Preliminarii la o poetică a teatralităţii în dramaturgia lui Ion Druţă
Preliminary to a poetics of theatricality in the Ion Druta’s dramaturgy

Summary/Abstract: The article explores the atricality of the dramaturgic text as a way of typifying the cultural, discursive and artistic processes, the way of artistic and ontological viewing of the creative individuality and as a poetic category. In approaching the theme, we started from the idea that the poetics of a text emphasizes the author’s style, his ontological and artistic vision, as well as the changes of his vision depending on historical, political, cultural, aesthetic, etc contexts of writing texts. From the perspective of historical poetics, different aspects characteristic of Ion Druţă’s style are emphasized in the structuring of the dramaturgic text, especially the realization of the theatricality as a cultural-aesthetic phenomenon (at the level of stage directions, space-temporality, character, atmosphere etc.). The specificity of gender interference in the Drutitian artistic discourse, the intertextuality, the collaboration of the theatrical, narrative, musical, religious codes in the structure of the text, the role of contextualism, the elements of pre-theatre and meta-theatre in emphasizing the theatrical poetics are emphasized.

• Details
• Contents