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6.00 €

Od „miernoty” do arcydzieła. Interpretacja a redefiniowanie sztuki

Author(s): Ryszard Solik / Language(s): Polish Publication Year: 0

The working thesis of this paper posits — which seems to be easily recognized by conceptual art, while remaining completely unrecognized by workshop art — that the status of the artistic merit and cultural determinacy of a work of art itself (within the traditional model of art) are never determined only by the properties of the object connected with its formal structure, but are to a great extent determined by discursive procedures and the act of interpretation. In other words, art should not be understood as that which can define its own artistic merit. It is, indeed, predominantly an effect of discursive qualifications, established by the current conditions and interpretative strategies, always situational, historical, cultural. In this context, the author, through the analysis of selected examples, considers the issue of discursive redefinition of art with regard to the act of interpretation, which not only concretizes the temporary meanings, senses or artistic properties assigned to a work of art, but also constitutes its cultural and historical identity.

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4.50 €

Grupa OHO u slovenačkoj likovnoj kulturi

Author(s): Braco Rotar / Language(s): Bosnian Publication Year: 0

The current stagnation in Slovenian art would not be disturbing at all and nothing special - finally there is a lot of such zealous failure in the whole of Europe - if such a situation had not occurred after many turbulent periods, which allows us to understand the current situation as the opposite and immanent self-negation of activity: as the realization of the second part - the antithesis - of contradictions, inscribed in the so-called avant-garde art as its invisible part.

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Dziennik malarski jako fenomen artystyczno–psychologicznego wyrazu i oddziaływania

Author(s): Daniel Jerzy Żyżniewski / Language(s): Polish Publication Year: 0

Some basic mechanisms between perception, thinking and mood with artistic process of creation are described in this article. Main aspects of cognitive-behavioral reception of reality and its meaning for dynamic of creative energy are explained in this article. Some basic terms taken from Mindfulness therapeutic techniques including guided meditation technique are outlined in the context of brain activity. Dependencies between Mindfulness techniques with cognitive behavioral ones and painting creativity are also outlined in this article. The Painting diary created by Weronika Naszarkowska-Multanowska is described as a painting work and simultaneously as a self-therapeutic technique, which meets some of the psychological help criteria. In this article the painting diary is described as a tool of social communication and mood regulation in low energy of artistic creativity. The painting diary is presented as multilayer medium of interdisciplinary forms of expression and influence, which agency is seen not only in artist’s life, but also in audiences.

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Manifest niepoprawności

Author(s): Dobrosław Bagiński / Language(s): Polish Publication Year: 0

Paper discusses the problem of creativity in scientific research and artistic activity. Based on the reflexions of the eminent (historical and contemporary) scientists and artists, and on the recent research in cognitive psychology Author substantiates the thesis that the essence of authentic creativity, both in science and arts, lies the imagination and deliberate breaking widely shared rules.

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Od „topografii” do Nowej Topografii. Dwie natury ujawnione przez fotografowany krajobraz

Author(s): Błażej Filanowski / Language(s): Polish Publication Year: 0

New Topographics is an american photographers’ group whom in the 1970s referred to "topographics" - nineteenth-century photographs of the American West landscape. The "topographers" represented romantic ethos, visible in spectacular shots creating the myth and cultural identity of the colonized West also the entire United States. The New Topographics preferred repetitiveness and banality aesthetic of the contemporary landscape west of the Mississippi. Both movements are often analyzed in the context of identity changes and the demythologization of the region. In the paper, the achievements of "topographers" and the New Topographics are analyzed as visual messages representing the meaning of the current concept of nature - assuming that the concept of nature is discursive and its content changes over time.

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Szorstkość lnu i zapach wełny. Wykonywanie ściegu za ściegiem jako forma dialogu z naturą

Author(s): Ewa Danuta Kępa / Language(s): Polish Publication Year: 0

Making traditional handicraft is a process of creative construction and deconstruction of the meanings from the past in current socio-cultural contexts. It is also a form of exploring the world, the way of human participation in the 'world-in-formation'. In the presented article I treat hand-made textiles as a dialogical process of creating knowledge, creating reality and communicating with the past. I am focus on the work of the hands of those who process organic materials in the bosom of nature. I weave autoethnographic threads into the presented text. Threads which are experiences accompanying me in the process of recreating the stitches of an old linen tablecloth made at the beginning of the 20th century.

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Motyw Kobiety-Góry we współczesnych islandzkich filmach i serialach

Author(s): Tomasz Adamski / Language(s): Polish Publication Year: 0

The author begins his article with a description of the Icelandic landscape, with particular emphasis on volcanoes. This is the starting point for an outline of the mother (femininity) figure in Icelandic culture, which has been used to emphasize Iceland's independence and statehood. This figure was called the Mountain Woman and became an allegorical personification of the motherland for Icelanders. Over the years, she gained a bodily dimension (Fjallkonan) and her image was very often used in Icelandic art and poetry. References to this symbol also appeared in an Icelandic film or tv series, if only because nature was encoded as clearly feminine. The ideal woman is often depicted in Icelandic cultural texts as a person untainted by the evil of civilization and living in harmony with nature. The frequent identification of this mythical character with Iceland itself can be seen in contemporary Icelandic films and series such as: The Cliff, Rams. An Icelandic tale or 101 Reykjavik. The Mountain Woman can also be read as a prototype for the figure of strong women present in many contemporary Icelandic productions, to mention only: Valhalla Murders or The Woman at War.

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