Re(ve)latiile feminitatii blagiene
Blaga's femininity re(ve)lations

Summary/Abstract: This paper tries to emphasize the idea that the tragic magnificence in the conflict between predestination and personal choice, regarding the character’s passion for perfect creation. Analyzing the peculiarities of the modern, ambiguous character, the author notes that it is necessary to overcome Bergson’s idea, taken over by the Husserlian phenomenology, concerning the impossibility of knowing, due to the “veil of words”, in order to achieve a necessary “assassination of being by name”, through the existence of a “context that favors the individual who, through his acts, transforms the name into a certainty of being”, then adds the “Abbreviated names” and “Composite names for composite characters”. In the aura of legend and myth, the characters of his plays and the situations in which they appear are stylized almost to the depersonalization and mere embodiment of “concepts”.

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