![Љубојна со македонска музика за XXI век](/api/image/getissuecoverimage?id=picture_2006_15183.jpg)
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The usual reproduction of already recorded and published music, music that one can listen whenever he wants to, is an idea not attractive enough to us. Together with the visual projections, the music becomes elevated up to the level of being a completed experience for the audience. We simply felt that our music demanded exactly that itself, says Vera Miloševska, the vocalist of Ljubojna music band.
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Обичното пресвирување на веќе снимена музика, која можеш да ја слушаш кога и како сакаш, нам не ни е доволно привлечна идеја. Со визуелната проекција музиката се дополнува и се издига до едно целосно доживување. Некако ни се чинеше дека нашата музика самата го бара тоа, вели Вера Милошевска, пејачката на Љубојна
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The Hungarian composer and piano player Barnabás Dukay and the guitarist Gábor Gadó have been playing together only for a few years. Their performances are not only exceptional because they play the rare genre of free improvisation, but also because they combine classical skills with the jazz tradition without following any of the cross-over trends. While Gadó uses the same musical language both when composing and when improvising, Dukay's compositions greatly differ from his improvisational style. Discussing the contrast between the traditional concept of playing music and the post-Enlightenment music pedagogy, the essay makes an attempt to determine the existential venture of free improvisation.
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Research on Romanian folklore is relatively new scientific field, having in mind the period when the nation appeared and its first folk creations. Romanian folklore made its first steps in the 19th century. The phenomenon appeared as a logical reaction to the aspirations of national identity creation, present in the whole Europe in the mentioned period.
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