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«Şimdi»ye Musallat Olan «Gelecek»: Geleceğin Hortlakları ve 3D Modernlik

Author(s): Mevlüt Özben / Language(s): Turkish / Issue: 69/2012

No matter how the potential to determine one’s own life story has been exalted until recently, the modern humanis looking for place(s), to hand ower this potential (freedom!), precisely in terms of consequences of determination potential in question. Responsibilities, the person aspired in the name of being an individual, has increased so much that being an “individual” has been referred to an intolerable state of humanity more often. Dealing with both this human condition conceptualized also as “ The new individualism”, and present-day conditions of modernity, in this study, unlike the built-in patterns of thinking, a “present”, shaped mostly by “future” than by the “past” will be tried to be depicted. Here, due to as a form of perception, distorting,/overturning effects of “future” over “present” will be focused on, the theory of risk society will be utilized. Moreover, because the effect of the “future” over the “present” will be explained metaphorically from the “pestering”, the case screwing up the “present” that will be offer in the form of the spook of the future and present conditions of modernity that thoughts are formed ara conceptualized in the form 3D modernity. The scope of this study the conceptualization of the 3D modernity, within the triology of “past”, “present” and “future”, has been used to provide the determining effects over “present” of a “future” perception/anxiety neraly heading towards a standard in the societies that modernity generilized to be more dminant. 3D modernity with this form implies a “present” that the spooks of the future has pestered. There was expectation(s) firstly fort he human on the threshold of the modernity. At any price the modern human run very quickly to realize those expectations furiously. So his expectations, desires and maybe joy of living stayed behind of him. Third dimension in here has been used to conceptualize an advanced modernity case pestering “present” (enabling a risk society).

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À propos: Marx u strujanju dekonstruktivnog čitanja

Author(s): Alpár Lošonc / Language(s): Serbian / Publication Year: 0

This article focuses on an analysis and evaluation of the importance of Marx’s theory may have for Derrida. First, it is argued that the deconstructive reading of Marx’s texts is to be seen as the way toward the articulation of the politics and ethics in Derrida’s work. Second, the article maintains that the interpretation of Marx’s critical theory depends on the Derrida’s dealings with Levinas. I emphasize especially the significance of the phenomenology in this context, in fact, the importance of the Derrida’s dealing with the phenomenology of otherness. Third, I critically analyse in particular the concepts of absolute hospitality and messianistic coming. The conclusion is the next: Marx is, nolens volens, treated in Derrida in the light of the contradiction between ethics and politics.

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Čím je báseň velká

Author(s): Milan Suchomel / Language(s): Czech / Issue: 2/2016

The paper outlines the development of Kožmír’s interpretative method, from his early works such as Umění stylu (The Art of Style, 1967) or Styl Vančurovy prózy (Style in Vančura’s prose, 1968), up until his later studies, namely Modely interpretace (Models of interpretation, 2001) and Existencionalita (The Existential Situation, 2003). The key elements of his approach towards both fiction and non-fiction are analyzed: his style, the “blow-up” method, his treatment of both details and the literary work as a whole, the aphoristic nature and existential dimension of interpretation.

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Čovek, društvo i država: hrišćanska i marksistička perspektiva

Author(s): Milan Damjanovic / Language(s): Serbian / Issue: 01+02/1988

The trias: man — society — state belongs to and is stiled in the historical world of man interpreted in the present essay, firstly, from the Christian theological viewpoint and then from the marxist anthropological viewpoint in order to show their formal congruent ideas and also their apparently different positions. The world of man is of course not to be necessarly interpreted in an anthropological sense, but the copositum: man — society — state is only possible as a structure of the world of man: the point of departure is man, and the state is formal speaking the organisation of the human society, but the supposition is asways the being-in-the-world. The text was presented at the conference: »The Common Heritage and Future of Europe« in Dubrovnik 1987, sponsored by Professors World Peace Academy.

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Çukurova ve Kıbrıs Halk Kültüründe Ölümü Algılama

Author(s): Erman Artun / Language(s): Turkish / Issue: 85/2016

The notion of death is one of the themes which are handled in literature. Death is handled with the Sufi’s perception and according to Sufi’s ideas soul immortality and eternity are the infrastructure of the notion of death. What people do in the world in which people live in, we are responsible for them in future life. People believe that they will face their sins or good deeds in the future life. Meaning of death is not end of everything. Death is not dark and unbeknown. On the contrary, death is the second life for people. The real existence is soul and soul is immortal but body is mortal. In their poems which are related with death and grave, Minstrel advices that people should obey to Islamic rules. Meanwhile minstrels tell us life is temporary at the same time they tell people the way of eternal happiness. Minstrels’ religious knowledge is smattering. Although they are religious, they are bigoted. They discuss the god, prophets and clergymen in their poems. Death is not a terrible situation. Each living being will face the fact of death in minstrels’ poems. Religious information reflects minstrels’ tradition. According to Minstrels death is a faith and god has absolute dominance on the universe. People cannot do anything against the dominance of god. In Çukurova’s and Cyprus’s folk culture, there are a vast number of mistrials’ poems and laments which emphasize death and some effects of death. Moreover, traditions, believes, practises which are mentioned death and some effects of death shed light on people’s thoughts, reflections and behaviours.

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Įrankio ir technikos santykio problema Heideggerio technikos filosofijoje

Author(s): Tadas Capanauskas / Language(s): Lithuanian / Issue: 95/2019

The aim of the article is to reveal the difference between the tool (Zeug) and the technique (Technik) in Heidegger’s philosophy of technology. Differences point to the problem of the world constitution. While Heidegger presents Dasein’s relation with the tool as “ready-to-hand” (Zuhandenheit), he presents the relation with the technique as diametrically opposite. Technology which is emerging from natural sciences tied up with machination (Machenschaft) by the philosopher is presented as Dasein’s creative powers in the context of suppresing medium establishment (Gestell). The article reveals a twofold problem. First, it shows the ontological differences between a tool and technique. Second, it shows the ambiguity of the ontology of establishment. Establishment for Heidegger is not merely the ultimate mechanism of technical mastering but also a “saving power”.

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Įvykio poetika ir egzistencinis mąstymas

Author(s): Tomas Kacerauskas / Language(s): Lithuanian / Issue: 36/2004

The author analyses the concept of mythos and poetic event (Aristotle) as the principle of individual recognition that is contrary to Plato’s knowledge of ideas in the article. The author shows the parallel between the antique view and existential thinking. The event of individual poetic recognition as existential being’ with (Mitsein) in the world supposes philosophical poetics as open creative thinking.

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Şerefeddin Yaltkaya’nin İsbât-I Vâcib Anlayişi

Author(s): Ibrahim Bayram / Language(s): Turkish / Issue: 03/2018

Şerefeddin Yaltkaya, who had acquired an important place among the Ottoman scholars of the last period, did not adopt the concept of the new ılm al-kalam, which is offered as an alternative to classical kalam, but instead advocated the social kalam approach. This idea also influenced his views on the existence of Allah, accordingly, the evidence that must be used to prove the divine existence has been confined to a relatively narrow area. With an approach that is more suited to the Salafiyya sect, the author, who, directed criticism to the science of the kalam and to its mental and philosophical evidence that is used to prove the divine existence, has argued that this work should only be handled with a Qur'an-based understanding. The author, who thinks that there is evidence of al-fitrah in this divine book besides the evidence of teleologic argument, usually concentrated his statements on these two proofs. This situation did not cause him to ignore the evidence of huduth, at least on behalf of science, he has included this evidence in his studies. However, in doing so, he often went on to explain his purpose through some simple and easy-to-understand examples, although he sometimes includes technical explanations.

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Śmierć Boga, śmiech człowieka

Author(s): Marcin Smerda / Language(s): Polish / Issue: 31/2015

Author of the article starts with a question about the meaning of the activity that is writing. He looks for answers in ‘The Order of Things: An Archaeology of the Human Sciences’ by Michel Foucault, which – according to the author – emerged from the experience of the laughter, triggered by the book of Jorge Louis Borges, in which he included an excerpt from the Chinese encyclopedia describing the classification of animals. The author is analyzing this phenomenon in detail, inter alia in the context of what about the laughter thought Georges Bataille, who greatly inspired Foucault. However, the author does not end his deliberation with an answer to the question: ‘Why Foucault wrote ‘The Order of Things’’, where the philosopher announced ‘the death of man’ for the first time. He is trying to go deeper and answer the question: ‘why the man had to die?’

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ŚMIERĆ I SUPERBOHATER W REFLEKSJI FILOZOFICZNEJ BOLESŁAWA MICIŃSKIEGO

Author(s): Malgorzata Kasperska-Scibior / Language(s): Polish / Issue: 22/2013

The purpose of this short essay is to present the profile of pre-war polish writer and philosopher Bolesław Miciński. On the occasion of the second edition of his writings it is worth to recall the memory of him. This exceptional penman suffered from his youth and awareness of impending death permeated his thought and creativity. Short life and war caused the forgetting of his achievements and literary output. This is a huge loss because his work was ahead of his time. Popular literature has a special place in his work. Miciński believed that literary texts looking for the truth about human life. For his master Jerzy Stempowski thought that literature has the value of describing and explaining the truth about the meaning of the existence of man. The main characters of his philosophizing essays were superheroes and death. Philosopher did not accept the existing system of values, but sought their real meaning.These experiences have brought him close to the existentialists.

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ŚWIAT WE MGLE I ŚWIAT ZA MGŁĄ. EGZYSTENCJALIZM, REALIZM POETYCKI I AMERYKAŃSKI FILM NOIR

Author(s): Kamila Zyto / Language(s): Polish / Issue: 1/2018

The main aim of the article is to depict similarities and differences between American film noir and French cinema of the 30s. I will, first of all, refer to the tendency of the prewar French cinema known as poetic realism as it constitutes the solid background for the film noir. But as my point is also to show that film noir roots can be found in other aspects of French culture, philosophical thought of Jean-Paul Sartre and Albert Camus (existentialism) will be discussed as well and presented as a kind of intellectual world view that links poetic realism and film noir.

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Świece trzykrotnie wypalone

Author(s): Anna Bednarczyk / Language(s): Polish / Issue: 1/1999

The song of Vladimir Vysotsky Fused candles - this is a lyrical poem about succeeding life and death, about a man killing the world of objects, nature and space, about the repetition of everything. The poem is written with a two-legged anapaest, in odd-numbered lines, hyper-catalytic. Accompanying his musical text is written in a waltz-like rhythm of 3/4. It should be noted that the lexical stress corresponds to the musical stress. The song in question was translated into Polish three times. These were translations of Bojtseh Pashkovich, Vaclav Kalet and Andrzej Mandalyan. Two of them retain the versioning scheme of the original, one (V. Pashkovich) replaces it with repetitive even seven-syllable lines, replacing simultaneously Russian male rhymes with Polish female ones, which, however, does not violate the musical layer of the work. The main element of the lexical-semantic plan of the song is a chain of associations that repeat images-symbols of death and life, and at the same time symbolize repetition. The translated texts are to varying degrees compliant with these images and this composition by V. Vysotsky. Despite the fact that the interpreters used the strategy of reconstruction, design and deconstruction of the text in translation differently, they reacted differently to the musical plan of the work, and in spite of the fact that in their Waxing candles there appeared all kinds of mistakes and inaccuracies, we note that all They tried, as it seems to us, to convey the basic idea of V.Vysotsky's poem and its form - the form of the author's song.

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Świętość fundamentem odnowy Kościoła. Powszechne powołanie do świętości

Author(s): Piotr Wróblewski / Language(s): Polish / Issue: 3/2015

In this article the author presented the biblical view of holiness. He presented also God’s call to holiness for every human being. The author focused on the universal call to holiness in the teaching of the Second Vatican Council which highlighted the universality and the need to pursue holiness in the Church by all people of all times and states. The author demonstrated that John Paul II developed the Council ideas about the call of all baptized people to holiness. He pointed out that the Holy Father acknowledged the holiness of life as the foundation of life and development of the whole Church community.

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Žmogaus (Da-Sein) Esmės Samprata Heideggerio Laiške Apie Humanizmą

Author(s): Tautvydas Veželis / Language(s): Lithuanian / Issue: 77/2013

This article analyzes Heidegger’s letter „On Humanism“ and its conception of man as an ecstatic relationship with the opening of being. Reacting to the challenges posed by Sartre’s existentialist philosophy, Heidegger not only reveals the origins and shortcomings of ideological thinking, he also elaborates ideas that are familiar to existentialism about the necessity of a different thinking in relation to human existence. The article focuses on comparative analysis of the ideas of Heidegger and Sartre as well as Heidegger’s thoughts about the particularity of human existence. By getting deeper into the conception of primordial essence of the human being in Heidegger’s philosophy, there emerges the unique relationship between ecstatic man and being which makes man an exceptional creature in respect to other beings. From here arises Heidegger’s conviction that the deepest essence of the human being is existence or, in other words, the ability to be an open space for the opening of being.

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Zobrazení vědomí fikčních postav v prózách Arnošta Lustiga

Author(s): Ingrid Chytilová / Language(s): Czech / Issue: 1/2015

The study focuses on characters in Arnošt Lustig’s prose. It primarily focuses on the consciousness in fictional characters. As a theoretical basis we chose publications Poetics (2001) Shlomith Rimmon-Kenan, Story and Discourse (2008) Seymour Chatman, Individuals in the Narrative Worlds Uri Margolin and Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction Dorrit Cohn. Aristotle’s concept of mimetic character, as an imitation of human beings, which followed formalist and structuralist poetics, consisted mainly of subordination “acting person” storyline. The relation of the characters to the storyline, so in the case of Lustig’s character is superiority characters story, because in narrative occupy a dominant position. We are interested in the interior world of the characters in autor´s prose. We observe consciousness of characters, emotions and experiences in the fictional world. The aim of the study observes ways of presenting the characters in the narrative, both from the point of view of the narrator, so from the perspective of the characters. Uri Margolin Individuals in the Narrative Worlds provides information that the person in the narrative can be regarded as a series of temporary conditions attached to each other.

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Žvilgsnis Į Dzen Ir M. Heideggerio Mąstysenos Paraleles

Author(s): Žilvinas Vareikis / Language(s): Lithuanian / Issue: 86/2016

The Japanese zen tradition and in the Heidegger’s philosophy delicately interconnect with the consideration on the external nature and the contemplation of the human existence. The author relates Heidegger’s philosophical concept of Gelassenheit with the Japanese practices of zoan and koan. The author also compares the totality of nature in the zen tradition with the Heidegger’s Sein and with his late oriental traditions studies. On the other hand, the author opposes Japanese cultural logic, spontaneity, and transitivity to the Heidegger’s abstract thought and to the German philosopher’s inclination to the Eurocentric reflections.

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Związek filozofii Karla Jaspersa z klasyczną antropologią filozoficzną XX wieku

Author(s): Maciej Urbanek / Language(s): Polish / Issue: 32/2015

The main objective of this paper is to reconstruct Jaspers’ views on philosophical anthropology of the early twentieth century. The text can be divided into three parts. First part tries to reconstruct direct and indirect references which Jaspers makes toward: a) term “anthropology”, b) the representatives of philosophical anthropology. Second part shows Jaspers’ attitude toward Scheler’s anthropology. Third and final part raises a question: Why do we often regard Jaspers’ philosophy as anthropology, can he be considered as philosophical anthropologist? We will show that the main point of his critic is that anthropology sets biological point of view as a starting point for its inquiry on human being. Therefore, human being can not be seen adequately from anthropological perspective. Its specificity is reduced by anthropologists to the specific characteristics of species, a collection of biological, psychological and social conditions that describe the phenomenon of man but do not reach the depths of the human being.

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Zwierzę jako absolutny Inny – otwieranie nie/możliwości

Author(s): Patryk Szaj / Language(s): Polish / Issue: 36/2016

The starting point for consideration is to put the Emmanuel Levinas’s philosophy into question whether the status of “absolute Otherness” may also belong to the Other other than man. On the basis of the thought of Levinas it receives a negative response and it is because of his involvement in the so-called anthropological machine (which he shares with Martin Heidegger and some other critics of metaphysics). But it is, however, possible to open the (broadly defined) phenomenological ethical thought drew on the achievements of Levinas to the question of the animal. This attempt might be centered around the proposals of Jacques Derrida, the author of the essay The Animal That Therefore I Am (More To Follow), where he spoke about the singularity of each animal, the problematic status of border between man and animal, and the being-with animals as a full-fledged modality of being. This is a provocative thought which asks us about our attitude to such issues as “responsibility” and “responsiveness”, “carno-phallogocentrism”, or the status of non-human animals. Derrida’s thought is here very close to some kind of phenomenological language, but it is rather the phenomenology of the otherness than the phenomenology of intentional subject. The same phenomenology that we find in Bernhard Waldenfels’s or John D. Caputo’s writing.

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Авторство в ситуации повседневности

Author(s): Galina Georgievna Kirilenko / Language(s): Russian / Issue: 3/2005

Problem autorstva, koji je tradicionalno bio proučavan zajedno sa analizom specijalizovanih oblika kreativne delatnosti, u datom članku se istražuje u skladu sa sferom univerzalnih interakcija, t.j. u skladu sa sferom svakodnevlja. Svakodnevlje sadrži u sebi kako racionalno-pragmatsku životnu dominantu tako i posebnu ontologiju nedovršnosti. Interakcija ova dva aspekata stvara kolizije unutar refleksivno-interpretativne delatnosti čoveka svakodnevlja koja u sebi povezuje osobenosti klasičnog i neklasičnog modela racionalnosti. Svakodnevlje kao temeljna realnost produkuje potrebu čoveka da bude odgovorni tvorac sopstvenih postupaka no ono ne uspeva da ovo u potpunosti i ostvari. Samodoživljavanje čoveka svakodnevice izražava se u tome da je težnja ka autorskom činu kao realizovanju „Ja” povezana sa usmerenošću na vladavinu, koja se shvata kao „odloženo pravo na autorstvo” koje se, fiksirano u svom simboličkom obliku manifestuje u ritualnoj formi skrivanja svog „autentičnog Ja”.

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Албер Ками – Мит о сизифу

Author(s): Ivan Vuckovic / Language(s): Serbian / Issue: 03+04/2015

The paper has an aim to explain Camus’ book – “The Myth of Sisyphus” – the most important questions of existence and the meaning of existence in general. The work is presented in the form of an essay, so its point and significance are highlighted in a manner that is a bit freer. The question of absurdity, as the essential inquiry, stands out immediately. It can be discerned that absurdity is the basis of understanding of Camus’ entire philosophical deliberation on man and the way his existence unrolls in the world. In accordance to this, beginning with the absurd, a search is started and a possible answer given to the question – “Why should I live?”

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