Цигуларският Gradus Ad Parnasum ключовата роля на цигулковото творчество на Й. С. Бах, В. А. Моцарт и Н. Паганини по пътя към висините на цигулковото майсторство
The violinistic Gradus Ad Parnasum the key role of the violinistic oeuvre of J. S. Bach, W. A. Mozart and N. Paganini on the path to the heights of violinistic craftsmanship
Author(s): Eugeniy ChevkenovSubject(s): Theatre, Dance, Performing Arts, Fine Arts / Performing Arts
Published by: Академия за музикално, танцово и изобразително изкуство „Проф. Асен Диамандиев“ – Пловдив
Keywords: J. S. Bach; W. A. Mozart; N. Paganini; violin; sonata; concerto; capriccio Gradus ad Parnasum
Summary/Abstract: Тhe article states the key role of the solo sonatas and partitas BWV 1001-1006 by J. S. Bach, W. A. Mozart’s violin concertos and 24 capriccios op. 1 by N. Paganini for the musical and instrumental development of the professional violinists. Relevant aspects to the specific compositional style of the authors are being discussed in the light of the obligatory technical requirements for achieving a quality interpretational result.
Journal: Пролетни научни четения
- Issue Year: 1/2023
- Issue No: 11
- Page Range: 11-20
- Page Count: 10
- Language: Bulgarian
