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Роман-фрагмент Інґеборґ Бахман “Реквієм за Фанні Ґольдман”: рецепція післявоєнної австрійської метрополії та провінції

Author(s): Yulia Isapchuk / Language(s): Ukrainian Issue: 94/2016

The study analyzes the novel fragment of the outstanding Austrian writer Ingeborg Bachmann (1926–1973) “Requiem for Fanny Goldmann” (“Requiem für Fanny Goldmann”) from the cycle “Death Styles” (“Todesarten”). The attention is paid to the spatial organization of the text in particular to the author’s depicting of the centre and periphery of the country with an emphasis on the historical and social features of the state’s development in the first half of the 20th century (dissolution of the Habsburg Monarchy, Anschluss, Holocaust etc.). The special role of Vienna as a cultural metropolis of Austria after the Second World War is stressed. The family Wischnewski and married couple Goldmann represent both the generalized image of the Austrian capital city, which contrasted with the negative stereotyped image of a periphery. As a result this phenomenon is demonstrated in the relationship of the heroine Fanny Goldmann as the representative of the exquisite Viennese society with the character of the young writer Anton Marek from the remote province. Consequently I. Bachmann shows one of the possible variants of the correlation between centre and periphery, where the Austrian province manifests its aggressive intentions towards the Vienna from its point of view as a metropolis.

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Роман Г. Майринка “Голем” и готическая традиция в литературе

Author(s): Sergei Tuzkov / Language(s): Russian Issue: 94/2016

The analysis of G. Meyrink's novel “The Golem” is represented in the article in terms of gothic tradition in literature. The advantage of this investigation is that the majoriry of literary scholars point out those aspects of the novel “The Golem” that are connected with G. Meyrink's interest to occult sciences, alchemy, Buddhizm and Kabala learning. The value of these aspects for the authentic perception of G. Meyrink's text is beyond doubt. But at the same time the role of the elements referring to the gothic tradition in literature is not less important in the narration organization of the novel “The Golem”. For example in narration organization the author of the novel uses not only gothic chronotope but also the elements of the gothic invariant such as mystory and horror, play-acting, fate, manuscript, phantom etc. As a result the system of the characters of the novel “The Golem” correlates in its turn with the characters of a classic gothic novel: the main characters go through some hardships before they find happiness in the ideal love at the ending of the novel; the gothic villain embodies the evil incarnate and is inavitably punished; the phantom being the character's clone shows the transparence (ephemerality) of the border line between two worlds – real and infernal. The given aspect of G. Meyrink's poetics is not taken into account in numerous investigations of literary scholars. Therefore the aim of this investigation to examine the poetics of G. Meyrink's novel “The Golem” in terms of gothic tradition in literature gains particular actuality. As a result the analysis of G. Meyrink's novel “The Golem” shows how meaningful the gothic invariant in the XX th century literature is.

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Makroprizma

Author(s): Relja Dražić / Language(s): Serbian Issue: 296/1983

Pre no Što je končarska firma »Viler« u Hamburgu razvila svoj uzgredni goblen-gešeft, nudeći pospođama sheme slika »stanh majstora«, po kojima su ih mogle same ponovo oličiti, samo ako bi za određene rupice koristile tačno određene, shemom predviđene bojene konce, koje je liferovala firma - dakie, pre toga, jedan mladi slikar je za male pare u nekom berlinskom časopisu za dame činio nešto primitivniju shematizaciju: on je prosto razlagao kolorističku strukturu slika na elementarne kvadratne jedinice i dobijene tipove boja obeležavao posebnim znacima, pa ih ucrtavao u kvadratiće, ostavijajući na volju damama da same izaberu boje. Jedini je uslov bio taj da bude očuvano pripisivanje nekog znaka uvek istoj boji. Međutim, ideja mladog umetnika nije imala uspeha kod publike. Gobleni nisu ličili.

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REMINISCENCIJA KAO STVARALAČKI REFLEKS

Author(s): Dejan Aleksić / Language(s): Serbian Issue: 448/2007

Lektira jednog pesnika koji naporno i brižljivo uspostavlja sopstvenu stvaralačku individualnost, može imati nepredvidive refleksije na njegovo stvaralaštvo. Međutim, ne događa se retko da neki od određujućih uticaja uz koje osvajamo vlastiti izraz, nisu ujedno i determinante našeg razvojnog stvaralačkog puta. Ovde, dakle, govorimo o razlici između uticaja određenih konkretnih poetika, čvrsto utemeljenih u književno-istorijskom kontekstu i pesničkih uticaja koji se odnose isključivo na senzibilisanje unutrašnjeg sveta stvaraoca ili, da budemo slikovitiji, pejzaža duše.

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НАДЗОРОТ НА ТЕЛОТО И НЕГОВАТА РАЗМЕНА НА ПАЗАРОТ ВО СВЕТОТ НА ЕЛФРИДЕ ЈЕЛИНЕК

Author(s): Nataša Avramovska / Language(s): Macedonian Issue: 68/2016

Elfriede Jelinek's opus is centered around the idea of body surveillance, evidenced in the examples of the novel The Piano Teacher (1983) and the play A Sport Play (1998).The renewed interest in the aforementioned play, right before the 2012 Summer Olympics in London, England, refocused Jelinek's lament about the body surveillance that oversees the achievement of top results in the world of art or sports. These two works by Jelinek function as each other's binary, namely an image and its negative, in the same way the two spheres of corporeality and spirituality mirror each other's reflection within Western culture.

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Knjige su nespaljive

Author(s): Stefan Zweig / Language(s): Croatian Issue: 1-2/2017

Interview with Stefan Zweig

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Budućnost pisanja u jednom svijetu u ratu

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Budućnost pisanja u jednom svijetu u ratu

Author(s): Stefan Zweig,Robert van Gelder / Language(s): Croatian Issue: 1-2/2017

Interview with Stefan Zweig by Robert van Gelder

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ORIJENT U BEČKOJ MODERNI : NARATIVI HABSBURŠKE BOSNE I IMPERIJALNA POETIKA KOD LEOPOLDA ANDRIANA I ARTHURA SCHNITZLERA

Author(s): Vahidin Preljević / Language(s): Bosnian Issue: 2/2014

This paper attempts to sketch the Habsburg narrative about Bosnia-Herzegovina in the context of “imperial poetics”. In order to achieve this, first the current discourse in cultural theory with regard to this topic will be summarized, based on positions of the Viennese research network Kakanien revisited. Then, through an analysis of literary texts by Karl Kraus, Arthur Schnitzler and Leopold von Andrian, the main features of a specifially decadent-Impressionist Bosnian narrative of the ‘Young Vienna’ circle will be reconstructed. This is meant as a stimulus for further research into the imperial aesthetics of Viennese modernism and the position of Bosnian imagery in this context.

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Грилпарцеровa драмa Морски и љубавни вали у рукописном преводу Јована Грчића

Author(s): Julijana Beli-Genc,Milica B. Pasula / Language(s): Serbian Issue: 3/2017

Franz Grillparzer ist einer der bedeutendsten Vertreter der österreichischen Literatur, vor allem im Bereich der dramatischen Kunst. Seine Dichtung stellt eine Verbindung zwischen den klassischen Ideen Goethes und Schillers einerseits und den nationalen und österreichischen literarischen Stoffen andererseits dar. Die literarische Rezeption dieses Autors in Serbien wird eher als eine negative bewertet. Den größten Beitrag zur Übersetzung von Grillparzers Werken ins Serbische hat Jovan Grčić geleistet, aber manche von seinen Übersetzungen sind wegen der nicht gerade günstigen kulturhistorischen Umstände unveröffentlicht geblieben und nie aufgeführt worden. Grčić’ Übersetzung von Grillparzers Drama Des Meeres und der Liebe Wellen, die sich heute als handschriftlicher Nachlass im Archiv von Matica Srpska befindet, ist das Paradebeispiel für eine solche unverdiente Benachteiligung. In diesem Beitrag wurden die Hauptmerkmale von Grčić’ Übersetzung analysiert: die Adaptation von Personennamen, die Annährung an die Zielkultur und sowohl das Adäquatsein der Übersetzung, als auch unterschiedliche Arten der Abweichungen vom Original. Ziel des Beitrags ist die kritische Würdigung dieser bis heute vergessenen Übersetzung, die von einem der meist gebildeten Serben des 19. und 20. Jahrhunderts stammt.

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Калейдоскоп на българското в съвременни немскоезични литературни текстове

Author(s): Snezhana Boycheva / Language(s): Bulgarian Issue: 1/2010

The paper dwells on German and Austrian authors and their literary works depicting the Bulgarian reality. The way of reception the contemporary Bulgarian reality on behalf of the German- language authors, respectively from their literary works outlines the following scheme of: Conflict with the other, which does not belong to the common set of knowledge and experience of the recipient (in most cases cultural shock). As a result of the conflict - a reflex towards approaching and exploring the other, the strange in order to define the new cultural fact. The scheme of the one’s own cultural pattern is to be transformed by means of comparison and relativity in order the other fact be compatible to the facts of one’s own experience. The other fact, at the very beginning confronts our way of thinking, but later turns into an extra element of our knowledge and experience (intercultural competence).

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Die Zerrissenheit des inneren Ichs im Roman Malina von Ingeborg Bachmann

Author(s): Sandina Herić,Anela Alijašević / Language(s): German Issue: 13/2018

In der Arbeit wird die vielfältige innerliche Zerrissenheit des inneren Ichs der Hauptprotagonistin, deren Namen wir nicht kennen, analysiert. Besonders betont wird die emotionale Zerrissenheit, die Seelenlage und der innere Konflikt der Ich – Erzählerin. Thematisiert wird auch das Alter Ego in Bezug auf die Titelfigur Malina, der für den Verstand steht und das zerrissene Ich, das die Leidenschaft, Emotionalität, Hysterie und den Wahn symbolisiert.

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Granice jezika, granice svijeta

Author(s): Vahidin Preljević / Language(s): Bosnian Issue: 5-6/2016

Pisanje povijesti književnosti također ima svoju povijest i ona nije uvijek bila slavna, a ni književna. Već sami njeni počeci, naime, manje su obilježeni voljom za proučavanjem književno-estetskih fenomena a više političkim motivima. Književno-povijesna epistema formira se u postromantičarskom periodu nakon napoleonskih ratova u Evropi, i ona je, primjerice, u njemačkom govornom području, predstavljala izraz legitimiranja »duhovnog jedinstva njemačkog naroda«, koji je tada još bio daleko od postizanja državnog jedinstva. Konstruiranje nacionalne historije književnosti trebalo je, kao, recimo, u G.G. Gervinusovoj Povijesti njemačkog pjesništva (1835), poslužiti kao nadomjestak za nedostajući stabilan kulturni i politički identitet. Estetička razmatranja gurnuta su u drugi plan, a funkcionalno stavljanje pisaca i djela u, po mogućnosti što duži, niz velike nacionalno-kulturološke priče »od početaka do sadašnjosti« postalo je glavnim obilježjem proučavanja književnosti.

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Dođi, slatka smrti

Author(s): Wolf Haas / Language(s): Bosnian Issue: 5-6/2016

Sada se ponovo nešto desilo. Ali dan, koji ovako počinje, može biti samo još gori. Ovo ne treba zvučati nekako praznovjerno. Sigurno ne pripadam ljudima koji se plaše kada im preko puta pređe crna mačka. Ili kada hitna pomoć prođe a ti se moraš odmah prekrstiti da ne bi bio sljedeći kojeg će kompjuterski tomograf isjeći na hiljade režnjeva.

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PROROK IZ OPATIJE

Author(s): Norbert Gstreins / Language(s): Croatian Issue: 511/2018

A story by Norbert Gstreins

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O STVARNOSTI, FIKCIJI I KNJIŽEVNOSTI U PRIPOVEDNOJ PROZI NORBERTA GEŠTRAJNA

Author(s): Jelena Knežević / Language(s): Serbian Issue: 511/2018

U svom novom romanu Godine koje dolaze (Die kommenden Jahren), objavljenom u februaru u izdavačkoj kući „Hanzer" (Hanser), austrijski pisac Norbert Geštrajn (Norbert Gstrein) tematizuje niz aktuelnih društveno-političkih tema poput poslednjih predsedničkih izbora u Americi, izbeglištva i iseljeništva, otapanja glečera na polovima i nedostatka ekološke svesti, odnosa industrije i nauke, medija i savremene umetnosti, te osećanja opšte nesigurnosti u svetu. Posredstvom njih, međutim, Geštrajn u maniru najboljih pripovedača nemačke i svetske književnosti dolazi do univerzalnih pitanja krhke ljudske egzistencije, odnosa slobode i nužnosti, međuljudskih, supružničkih i roditeljskih odnosa, a u vezi sa prolaznošću i do teme prirode i svrhe umetnosti.

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PESME

Author(s): Günter Eich / Language(s): Serbian Issue: 510/2018

Poems by Günter Eich

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DER HAUSIERER. DIE DEKONSTRUKTION DER GESCHICHTE DURCH DIE METANARRATION UND DAS VERFAHREN DER NARRATIVEN REDUKTION

Author(s): Anđelka Ž. Krstanović / Language(s): German Issue: 20/2018

Ханткеов роман Der Hausierer (Торбар), објављен 1967. године, анализирали смо у односу на поступак деконструкције традиционалних приповједних модела а он је спроведен путем метанарације и поступка наративне редукције. Деконструкција традиционалних приповједних модела читаоцу је пласирана на подлози криминалистичког романа. Теоретски дијелови као метанаративни ниво који претходе причи разбијају илузију, а сама прича сведена је на њене формалне елементе, односно садржајно је испражњена. На тај начин читаоцу је наметнуто да се суочи са структуром приповједног модела, а не причом.

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Anđeo Devinskih elegija

Author(s): Jelena Knežević / Language(s): English Issue: 1-2/2010

The angel of Rilke’s Duino Elegies is a multiple symbol. As a human and a poet, Rilke strives to move from the despair of his time toward the ideal. He is a human who shares the same fate on the earth with his contemporaries, but he is also an aware poet, who, possessed by existential fear, sees and feels more deeply than others. As a poet, he is sentenced to struggle with a lack of creative power and inspiration. As with Holderlin, two levels of meaning overlap at the point where the poetry and the existence meet. The angel is therefore at least a double symbol: it represents an ideal harmonious being that gives itself over unconditionally to its own feelings (a distant and unrealizable ideal to the people of poet’s indifferent age).

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KONJIČKA PRIPOVETKA

Author(s): Hugo von Hofmannsthal / Language(s): Serbian Issue: 268-269/1981

Prose written by Hugo von Hofmannsthal: KONJIČKA PRIPOVETKA.

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Na pogrešnom koloseku osećam se dobro: Milutin Doroslovac – Milo Dor

Author(s): Gordana Ilić Marković / Language(s): Serbian Issue: 1/2020

That a writer should change the language in which he writes, or that he or she should write from the start in a non-native language, is an increasingly common phenomenon. Economic migrations in the latter half of the 20th century, intensified in the 1990s by migrations due to political conflict, have resulted in a larger number of writers who do not write in their native language. Also, the question of defining the concept of native language in bilingual or multilingual speakers is quite complex. The established definition according to which the mother tongue is the language that is unconsciously acquired in a natural social environment in childhood, does not necessarily correspond to language development in the diaspora, where the first language to be acquired is not always the language of the family. Authors who write in a language that is not their first are not a new phenomenon in literature; on the contrary, they are a historical constant as are migrations themselves. There have been a number of attempts to coin a name for this phenomenon. Terms like exile literature, gastarbeiter (in German-speaking countries) literature, migrant, intercultural, multicultural or transcultural literature have been used. In their works, writers who as individuals are multilingual but write only in a language which is not their first, often engage with themes inspired by their own or their ancestors' cultural milieu. Also, they often engage in translation, thus additionally contributing to the interweaving of two cultures. The Austrian writer Milo Dor who, apart from some early poetry in his mother tongue – Serbian, created his entire literary oeuvre in the German language, is one such author. He wrote in German, was fluent in several languages principally using German and Serbian for communication, and drew on his cultural sphere and experience for his literary themes and range of social engagement. This interconnectedness of cultures is reflected not only in the themes of Dor's prose works, characterized by biographism, but also in his translations and in his work as editor. For writers from the territory of Yugoslavia, Dor represented for decades an important link with German-speaking countries, working tirelessly to promote them both in Austria and in Germany.

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