„Partita pentru nai și orchestră” de Boris Dubosarschi: între baroc și contemporaneitate
Partita for panpipe and orchestra by Boris Dubosarsky: between baroque and contemporaneity

Summary/Abstract: The study is dedicated to a large-scale work by the famous composer Boris Dubosarschi (1947—2017). Written in 2004, the Partita for panpipe and orchestra has not yet been studied by musicologists, although it deserves it for a few reasons. It is a multifaceted work, merging the peculiarities of several types of instrumental cycle: baroque suite, baroque sonata, modern suite, symphony, concerto. Framed generally in the stylistics of pre-classical music, the Partita also reveals some features of contemporary writing. A special quality is given by the combination of panpipe and chamber orchestra sonority. Th e original concept, the attractive musical language, the solo panpipe full of virtuosity and melody — thanks to these qualities the work is in demand in artistic and pedagogical practice, being intended for professional performers and students from the higher level of musical studies. Th e article is a tribute to the memory of Boris Dubosarschi who would have turned 75 in 2022.

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