Контрапункт как содержательно-стилистический прием в интермедиальном жанре (о «Соло на флейте» Виктора Шендеровича)
Counterpoint as a contentive and stylistic device in the intermedial genre (about Viktor Shenderovich’s A Flute Solo)
Author(s): Eleonora LassanSubject(s): Semiotics / Semiology, Russian Literature, Theory of Literature, Stylistics
Published by: Vilniaus Universiteto Leidykla
Keywords: genre; composition; political satire; counterpoint; intermediality; symbolic text elements;
Summary/Abstract: In 2015, Vremya Publishing House issued A Flute Solo, a book by V. Shenderovich, a multigenre and, according to the author of the article, intermedial work, since the peculiarities of the content of a political satire and a tragedy, a farce and a fantasy on the one hand and some features of musical pieces, a fugue in particular, on the other hand, have merged there. The author provides a detailed characterization of the plot, constructed as a grotesque depiction of the reality, the composition as relating a verbal text to a piece of music, and the symbolic value of certain elements, allowing not to agree to the definition of the book as being “desperately hopeless”.
Journal: Literatūra
- Issue Year: 61/2019
- Issue No: 2
- Page Range: 110-124
- Page Count: 15
- Language: Russian