CINEMA LANGUAGE. BODY, GESTURE, ACTION
CINEMA LANGUAGE. BODY, GESTURE, ACTION

Summary/Abstract: In today's cinema there is a tendency to simplify the story and greatly reduce the number of characters. All this in favor of a dramaturgy closer to the text, more visual. The pantomime style in Trier's films reminds me of silent theater translated into cinema by suggesting sensations and ideas. The need to analyze the expressiveness of movement that obviously creates structural and expressive changes is necessary and I support it as a fact of life of which film is also a part.

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