Гранични пространства във филма на Бинка Желязкова „Последната дума“ (1973)
Liminal Spaces in Binka Zhelyazkova’s film The Last Word (1973)
Author(s): Eva-Maria IvanovaSubject(s): Fine Arts / Performing Arts, Film / Cinema / Cinematography
Published by: Институт за изследване на изкуствата, Българска академия на науките
Keywords: Liminal Epochs; architecture; panopticon; Lika Yanko; Giovanni Battista Piranesi; visual references
Summary/Abstract: Binka Zhelyazkova’s film The Last Word (1973) contains numerous liminal spaces: the prison building and its adjacent courtyard, for example, but also the cell itself, where the gloomy prison atmosphere clashes with Lika Yanko’s naively surrealist murals. Quite a few shots in the film draw attention to the architecture of the prison – the vault of the gates, the courtyard, the tower as well as the interior – the staircase, the cell itself, the floors of the central tower, etc. These spaces probably contain many implicit visual references, for example to Piranesi’s Imaginary Prisons.
Journal: Проблеми на изкуството
- Issue Year: 2024
- Issue No: 4
- Page Range: 52-61
- Page Count: 10
- Language: Bulgarian
- Content File-PDF