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Twoje ciało — mój dom, moje ciało — Twój dom
On mysticism of physical love between two persons.
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On mysticism of physical love between two persons.
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About three ways of finding a correlation between a marriage and sainthood. Further answers on the questions: "What does it mean to love somebody?" What does it mean to spend live with somebody?" "How to cope with every day missunderstandings?"
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On the case of Andrzej S., a famous Polish psychologist, who is accused of child abuse.
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Book Review Wacław Chmielarski, Piękno Biblii. Antologia wypowiedzi na temat Pisma Świętego. Stanisława Grabska, Symbole i idee biblijne w naszym życiu. Bogusław Widła, U starszego brata. Wprowadzenie do chrześcijańskiej lektury Starego Testamentu.
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A discusion about the discourse on the sexuality in Poland. Till now tere were only the doctors, psychologists and priests who made representations what the sexual life concerned. This is an appeal to fall in love with one's own body.
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The Western Culture knows nothing else than two antipodes of the attitude to the sexuality: human sensuality is believed to lead either to heaven or to hell. Women are those who provoke the culture to return to the mystic view on sex.
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The autor claims Poles long for The People’s Republic of Poland because of the situation in the Polish agriculture, education, system of justice and on the employment market and have a proposal how to change it.
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A walk through Warsaw's coffee houses in the present and in the past with the famous Polish poet and translator.
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The article gives a very good view into the history of the connections between the Polish and Ukraine emigrants in the Western Europe in the communist era.
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This is a review of Marcin Kula's book "Religiopodobny komunizm" (Nomos, Crocow 2003) ih which the communism is compared to a religion, having its gods, saints, a sacral attitude to its own institutions and the mission of transforming the human being.
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How did the communists try to erase the Warsaw Uprising from the memory of the Polish nation throughout more than 40 years?
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An important word in this poetry is "consciousness".
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The article discusses some common features of Ene Mihkelson's prose. The cue to the texts is an archi-story of a girl coming of age. The central figure is the first-person protagonist, with a smooth emanation over self-invented characters towards more real ones. Places bear real names and may well remind the readers of their own experience. The names of the recurring characters of the archi-story, however, differ from text to text, thus emphasizing the fictional nature of the work. The archi-story is reinforced by certain recurring events and fixed moments (the protagonist's birthyear, her parents' taking to the woods). The scene supports the states of the protagonist's consciousness of the self, manifested mainly as a closed space (room, flat, farmhouse), but sometimes also as an anthropogenous section of the outside (park, garden, street). The woods, being non-anthropogeneous and independent, form a natural opposition. According to the archi-story the woods may have an estranging effect on the people who have crossed their border. The following discussion aims to bind four archi-story features together and to analyse their mutual relations as well as differences between the texts. The basic categories used are Action, Place and Time.
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The history of Estonian literature for a Finnish reader Viron nykyisemmästä kirjallisuudesta (Helsinki, 1856) by August Ahlqvist (1826–1889) discusses mainly the first half of the 19th century, adding a brief survey of the earlier period. In comparison with the previous authors of Estonian literary historiography (J. H. Rosenplänter, D. H. Jürgenson) A. Ahlqvist excels for a higher awareness of method and theory, as well as for technical analysis. His ideal is an original, aesthetically and humanistically oriented national literature. Besides literature the work touches upon various issues of Estonian history, linguistics, folklore, poetics, ortography etc., thus providing for a cultural-historical perspective, while the comparativist one is taken care of by references to Finnish literature. Considering the interests of Finnish students of Estonian Ahlquist presents abundant text samples with Finnish translations. Being permeated by a national-romantic spirit and written in a vivid style, Ahlquist's work has influenced several Estonian literary historians of the turn of the 20th century (K. A. Hermann, T. Sander, G. Suits, M. Kampmaa).
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The paper discusses style planning and the the development of linguostylistic rules for Estonian newspapers of 1998–2005. The study is based on four questionnaires to editors. In 1998 a formal questionnaire was applied to nineteen daily and weekly papers, while in 2003 five national dailies and weeklies and one regional paper were studied, and in 2005 twelve dailies and weeklies were involved, supplemented later by two more national and one local paper. The reason why the study of 2003 was focused mainly on national papers lay in the results of 1998, which revealed that the local Estonian papers did not intend to establish their own linguostylistic rules, preferring rather to go by those of national papers. In 2005, however, interest in local press was resumed, trying to find out what (if any) examples have been followed and to what extent (if at all) linguistic editing is rendered important in local papers. As a result, it was revealed that in Estonian newspapers the principles of editing are still in a development phase, even though the recent years have brought significant qualitative changes. As for style regulation, different practices are followed, but in general it receives much more attention than in 1998. However, most of the papers still do not follow any written regulations, let alone a style book. In comparison with the Soviet period the linguistic editing of Estonian newspapers has faced a setback. One could do with more awareness of the positive effect that a usage standard and good linguistic editing might have, even from the commercial point of view.
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The article gives an overview of a Master's thesis defended in the spring of 2004. The aim of the thesis was to annotate a collection of dialogues from the Estonian Dialogue Corpus (EDiC) using Kristiina Jokinen's theory of communicative strategies, compare two annotating systems (one based on dialogue acts and the other on communicative strategies) and analyse the tasks performed by the communicative strategies. The analysis proved the initial guess that there is a certain agreement between the acts and strategies, e.g. the finish/start strategy is used in response to various questions and requests. From the point of view of EDiC development it was necessary to find out whether that kind of two-layer dialogue tagging could facilitate the composing of the dialogue system. As a result it can be affirmed that both dialogue acts and communicative strategies are necessary layers: the multiple acts are necessary to define the initial parts and detailed structure of the dialogues, while the few strategies would help the computer to understand the users' questions and to generate the answers.
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