Какво чува този, който (не) чува. Музикално-компаративно осмисляне на темперациите
‘What do hear the ones who (don’t) hear’: Musical-comparative understanding of the temperaments
Author(s): Ivan K. YanakievSubject(s): History, Fine Arts / Performing Arts, Cultural history, Music
Published by: Институт за изследване на изкуствата, Българска академия на науките
Summary/Abstract: Nowadays equal temperament is tacitly adopted as a ‘standard’ method of tuning the piano. The paper presents it in a comparative discourse against Renold I for an unequal temperament, which Maria Renold called Twelve True-Fifths Tuning concept (1962). This temperament is built on the scale constructed by Henricus Grammateus in the sixteenth century with Renold adding three predefined tones: a1 = 432 Hz; c1 = 256 Hz and gelis1 = 362,04 Hz. The paper describes in detail the structural specifics of the Twelve True-Fifths Tuning method.
Journal: Изкуствоведски четения
- Issue Year: 2015
- Issue No: 2
- Page Range: 296-308
- Page Count: 13
- Language: Bulgarian
- Content File-PDF