Українська народна художня культура в контексті наукового знання: культурологічні аспекти концептуалізації
Ukrainian Folk Art Culture in the Context of Scientific Knowledge: Cultural Aspects of Conceptualization (part two)

Summary/Abstract: Purpose of the article is to implement cultural-conceptualization and structural and functional justification of the concept of Ukrainian folk art culture, to develop its structure, to identify social and spiritual significance and ways of functioning. The methodology of the study is to apply the general principles of scientific knowledge, which correspond to contemporary culturological discourse. This led to the use of structural-functional, system-analytical, descriptive and comparative research methods for the analysis of components of the investigated object, the identification and generalization of internal relations, interdependence and relations between them; system-structural – for in-depth study of the essence of Ukrainian folk artistic culture, the identification of its structural elements and the development of the structure, as well as the method of interpretation for the identification of functions and the identification of functional changes of the object under study. Scientific novelty of the work is to uncover the cultural aspects of the conceptualization of the concept of «Ukrainian folk art culture», the implementation of the structural and functional justification of this concept. The author's work on the structure of the Ukrainian folk artistic culture has been submitted, which includes interdependent elements, namely: archaic-authentic folklore and archetypal structures; folklore of subcultures; artistic amateur (amateur art); folklorism; modern elements (neo-folklore, folk-rock, ethnic-rock, freest folk); ethnic choreography; decorative and applied art, applied arts and fine folklore. Conclusions. The article shows that the study of Ukrainian folk art culture, as part of the universal human civilization and the basis of the formation of Ukrainian statehood in the XXI century, is relevant and requires a further holistic sociological, culturological and socio-psychological comprehension and analysis. It is substantiated that Ukrainian folk art culture, as a collection of created and disseminated in the society opuses of folk art, their forms and ways of preserving, studying, spreading artistic values, their translation and retranslation, is a reflection of reality in artistic images with the help of particular expressive means. On the basis of the structural and functional justification of the concept «Ukrainian folk art culture», author's development of the structure of Ukrainian folk artistic culture was introduced, which included interdependent elements, namely: archaic-authentic folklore and archetypal structures; folklore of subcultures; artistic amateur (amateur art); folklorism; modern elements (neo-folklore, folk-rock, ethnic-rock, freest folk); ethnic choreography; decorative and applied art, applied arts and fine folklore. It is shown that structurally, as a subsystem of artistic, folk art culture, significant aesthetic components are concentrated, among them: the creative world; artistic life; artistic reality; artistic creativity; artistic production; artistic activity. The social and spiritual essence of the functioning of the Ukrainian folk artistic culture in the context of scientific knowledge of culture, in general, is revealed.

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