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Zukići su selo smješteno u sjeveroistočnom dijelu općine Kalesija pored regionalnog putaKalesija – Sapna. Nalazi se na brežuljkastom području i dolini gornjeg toka rijeke Bukovice između naselja: Jajići, Brda, Hrvačići i Brezik (općina Kalesija) i naselja Međeđa i Muhamedbegovići (općina Sapna). Površina naselja je 3,18 km2. Prosječna nadmorska visina starog dijela Zukića je oko 440 m.n.v., mahale Usjeline 375m.n.v. i novijeg naselja u dolini Bukovice oko 340 m.n.v. Naselja ove veličine nisu detaljnije isistematski izučena pa je potrebno istražiti najvažnije podatke o položaju, historijsko - teritorijalnom, demografskom i privrednom razvoju.
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A report from a hike along the trails of Italian Puglia, culminating in the extraordinary Matera
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W tych czterech esejach napisanych na przestrzeni dwóch ostatnich lat życia Oliver Sacks mierzy się ze starością, chorobą i śmiercią, a czyni to z niezwykłym wdziękiem i przejrzystością. W pierwszym eseju Rtęć, napisanym jednym ciągiem na kilka dni przed osiemdziesiątymi urodzinami w lipcu 2013 roku, sławi przyjemności podeszłego wieku – nie zapominając o słabościach ciała i umysłu, które mogą się stać jego udziałem.
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The past year brought wide-ranging presentations of Ukrainian avant-garde and modernistic art, held in Europe. The exhibitions in question share yet another common feature: they discuss and describe art from the largest centres and cities of present-day Ukraine, such as Kyiv, Kharkiv or Odessa, created mainly during the eras of the Russian Empire or the Soviet Union; on the other hand, they totally ignore significant cultural centres in the western part of the country, such as Lviv. Nor do they take into consideration the history of art in those present-day day regions of Ukraine, which in the past were situated within Austro-Hungary, Poland, Czechoslovakia, Hungary or Romania. Paradoxically, all the exhibition projects attempting to distinguish Ukrainian avant-garde and modernism from, predominately, Russian avant-garde and, more widely, modernism, include them extremely firmly (naturally, perforce) in the Russian cultural background. The presented text focuses on several heretofore unknown motifs concerning precisely the Lviv milieu during the inter-war period – a sui generis footnote to a general presentation of modernistic Ukrainian art and, in particular, artists-creators who established the “artes” group or were linked with the latter, such as Aleksander Krzywobłocki or Wanda Diamand, and predominantly Margit and Roman Sielscy
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The question: “Are we postcolonial?” begs several related issues. First, who are “we”? The residents of the former Soviet Union and its satellites in Eastern Europe and elsewhere? The intellectual communities of those countries? Diasporas with roots in the same countries? The foreign-based (especially Western-based) scholars dealing with the region’s cultures?
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Zastosowanie metody projektowej w nauczaniu języka polskiego jako obcego pozwala na skuteczną indywidualizację nauczania. Indywidualizację nauczania należy stosować w grupach mieszanych i wielopoziomowych, które często występują na niemieckich uniwersytetach. Czas pandemii był okazją do przełożenia metody projektowej na zdalne nauczanie. W artykule opisano przykład zdalnej realizacji zajęć opartych na metodzie projektowej. Do artykułu załączono materiały dydaktyczne ułatwiające opracowanie vlogu studenckiego oraz dokumentację, która nadaje strukturę pracy projektowej. Using the project method in teaching Polish as a foreign language allows for effective individualisation of teaching. The individualisation of teaching should be applied in mixed and multi-level groups, which often occur at German universities. The time of the pandemic was an opportunity to translate the project method into remote teaching. The article describes an example of remote teaching based on this method. It is accompanied byte aching materials facilitating the development of the student v log and documentation structuring the project work.
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Seoses Thomas Sebeoki sajanda sünniaastapäevaga ilmus ajakirja Chinese Semiotic Studies erinumber, kd. 17(4), 2021, “Thomas A. Sebeok for the 21st century”, kus ka meilt artikkel (Randviir, Kull 2021; vt samuti varasemad Randviir 2001; Kull, Lotman, Torop 2002; Raudla, Pern 2011; Kull 2011; Cobley jt 2011).1 Ent jõudsime puudutada vaid mõnd tahku, seos Tartuga väärib enamat tähelepanu. Pidas ju Sebeok ise Eesti-seost oluliseks (Sebeok 2000). Ta külastas Tartut kolmel korral (18. augustil 1970, juuni algul 1997, ja 7.–9. juunil 1999). Niisiis, 6. augustil 2022 laekus mõnedele kolleegidele järgmine kiri.
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This article delves into the intricate dynamics of the municipality of Arad, Romania, through a multi-ethnic and multicultural lens, with a particular focus on the significant contributions of Neu-Arad, now a district, and its Swabian community. Neu-Arad, once an adjacent municipality, has evolved into a vibrant district that has played a pivotal role in shaping the economic and cultural landscape of Arad. This article aims to highlight the cultural enrichment brought forth by Neu-Arad and its Swabian inhabitants, underscoring their integral role in Arad's development and identity.
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