Tentatives in the Theory of Cinema Communication – Ideas, Grounds, Contextual Paradigms
Tentatives in the Theory of Cinema Communication – Ideas, Grounds, Contextual Paradigms

Summary/Abstract: Art, as well as the theoretic approach to art, is doubtlessly undergoing changes or at least a rethinking in the context of the new ‘digital’ reality. With regard to cinema art, to reveal the mechanisms that mediate interactions in the system, already more complex and liberated from mediation, of relations between author (authors, creators), film (films) and viewer (public, mass audience) is essentially to uncover the paradigm of cinematic communication in the general cultural field, and particularly in the field of cinema, as well as to explore the degree in which they are able to influence the processes of establishing of certain aesthetical, cultural, social etc., ideas, attitudes, norms and models as dominating not solely in the context of film art.

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