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Zbornik razočaranja i nade

Author(s): Ivan Pederin / Language(s): Croatian Issue: 45/2016

Ovaj zbornik izdan je u doba skrivene suradnje emigracije i reformskih komunista u domovini koji su bili nacionalisti suvremenog tipa, a to će reći da su tražili ravnopravnost sa Srbijom, osobito u pitanjima novaca koji su bila u nadležnosti beogradskih banaka i novčara, a i vlastitu diplomaciju i vojsku. Tito je s osloncem ili na zahtjev Brežnjeva, JNA i Srba slomio taj Maspok (“Masovni pokret”, 1971. u Hrvatskoj) i zaveo strahovladu koju je vodila UDB-a ona ista koja je za Maspoka bila suprostavljena KOS-u, a sada se povukla. Slijedili su javni napadi, otpuštanja s posla. Sudski procesi i uhićenja koja su pogodila čitav naraštaj hrvatskih intelektualaca. Slika emigracije tipizirala se – ostala je “ustaška” i kao takova emigracija koju je u inozemstvu valjalo potrti ubojstvima.

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Osmislice

Author(s): Ivan Bradvica / Language(s): Croatian Issue: 95-96/2018

Aphorisms by Ivan Bradvica.

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Osmislice

Author(s): Danko Ivšinović / Language(s): Croatian Issue: 95-96/2018

Aphorisms by Danko Ivšinović.

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Aforizmi – Ivo Mijo Andrić

Author(s): Ivo Mijo Andrić / Language(s): Croatian Issue: 95-96/2018

Aphorisms by Ivo Mijo Andrić.

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Osmislice

Author(s): Ivan Bradvica / Language(s): Croatian Issue: 97-98/2019

Aphorisms by Ivan Bradvica.

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INTEGRATION OF THE CHARACTER OF A SELF-CONSCIOUS WOMAN IN TRILOGY OF KURLANI BY MIRKO BOŽIĆ

Author(s): Mirela Šušić / Language(s): English Issue: 20/2018

The paper deals with the integration of the character of a self-conscious woman in Trilogy of Kurlani by Mirko Božić, which is based on the semantic shift realized through the character of Gara. By her semantic components, the character of Gara deviates from the sense order inherent in the other female characters of Trilogy. Gara experiences a transformation of radical and universal proportions, from the oppressed position conditioned by the gender to the birth of the individual consciousness and awakening of one’s own personality and is raised to the level of the concept which is presented in this paper through three phases. The first phase marks Gara’s unconscious acceptance of the collective consciousness while in the second phase her disquiet comes as a motivational means. In the third phase, a self-conscious woman arises in Gara through the knowledge of the right to choice.

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NEKROLOZI POVODOM SMRTI FRANA GALOVIĆA

Author(s): Matijas Baković / Language(s): English,Croatian Issue: 20/2018

This work will analyze obituaries published in the local papers at the time of death of Croatian writer Fran Galović, namely, the dailies Obzor, Hrvatska, Hrvatski pokret, Narodne novine and the monthly magazine Savremenik. Special attention will be given to obituaries which made mention of the postal card Galović sent to Milan Ogrizović shortly before his death and how it spawned alternative theories about his death. Additional material includes various texts written under the watchful eyes of the censors framing the poet’s tragic death as a heroic act in service to his country.

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Hrvatski aforističari

Author(s): Ivo Mijo Andrić / Language(s): Croatian Issue: 1/2019

Croatian aphorists: BALAŠKO, Josip (Zagreb, 1941.); BILJANOVIĆ, Svetislav (Drvar, 1936.); ČIZMIĆ, Jozo (Split, 1958.); ČOLIĆ, Silvija (Zagreb, 1963.); DRMIĆ, Jandre (Vrilo, općina Tomislav Grad, 1955.); DUBRAVČIĆ, Dragutin (Zaprešić, 1950.).

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Poetry In Its Prime, on Dorta Jagić’s poetry

Author(s): Branislav Oblučar / Language(s): English Issue: 1-2/2019

Since its beginnings and in its most audacious tendencies and phases, modern poetry has been defined as an adventure of the linguistic imagination, as constant crossing of boundaries where metaphors cease to teach us about understanding and start communicating intensity and transforming meaning into body. The extravagance and playfulness, but also seriousness and dedication of Dorta Jagić’s poetry is one such adventure, bringing us back to the beginning over and over, that is, to the word itself and its bodily “capsule”.

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PROGRAMI HRVATSKOGA KNJIŽEVNOG ROMANTIZMA (IZMEĐU NACIONALNOGA ROMANTIZMA I ROMANTIČNOGA NACIONALIZMA)

Author(s): Marijan Šabić / Language(s): Croatian Issue: 21/2019

In this article the author gives an overview of the programmes of Croatian literary pre-Romanticism and Romanticism and the National Revival and Illyrian Movement that overlap with them. He also shows how the tendencies of national Romanticism and Romantic nationalism, as defined by Joep Leerssen in European terms, interchanged in the programmatic texts in circumstances defined by Hungarian-Croatian tensions and neo-absolutism.

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Riječ satkana od suglasnika: pripovjedne strategije u Kosi posvuda Tee Tulić

Author(s): Adrijana Vidić / Language(s): Croatian Issue: 15/2017

The novel Hair Everywhere (2011) by the contemporary Croatian author Tea Tulić (b. 1978) has a first-person narration, mostly from a child’s perspective, and gives the story of how a mother’s dying of tumor affects those around her through a series of simultaneously poetic and prosaic sketches, simultaneously moving and witty. Intriguing enough when taken individually, and only more so in the context of the whole collection, certain motifs are insistently repeated and varied in fragments, mirroring the mother’s deterioration and the narrator’s infantile rationalization, and all but achieve the status of private symbolism. The paper discusses these narrative strategies in an attempt to establish how the composition of the collection bears upon its interpretation.

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O HEROJSKOME ŽENSKOME DJEVIČANSTVU U HRVATSKOLATINIČKOME PRIKAZANJU MUKA SVETE MARGARITE

Author(s): Dubravka Dulibić-Paljar / Language(s): Croatian Issue: 11/2018

This paper analyzes the Croatian medieval drama The Passion of the Saint Margarita. The first part of the paper deals with the genre structure of virgin martyrs legends, while the focus is on the early Christian conceptualization of the phenomenon of martyrdom and virginity. Proceeding from the above, the second part of this paper analyzes the phenomenon of women’s heroic virginity in The Passion of the Saint Margarita.

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Intervju

Author(s): Ivan Sivrić,Ivan Baković / Language(s): Croatian Issue: 99-100/2019

Interview with prof. Ivan Sivrić by Ivan Baković

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Moja zemja Drage Gervaisa (Čakavski stihovi, 1929.)

Author(s): Vjekoslava Jurdana / Language(s): Croatian Issue: 1/2019

Drago Gervais (Opatija, 18 April 1904 – Sežana, 1 July 1957) was a poet, prose writer, dramatist, essayist, feuilltonist, historian, culture and social professional, but above all, a patriot. His departure from Opatija, from his native Liburnia, the never-forgotten native region, remained as an eternal wound on his poetic heart. From his exile position, he started writing his Chakavian verses, which are considered anthological in Croatian literature. Gervais’s paradigmatic poem is Moja zemja (My Country), which was, in the original version (Čakavski stihovi - Chakavian Verses), 1929), published in eight parts. The fifth part later gained its independence under the title Pod Učkun (Beneath the Učka), which became accepted. This paper is an analysis of the integral original eight-part version of the poem and interprets its thematic, motivic, conceptual and symbolic elements which are, as the paper shows, fundamentally linked to the poetic and ethical topos of Učka at multiple levels.

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Književn(ičk)o lice Lovrana

Author(s): Vjekoslava Jurdana / Language(s): Croatian Issue: 1/2010

This work outlines the thesis about permanent literal production of Lovran and from Lovran. Considering this goal different literary works are presented and analyzed, in chronological manner, texts and notes considered in wider, cultural understanding of literary notes, but which are thematically connected with Lovran and Lovranština. Additionally, names are listed of the authors who wrote about Lovran or from Lovran. The author of this essay re-constructions literary face of Lovran, showing its content, motives as well as form. It is about continuous discursive literally - (artistic) experience of Lovran and Lovranština, which is in this work analyzed from Antics till the middle of the 20th century.

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OSOBNA IMENA I UPISIVANJE PROKLETSTVA U ZBIRCI PRIČA INŠALLAH MADONA, INŠALLAH MILJENKA JERGOVIĆA

Author(s): Nebojša Lujanović / Language(s): Croatian Issue: 5/2012

Starting with basic postulates of semiotics, interesting possible interpretations of personal names in Miljenko Jergovic’s stories are revealed to us. Inside a mode of discourse presented as constant conflict and change in the representation of meaning, these names are to understood as stable carriers of meaning in which the important motif of the curse occurs. The curse appears as the only constant in Jergovic’s chaotic world of hybrid identities and insolvable conflict.

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TKO JE UBIO DJEVOJČICU SA ŽIGICAMA, A KOGA (JE UBILA) CRVENKAPICA? ILI: O (POSTMODERNIM) HRVATSKIM KRIMIĆIMA

Author(s): Boris Škvorc / Language(s): Croatian Issue: 5/2012

This work provides a short overview of Croatian crime fiction with special attention placed on the form as it developed during the time of a Communist regime and afterwards. In the article the author claims that the crime fiction and the forms of fantastic prose that eventuated from this genre in the Croatian vernacular are of utmost importance for the development of post-modern Croatian prose. It is also suggested that this genre generated a certain amount of political awareness that undermined the stable picture of the canon as a diachronic chain of works without consideration of the subaltern voices/utterances othern to the hegemony of cultural power. In central part of the work two contemporary novels with strong subversive power at the formal level are discussed and analyzed. They are presented as representatives of post -modern, post-ethical prose and as the Croatian answer to post-crime fiction on the global scene. The work also suggests that the deviation from the scheme that is very often considered to be the main characteristic of the genre, in fact represents the literary value that enabled the creative interaction between the trivial and high art, mixing the popular and exclusively hegemonic in an unlikely fusion of post-modernity, either politically or in the realm of poetics and style.

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LIK ZLOG SVEĆENIKA U ROMANU TAJNA KRVAVOG MOSTA

Author(s): Gordana Galić Kakkonen,Lucijana Armanda / Language(s): Croatian Issue: 5/2012

In this paper, we analyse the character of the evil priest in relation to Gothic heritage in the novel. In the introductory part we try to define the notion of Gothic and we give a short outline on the development of the Gothic genre. The authors also analyse the survival of Gothic motifs and the way in which they were incorporated in the novel The Secret of a Bloody Bridge. In the end we focus on the motif of the evil priest since it is quite common in Gothic fiction.

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POETIKA ROMANTIČARSKOG PESIMIZMA U DJELU MARKA KAŽOTIĆA

Author(s): Antonela Pivac / Language(s): Croatian Issue: 4/2011

The present article takes into consideration the key elements of the Romantic novels written by Marko Kažotić comparing, at the same time, the romantic pattern in some of the historical plays written by his contemporaries. The descriptions of rites and myths, with the strong ethno-regional nuances which are present in Kažotić’s novels, make deeper research of the genesis of this phenomenon possible. Vivid illustrations of the complex historical-cultural and linguistic situations represent the crucial point in studying the relationship between the protagonists and the general atmosphere of the Romantic Movement in Dalmatia, as well as functioning as a precious testimony of the past. The images of Dalamatian cities and hinterland, the portraits of renowned historical persons and descriptions of events, the authentic and original costumes and the scenes of life inserted into the romantic framework serve as a platform for a rather pessimistic vision of the forthcoming future. The objective of the article is to show that pessimism represents the crucial moment in interpreting the reactions of the protagonists, and it explains their resignation and lack of persistance in finding a way out of the miserable human conditions in which they have unwillingly found themselves. Although there have been some studies that discuss the romantic phenomenon, the genesis of romantic pessimism has not yet been examined. Furthermore, it is the opinion of the author that regional literature, written in Dalmatia in Italian, should not be regarded as “minor” as some critics recklessly claim, for it offers the possibility, besides its literary value, to learn about the historical background of the Dalmatian people in the 19th century.

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TRIBUSONOV SANATORIJ ILI SAN DOKONIH

Author(s): Lucijana Armanda / Language(s): Croatian Issue: 2-3/2009

This work interprets Tribuson’s novel Sanatorium as a part of Croatian fantastic literature. The introduction briefly discusses Tribuson’s most important works and notes that he is a typical representative of writers who were under the influence of Borges. In this study of Sanatorium, characters and their actions are analysed, as are the unusual motives that appear in this work. The analysis of the novel is based on the theoretical framework of fantastic literature which was proposed by Tzvetan Todorov. Valent Livadić is the main character who will, in his quest for a sanatorium, take us to unusual parts of Slavonija where the landscape keeps on repeating itself. While looking for a sanatorium, Valent Livadić arrives at a motel where the atmosphere a bit dream-like and this is where he meets a whole range of unusual characters. This work also notes the fantastical elements in the novel, which include eliminating the limits between substance and spirit, identifying with other people, eliminating the limits between subject and object, miraculous motifs, optical illusions and hallucinations. The ambiguity of the novel, which blurs the limits between reality, dream and death, is emphasized.

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