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The essay aims to investigate the evolution of the poetic vision of an important Romanian poet, Aurel Pantea, as he moves from the attitude of the warrior-poet, to that of a prophetic-poet.
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The essay aims to investigate the evolution of the poetic vision of an important Romanian poet, Aurel Pantea, as he moves from the attitude of the warrior-poet, to that of a prophetic-poet.
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The essay aims to present the main Romanian writers who wrote most of their books in exile, during the Communist regime, the leading voices of the Romanian exile being Monica Lovinescu and Virgil Ierunca.
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Present from the very first volume, Mic tratat de glorie (Small Treatise of Glory), published in 1973, the theme of exile takes on varied forms of manifestation in the poems of Dorin Tudoran. This essay follows the tortuous occurrences of the exile in Tudoran’s poems, but also the implication of the actual exile of the poet eventually materialized biographically twelve years later. Assuredly, the exile in the case of Dorin Tudoran embraces much more than solely a social component.
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This review touches on Andrei Dobos’ poetry book Spiro, published in 2016 at Charmides publishing house. I hereby argued that his book possesses two kinds of discursive tendencies that seemed more or less to contradict each other in their attempt to offer a unitary perspective. On the one hand, his attempt at creating a neo-bucolic and hymnic voice succeeds precisely because he borrows the posthuman detachment of his younger peers. When, however, he attempts to employ musicality and textual playfulness, the voice quivers and ends up sounding unconvincing.
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Prezență sau absență (Presence or Absence) is a volume which rarely shows the actual trajectory of the drama, as it is usually packed in the form of a liberal discourse with an existentialist-sensual stake through which Alexandra Văcăroiu's poems, minimally-shaped, lucidly and cynically underline the affective tension. From the same tough sublayer also derive Ligia Dan's poems from Metonimiile morții (Death's Metonymies), where the reflections on the issue of death and the tense wire of the poems are mixed in an incandescent process of trauma exorcism, an exercise which the poet operates with maximum freedom and overflowing energy.
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This paper frames an ingression on the poetry of Ioan Es. Pop seen as a collection of photos of nothingness and deception. The rhythm of the poetry is fractured and the contemplation of existence changes into a direct notation of a reality that rejects the melancholically texture.
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This essay analyzes Mariana Codruț’s poetry starting from a general characteristic of all the female poets of the 80 ist Literary Movement, namely their incapacity to enjoy life or to find any kind of happiness.
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The article aims to set off the complexity of the novel’s narrative structure and its ideas showinmg that it is buil;t on the archetypal pattern of theprotagonist’s external and internal quest for identity. Morag Gunnis a forty-seven year old writer asnd mother of eifhteen-year old daughter, Pique.The primary action begins with Pique’s flight from home, a event that triggers off Morag’s retrospective her memories, which revelas to her the parrallelism between herlife’s search and that of her daughter;s , conclusion which she reaches the autumn of the same year.The author shows how through/ association with present incidentsthe primary narrative embeds events that conjure up the picture of Morag’s childhood, teen age and youth, drawing up the portrait of a Canadian woman artist.Morag realizes in retrospect that her options have determined her present identity, which the redear may see as a triple paradigm, that of modern woman,that of a postmodern artist and that of conteporary Canada.
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The associative meaning of the word is a kind of "window" in the linguistic consciousness of the individual. With its help one can reconstruct the image about the world. Real world phenomena, acknowledged by man, are reflected in his consciousness, fixing the temporal, causal, spatial and even emotional relations, caused by the perception of these phenomena. All the associations can be interpreted as a model of linguistic consciousness, and in the opinion of psycholinguists one of the best ways to study it is the associative analysis. The article explores the associative field of the concept Family in Romanian. Despite being a universal value of any national culture, in the individual consciousness of the representatives of different ethnic cultures various associations and representations correspond to this concept.
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This article studies the meeting between English and all the languages spoken in the Pyrenees in the 19th century as they are perceived by British travellers. Those texts, showing a deep interest in languages, far from emphasising a separation between English and all the languages spoken from one end to the other end of the Pyrenean range, insist on the connections that those languages reveal between land and people, between past history and present time, between the evolution of landscapes and linguistic changes. Those texts show first and foremost a sense of connection seen in the meetings of languages, either when they are observed in place names, inscriptions or in the conversations, songs or poems of the populations.
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The text reviews the poetic debuts and analyzes their place in the the Romanian contemporary poetry.
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The Bulaestian idiom “мокрей як щур” in a word-by word translation means ‘wet as a rat’; it refers to a person who gets wet in a heavy rain. As a variant (but rarer), the speakers of Bulaestian dialect use “мокрей як меш”, i. e. ‘wet as a mouse’. The adequate translation of both variants in English has to give a meaning of “completely wet”. The Ukrainian special dictionaries include neither “мокрий як щур”, nor “мокрий як миш”. The meaning of “completely wet; soaked to the skin” is conveyed by some other idioms in the Ukrainian language. However, “мокрий як щур” is known in a Ukrainian dialect (the Krasilov district of the Khmelnitsky region). Thus, we cannot exclude that it exists in some other Ukrainian dialects as well. The Russian language speakers know the idiom “мокрый как мышь” with the same meaning of “completely wet”. The idiom “mokry kaž myš”, identical to Russian “мокрый как мышь”, is known also by Upper Lusatian language speakers. It makes us suppose that the idiom has a for-Slavic origin. Slavic *ščиrъ ‘rat’ is absent in the Russian language. However, there is a well-known Russian щурёнок ‘young pike (Esox lucius)’ (word translation ‘small щур’). Thus, we can suppose the existence of Russian щурёнок ‘young pike (Esox lucius)’ as a reason for the appearance of Slavic idioms like “мокрей як щур”/“мокрей як меш”. Some ancient inter crossing of semantics between different Slavic lexemes *ščиrъ (and *aščerъ‘lizard’, also) could provoke the appearance of some new meanings.
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Alex Goldis discusses in his review the hermeneutical perspectives of a book of literary criticism dedicated to contemporary Romanian poetry, signed by Gratiela Benga.
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The author of the review discusses the minimalist poetry of Ioan Milea from his 2013 volume, entitled Fulgurations.
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The text is a review signed by Mihaela Vancea, dedicated to a novel written by a Romania writer, entitled The World War of Smokers (2015).
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The text is a review of the volume of poetry signed by a young Romanian poet, Alex Vasies, entitled The Installation.
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The text presents the evolution of t.s. khasis' poetry and its distinctive poetic voice in the picture of contemporary Romanian literature.
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The essay presents the poetry of Antonio Della Rocca.
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The text is a review of a novel signed by Silviu Lupascu, entitled The story of Green Tea.
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Poniżej przedstawiamy referat Kareta Bartoška wygłoszony na międzynarodowym kolokwium, które odbyło się na Uniwersytecie Wiedeńskim w dniach 14–16 stycznia 1981 roku. Tematem jego była Europa i Europa Środkowa (podtytuł: Problemy tożsamości i kulturowych), a zostało ono zorganizowane przez Instytut Francuski w Wiedniu, Colloquium Mitteleuropa i Gesellschaft fűr politische Aufklärung. Badacze i osoby zainteresowane tą problematyką (pisarze, politycy, dyplomaci) z Austrii, Francji, Węgier, Polski, RFN i Szwajcarii próbowali odpowiedzieć na pytania postawione przez organizatorów kolokwium, dotyczące związków między Francją a Europą Środkową, problemów narodów, narodowości i wielonarodowości obszaru Środkowej Europy, specyfiki literatury tego obszaru, jego tożsamości kulturowej oraz konsekwencji politycznych toczących się obecnie dyskusji. Dokumenty kolokwium będą wkrótce opublikowane w języku niemieckim. Referat ten przytaczamy za 10. numerem pisma „La Nouvelle Alternative”, które szerzej przedstawiliśmy w 4-5 numerze „Czasu Kultury”.
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