creation of a film and the establishment of its expressional, emotional and meaning consistency, and in its being perceived, experienced and understood by each separate viewer, as well as by the audience as a whole – would contribute to the restored legitimacy of cinema as an art in the current informational and cultural contexts.
Journal: Философия
- Issue Year: 28/2019
- Issue No: 4
- Page Range: 381-396
- Page Count: 16
- Language: English
- Content File-PDF
