Prawda obrazu, prawda materii. Robert Rauschenberg, Henryk Streng i historia sztuki
The truth of the picture, the truth of matter. Robert Rauschenberg, Henryk Streng and art history

Author(s): Piotr Słodkowski
Subject(s): Cultural history, Cognitive Psychology, History of Art
Published by: Wydawnictwa Uniwersytetu Warszawskiego
Keywords: history of art; modernism; Holocaust; intertextualism; new materialism
Summary/Abstract: Starting from the problem of truth in painting, the author of the text dedicates it methodological reflection on inter-pictorial relations. Starting point for this idea there is a juxtaposition of two radically different artistic events: the erasure made by Rauschenberg in de Kooning's drawing and scratches of signatures in his own paintings by Henryk Stange. Both of these the interventions provoke an analysis of the transition from the intertextual viewing images for research optics, which - on the contrary - enhances material dimension of visual representation.

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