Typografia to uderzenie, forma, kształt, konstrukcja… Szczuka, Strzemiński, Berlewi, Hiller, czyli polska awangarda artystyczna w projektowaniu graficznym druków pierwszej połowy XX wieku w Polsce
Typography is a Punch, a Form, a Shape, a Construction… Szczuka, Strzemiński, Berlewi, Hiller, or the Polish Artistic Avant-garde in Graphic design of Prints from the First Half of the 20th Century in Poland

Summary/Abstract: The aim of the article is to analyse the selected examples of avant-garde books and to present the means of graphical expression in the design concepts of the most important creators of the Polish graphics art if the 20th century. It is also important to point out the element of the cultural interpretation of the phenomena from the borderline of arts, literature and artistic performance connected with the context of time, space and breaking the social barriers. The art of avant-garde has presented a book as an object of social use and anthropologically adapted to a man. Artists such as Mieczysław Szczuka, Teresa Żarnowerówna, Henryk Berlewi, Władysław Strzemiński, Karol Hiller had in an original way composed the space of artistic communicates, the internal space of literature and dynamized the canons of typography.

• Details
• Contents