ÜNLÜ RESSAM REMBRANDT’IN MEVLEVİ DERVİŞLERİ İSİMLİ GRAVÜR ÇALIŞMASININ DEĞERLENDİRİLMESİ
SOME REMARKS ON ENGRAVING WORK OF REMBRANDT TITLED “MEVLEVI DERVISHES”

Summary/Abstract: Besides the visual and sociological structure of art of painting, there is also a documentary conception. This documentary understanding is based on the way that painters deal with the age they live with in their own perspective and present it to humanity. Rembrandt, the great painter of the Netherlands of the 17. century, has reflected religious and social events in his works as he works in his own age. However, it can be perceived as an indication of its humanistic structure that it is capable of acting on a subject of a different faith than its own religious belief. In the subject of the paper, four dervishes belonging to the religion of Islam have come together and chat. It is important to that Rembrandt’s work, one of the greatest painters of the world's art.

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