FAR – CLOSE. BRECHT – STANISLAVSKI
FAR – CLOSE. BRECHT – STANISLAVSKI

Summary/Abstract: The distancing that Brecht promotes is related to the fact that the actor must not convince the viewer that the character is on the stage and it must not appear that the actor has studied the character, but that on the stage everything would happen for the first time and only then. In Stanislavski's opinion, there is no art without the involvement of experience and emotion, and craft begins when creative experience has spoken. The artistic process in which the inner content is not found is only a stage convention that deforms the human nature of the artist, concludes Stanislavski.

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