Фатих Акин – мостът между Изтока и Запада

Author(s): Olga Saveska / Language(s): Bulgarian Publication Year: 0

The main focus of this paper is the work of Fatih Akin, one of the most prominent directors in contemporary European cinema. Its literary background is Akin’s book „Im Clinch – Die Geschichte meiner Filme”. Balancing masterfully between the East and the West, his films and characters auspiciously demonstrate the permeability of borders – national ones as well as those between people and cultures.

VODIČ kroz likovnu zbirku - Muzej grada Zenice

Author(s): Lejla Osmanić,Lejla Sarajlić / Language(s): Bosnian,English

Visual Arts Association Zenica was founded in 1974 as a Visual Arts Branch Association Zenica. Its members were – Muhamed Bajramovic, Mirko Maric, Tomislav Perazic, Ljubomir Percinlic and Stjepan Totic. Three years later Anto Kajinic and Goran Raner also joined this group and in 1978 Irfan Handukic did the same. In 1984 the Association was also enriched by Jelenko Butina and Miroslav Šetka while Anto Cabraja and Dajana Suk entered the Association in 1988. This Branch Association acted as a self-managing association of the Visual Arts Association of Bosnia and Herzegovina. Their first exhibition took place in 1974 and it was until 1988 that the Association used to have its own regular exhibitions. At the first joint exhibition in 1975 Tomislav Perazic and Ljubomir Percinlic presented their works. That year and in the year to follow also the following members of this Association presented their works of art: Muhamed Bajramovic, Mirko Maric, Tomislav Perazic, Ljubomir Percinlic and Stjepan Totic. Visual Arts Circle in Zenica, as the critics of former Yugoslavia used to call mostly the academically educated painters, among which the oldest ones were Stjepan Totic and Tomislav Perazic, had performed very intense exhibition activities even before the Visual Arts Branch Association was established and before opening of the Visual Arts Gallery Zenica. The joint exhibitions were called „April Salon“ and before the gallery was opened the permanent place for exhibitions had been the Exhibition Pavilion of the Cultural Centre Zenica. The first „April Salon“ took place in the above mentioned pavilion in 1972 and it lasted from 10th to 25th April. It was organized to celebrate 12th April – the Liberation Day of Zenica. Ever since the joint exhibitions of visual artists from Zenica, and after the recent war, also of the academic artists of Zenica Doboj Canton, have been held and named „April Salon“ on the anniversary of this important date of the City of Zenica. This date is the date of closing the international cultural festival „Zenica Spring“. The exhibition of the „April Salon“ in the above mentioned year was moved to the Exhibition Pavilion of the Cultural Centre in Banja Luka.

Antin i Zukin grad

Author(s): Borka Pavićević / Language(s): Serbian

U gradu Konjicu, Bosna i Hercegovina, u koji sam veoma često odlazila u toku protekle dve godine radeći na Bijenalu savremene umetnosti u atomskom skloništu, u bunkeru, neviđenih razmera, što nam ga je hladni rat ostavio, građani vam pokazuju kuću Zuke Džumhura, a onda vam kažu: „U ovom gradu rođen je i Ante Marković.“

goEast - 18. Festival des mittel- und osteuropäischen Films

Author(s): Heleen Gerritsen,Barbara Wurm,Rebecca Heiler Ciraudo,Anastasia Zehnder / Language(s): English,German

goEast - 16. Festival des mittel- und osteuropäischen Films

Author(s): Artur Majer,Barbara Wurm,Olaf Möller / Language(s): English,German

goEast - 17. Festival des mittel- und osteuropäischen Films

Author(s): Barbara Wurm,Catherine Portuges / Language(s): English,German

goEast - 15. Festival des mittel- und osteuropäischen Films

Author(s): Barbara Wurm,Olaf Möller / Language(s): English,German

goEast - 14. Festival des mittel- und osteuropäischen Films

Author(s): Margarete Wach,Moritz Pfeifer,Barbara Wurm / Language(s): English,German

goEast - 07. Festival des mittel- und osteuropäischen Films

Author(s): Hans-Joachim Schlegel,Bernd Buder,Pandeli Pani / Language(s): English,German

goEast - 10. Festival des mittel- und osteuropäischen Films

Author(s): Oksana Bulgakowa,Zara Abdullaeva / Language(s): English,German

goEast - 11. Festival des mittel- und osteuropäischen Films

Author(s): Hans-Joachim Schlegel,Grit Lemke / Language(s): English,German

goEast - 12. Festival des mittel- und osteuropäischen Films

Author(s): Olaf Möller,Barbara Wurm / Language(s): English,German

goEast - 13. Festival des mittel- und osteuropäischen Films

Author(s): Barbara Wurm,Gal Kirn,Vedrana Madžar,Iván Forgásc / Language(s): English,German

Histoire des beaux-arts

Author(s): Jan Krofta / Language(s): French Publication Year: 0

We present here a summary of the results, obtained in the field of art history during the last twenty five years, as long as they appear in the publications, published between 1935 and 1959. Naturally, this outline cannot not be complete. It was necessary to confine oneself to a critical choice, and among the articles published in the specialized periodicals, or in the collections written for certain occasions, to mention only those which are of general importance.

A MAGYAROK KÉPE A LENGYEL FILMBEN

Author(s): Marcin Grad,Anna Grzeszak,Damian Kaleta / Language(s): Hungarian Publication Year: 0

Polish films regularly feature Hungarian or Hungarian-speaking characters. Usually they are third-rate characters, but the way they are portrayed says a lot about the way Poles see Hungarians and their language. The aim of our presentation is to reconstruct the image of Hungarians and the Hungarian language in Polish feature films. We will try to answer the following questions: 1) in what context do the Hungarian characters appear? 2) what attributes do they have? 3) in what context does the Hungarian language appear? 4) which features of the Hungarian language are highlighted? 5) what stereotypes about Hungarians, Hungary, and the Hungarian language are portrayed in the “Hungarian” film excerpts 6) why are these excerpts humorous, and what is the source of the humour. The material analysed consists of

A HUMOR ÉS JÁTÉKOSSÁG MINT SILVIU PURCĂRETE SZÍNHÁZÁNAK INTERKULTURÁLIS ELEMEI – PÉLDÁKKAL A TEMESVÁRI AZ EMBER TRAGÉDIÁJA RENDEZÉSÉBŐL

Author(s): Pál Böjthe / Language(s): Hungarian Publication Year: 0

Silviu Purcărete’s career as a director began in the 1970s. The first part of his career could not develop to its full potential because of an oppressive political system. After 1989, he had the opportunity to show his work to foreign audiences. The international career has continued since then and has been mostly successful. Thanks to the director’s openness, one of the watchwords of his stage productions in different countries could be interculturality. The main characteristic of Silviu Purcărete’s theatre is variety. To write my paper, I have chosen two of the many options: humour and playfulness.

Awersy i rewersy modernizmu. Paradoksy „pejzaży łódzkich” Władysława Strzemińskiego

Author(s): Agnieszka Karpowicz / Language(s): Polish Publication Year: 0

The author analyses Pejzaże łódzkie and the lithographs from the series Łódź bez funkcjonalizmu by Władysław Strzemiński in relation to his urban project proposed in the article Łódź sfunkcjonalizowana. She searches for the multilateral relations between the artist's works and texts from the 1930s and the cultural landscape of Łódź at the time. This approach makes it possible to point out the main tensions, crises and internal contradictions of Łódź modernism in architecture and urban planning, Strzemiński's art and his urban experience, but also, more broadly, the crisis of modernism understood as a formation within modern culture.

Konferencje i wystąpienia naukowe: terminologia, geneza, stan badań, organizacja i przebieg

Author(s): Natalia Słaboń / Language(s): Polish Publication Year: 0

The author defines the concept of a scientific conference, emphasizing how its understanding changed over the years (starting from the mid-nineteenth century). Using desk research and literature analysis methods, she presents the history of conferences, their typology, and specialist terminology relating to conferences.

Koloryzm w malarstwie polskim i jego wpływ na moje poszukiwania formalne

Author(s): Piotr Mastalerz / Language(s): Polish Publication Year: 0

The work addresses the issues of colour in painting in an analytical way. It refers in particular to a unique phenomenon in European art, namely the Polish colourism, represented by outstanding artists active in the 1920s and 1930s. The discussed history of colour, the expansion of which was already noticeable at the turn of the 15th and 16th centuries thanks to the Venetian painting, allows for a chronological approach to the subject against the changing role of the colour structure of the painting, which is observed in the subsequent periods. The conducted analysis of artistic attitudes that influenced contemporary Polish art allows to identify a tendency characterized by individualism, which seems to make the colour the basic foundation of a painting work. This practice was based on the intuitive use of colour patches in the foreground, whilst still using the compositional structure. This is visible in the works of many artists, such as Artur Nacht-Samborski or Piotr Potworowski. The author of this study defines his inspirational space, which results from a thorough knowledge of the Polish colourism and an in-depth analysis of particular works, in the stylistic and technological sense. Indicating the most important features of his own painting created an opportunity for him to trace the consequences of the search for a distinctive creative expression, which was to be the main assumption of the presented work.

Łódź - jaka jest, każdy widzi

Author(s): Włodzimierz Adamiak / Language(s): Polish Publication Year: 0

The article is a commentary summarizing texts of about 50 sixth-semester students at the Deparment of Journalism and Socjal Communication at University of Lodz. They were made under the direction of the autor in 2017. The form of expression was inspired by the analysis of descriptions of cities from the book Invisible Cities by Italo Calvino.