O sztuce „nieczystej”, różnie rozumianych obrazach i konkurencyjnych modelach ich interpretacji
About the „impure” art, different concepts of the image, and competing models of interpretation

Summary/Abstract: The paper is devoted to the chosen aspects of varied models of defining the image and research practices created by the contemporary art studies – Visual Culture Studies, anthropologically oriented Bildwissenschaft and the French pictorial semiology. What they all have in common is interdisciplinarity that constitutes a response to the „impurity” of art, trespassing its own borders, being auto critical and exposing not only the artistic, but also political, religious, existential and biological status of the image.

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