Митове и стереотипи в съвременния дизайн
Myths and stereotypes in modern design
Author(s): Dimitar DobrevskiSubject(s): Anthropology, Social Sciences, Theatre, Dance, Performing Arts, Fine Arts / Performing Arts, Psychology, Music, Photography, Architecture, Visual Arts, Cultural Anthropology / Ethnology, Culture and social structure , Social psychology and group interaction, Film / Cinema / Cinematography, Sociology of Art, History of Art
Published by: Асоциация за антропология, етнология и фолклористика ОНГЬЛ
Summary/Abstract: There can be no doubt: we live our entire life, surrounded and organized by design. The way we live, take a bath, drive, feed, and pack our belongings, even how we look at the world through our glasses: all of this has already been designed, shaped, and designed for us. The design of products, regardless of the different circumstances, has been accepted to attribute certain qualities: functionality (usually in technical-exploitation sense), ergonomics, constructiveness, economy, and aesthetic expression. Some other properties and qualities are often unnoticed or more precisely underestimated. They stem from the organic connection of design with a number of other spheres: Social, economic, political, and religious.
Journal: Годишник на Асоциация за антропология, етнология и фолклористика »Онгъл«
- Issue Year: 2019
- Issue No: 17
- Page Range: 416-423
- Page Count: 8
- Language: Bulgarian
- Content File-PDF