Ani widu, ani słychu
See nothing, hear nothing

Summary/Abstract: Jan Karow writes about Wojtek Blecharz's Soundwork (TR Warszawa, prem.: 15 Oct 2016). The author presents the field of the musician's interests and his most recent projects. He rates Soundwork as an enterprise with a great, but unfulfilled theatrical and musical potential, as well as rough dramaturgy. Karow describes the structure of the musical performance and the space of TR Warszawa, rearranged to suit its needs. The author introduces pieces important for the history of modern music (as well as their renditions) used in the performance, at the same time noting that Blecharz's work lacks the radical character of the experiments to which he refers.

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