Екран и сцена – ранни опити и анализи
Stage and screen: Early productions and analyses

Summary/Abstract: The earliest experiments of screenings onstage have begun since the advent of the cinematograph, continuing through different periods of art, the developing of technologies and the cinema language. With the first interactions between cinema and theatre, critics have taken to analysing the new productions in an attempt to realise weather or not this would develop as a whole new art or just a combination of them both; is there a risk of destroying theatre in general or is it just e temporary phenomena. Gradually, with the development of technologies, new levels of interactions with live performances were reached, while theatre radically changed at the same time. They both shift to many directions, continuing to mix their expressions and adopting the new technologies such as television, video systems, satellite live streaming, etc. Most of the principles we witness now in the new digital multimedia performances, have been developed at a very early stage, based, of course, on the analogue devices. The paper follows historically the variety of combinations of stage and screen works throughout the years, reaching the digital era, giving also different analyses of such mixed productions.

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