L’autre rive de l’imaginaire cinématographique dans L’Enfance d’Ivan d’Andreï Tarkovski
he following article aims at questionning the influence of myths in the presentification produced by cinematographic imagery in Andreï Tarkovski’s Ivan’s Childhood as well as shedding light on a new poetic space and time frame, created by this encounter between mythology and aesthetics: the filmic noosphere.
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