За разкъсването на живите връзки в полето на културата
How Can the Living Ties be Severed in the Field of Culture

Summary/Abstract: In this paper we will try to apply Kuhn’s views on the structure of scientific revolutions in the field of culture and film art. We will try to find to what extent we can apply or reject such understandings of the field of culture, even if only in the strictly national dimensions of a cultural phenomenon. By tracking the development of the film art and industry through the changes they cause or the cultural functions they perform, we can verify whether and to what extent the ideal in science is comparable to the ideal in the culture and the arts. We will also be looking for anomalies, non-functional paradigms and paradoxes, which could influence not only the development of culture in national context, but also the construction of the essential matter of the cultural field as a unique global phenomenon, the result of human activity, ideas and creativity.Through the history of building the first movie theater “Modern Theater” in Bulgaria, in 1908, the beginning and evolution of cinema as an art, a national cine-ma industry, film networks and film distribution, film studies and film education will trace the genesis of a new layer in the field of the Bulgarian national culture and the preconditions for its sustainability, significance and vitality.

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