Rysa, dukt, odcisk (nie)obecności. O spektrologiach Zagłady
The Scratch, the Groove, the Imprint of (Not) Being There: Hauntology of the Holocaust
Author(s): Aleksandra UbertowskaSubject(s): Philosophy, Literary Texts, Fine Arts / Performing Arts, Jewish studies, Visual Arts, History of Antisemitism
Published by: Instytut Badań Literackich Polskiej Akademii Nauk
Keywords: spectre; hauntology; Holocaust; Jonasz Stern; Jacques Derrida
Summary/Abstract: This article presents an attempt to analyse concepts from Jacques Derrida’s hauntology and to apply those concepts as interpretive tools. Ubertowska uses them in her readings of post-traumatic literature, in particular texts and images that concern the Holocaust. In the analytical part of the interpretation Ubertowska focuses on motifs of bones and fish-bones in Zygmunt Miłoszewski’s popular novel Grain of Truth, but also in Jonasz Stern’s paintings. The Cracow-based painter’s methods are described as a spectral ‘substitution above and beyond genre’.
Journal: Teksty Drugie
- Issue Year: 2016
- Issue No: 2
- Page Range: 102-121
- Page Count: 20
- Language: Polish
- Content File-PDF