Specific Aesthetic Administration of the Ballroom Dances (at the Case of the Ballroom Sequence Twilight Waltz of style New Vogue) Cover Image

Специфіка естетичного сприйняття бального танцю (на прикладі бальної секвенції «Вальс у сутінках» стилю Нью Воуг
Specific Aesthetic Administration of the Ballroom Dances (at the Case of the Ballroom Sequence Twilight Waltz of style New Vogue)

Author(s): Tetyana Sergeevna Pavlyuk
Subject(s): Theatre, Dance, Performing Arts, Metaphysics, Aesthetics, Semantics, Philosophy of Mind
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: ballroom dancing; New Vogue; Twilight Waltz; aesthetic perception; spatial-temporal symmetry; meaning levels;

Summary/Abstract: The purpose of the article is to identify the specifics of aesthetic perception of ballroom dance based on the study of differences in human knowledge of symmetry in space and time. The methodology of the research is based on the principles of objectivity, historicism, multifactor, system, complexity, development, and pluralism, and to achieve the goal, the methods of scientific knowledge are used: problem-chronological, concrete historical, statistical, descriptive, logical-analytical. Scientific novelty. The four-dimensional spatiotemporal symmetry of ballroom dances is considered and analyzed on the example of movements of the ballroom sequel of the style of New Vaugh in the rhythm of the Vienna Waltz "Waltz at Twilight"; the specificity of the aesthetic perception of ballroom dance is studied in accordance with the existing differences in human perception of symmetry in space and time; the semantic loading of ballroom dances on the basis of the choreographic scenario "Waltz at dusk" is analyzed and it is proved that they have multiple meaningful levels. Conclusions. As a result of the art study study of the ballroom sequel of the New Wave style in the rhythm of the Vienna Waltz in the Twilight Waltz, it is proved that the schemes in ballroom dancing can be both abstract geometric in space and time, and include a large number of meanings, from simple and evident to complex and deep that directly affect the subconscious. Thus, the specificity of the aesthetic perception of ballroom dances, in addition to the choreographer's use of geometric patterns and sensory interaction created by dance partners during execution, depends on multiple sense levels, which in each individual generate the own perception.

  • Issue Year: 2018
  • Issue No: 41
  • Page Range: 134-144
  • Page Count: 11
  • Language: Ukrainian