Кинотехнология в обучении русскому языку: теоретические основы, особенности организации

Author(s): Leonid Moskovkin,Svetlana Markova / Language(s): Bulgarian Issue: 4/2018

The article deals with theoretical bases and organizational peculiarities of the movie-technology that is one of the productive innovative technologies in Russian as a foreign language instruction. This technology supposes the organizing of Russian language acquisition during the preparation of the film production, the proper film production, its montage and following viewing. The specific features of movie-technology stages in the process of instruction are described.

Водици в с. Добърско – обредност и музика

Author(s): Veselka Toncheva / Language(s): Bulgarian Issue: 2/2019

The article presents Voditsi rite in the village of Dobarsko (Razlog Municipality, Blagoevgrad Region) and the ritual song repertoire, characterized by its antique musical thinking, melody and rhythmic specifics. The scholarly focus is centered on the processes of development of the traditional rites in the local culture. The diachronic point of view to the rite reveals the dynamics in the course of time as far as from the second half of the 1950s to the middle of the 1980s Voditsi rite performed in Dobarsko by young virgins has stopped to exist. After that the rite is reconstructed, but mainly as a performance on the scene. Today the rite is an important element of the cultural heritage of the village and functions as a sign of local identity.

За книгата: Мария Букур. Пол и модернизъм. Историческо преосмисляне на канона. 2020.

Author(s): Roumiana L. Stantcheva / Language(s): Bulgarian Issue: 1/2020

Book review: Maria Bucur. Gendering Modernism. A Historical Reappraising of the Canon.

Достъпът на хора с увреждания до програмите на аудиовизуалните доставчици на медийни услуги – задължение и демократична ценност

Author(s): Diliana Kirkovska / Language(s): Bulgarian Issue: 3/2018

Audiovisual media services providers play informational, educational, social, cultural roles and therefore it is of extreme importance all parts of their programmes to be easy of reach for every consumer. At high level that is to be obligatory for people with specific difficulties of usage of the media, such as the visually and hearing impaired persons/blind or deaf –TV media content should be naturally accessible via various tools and no extra charge. At high extend the legislation in Bulgaria is appropriate and well prescribed but in practice that presentation is out of time and humiliatingly small in quantity and access tools.The media providers should deliver to that specific part of the audience full access to their programmes by using different approaches – the sign-language translation, audiodescriptions and audiosubtitles, subtitles in multiplex platforms, as well as news scrolls as an alternative tool. That is a mark of the democratic society – not to exclude that part of the public but on the contrary – the visually and hearing impaired persons should get media content at ease anytime and anywhere.

Уеб радио 2014-2017: групови адреси и индивидуални обръщения

Author(s): Snezhana Popova / Language(s): Bulgarian Issue: 3/2018

The text presents Bulgarian language web radio based on research in 2014 and 2017. It touches on highlights of its development after the first web radios appeared at the beginning of the new century. The article studies the changes in practices of listening portals. It compares data on web radio stations: number, distribution by format and address. It identifies trends: development of music web radios toward alternative group offers, sustainability of radios of idea-based communities, establishment of the 'marketing' radio, emergence of web radio community initiatives.

Съюз на сериозното с играта: Webdoc

Author(s): Snezhana Popova / Language(s): Bulgarian Issue: 7/2020

The text examines the web documentary in its relations with other productions, the names used for it and the variants claiming its own importance. An overview of publications has been made, which follow its development and emphasize some of its highly appreciated realizations

Измерения на авторството и променените сцени на публичността

Author(s): Zhana Popova / Language(s): Bulgarian Issue: 7/2020

The book by Lozanka Peycheva ‘The folk spirit’ in author’s songs from Bulgaria’ (Sofia: “St. Kliment Ohridski” University Press, 2019) is part of research work on the scientific project “The soft power of popular music in media (by examples from Bulgaria and the Balkans”, financed by the Bulgarian national science fund.

A kultúra közjó

Author(s): Virág Buka,Kristóf Nagy / Language(s): Hungarian Issue: 27/2020

This article focuses on the emergence of the paradigm of solidarity economy and of the commons in the field of professional cultural production. We unfold the possible mutual cooperation of cultural producers and commoning social movements by examining the case studies of the Resonate music streaming co-op and of the Dutch Stad in de Maak housing-initiative. The case of the Resonate exemplifies how cultural producers can reorganize their industry in a cooperative way to hinder capitalist value extraction. Another type of encounter takes place between culture and commons when cultural producers utilize their knowledge and skills in various solidarity economy projects. We demonstrate this possibility through the case of the Rotterdam-based Stad in the Maak, where the artist-architect founders launched a long-term community housing initiative.

Od redakcji

Author(s): Weronika Kostecka,Maciej Skowera / Language(s): Polish Issue: 1/2019

Лайфстайл аспекти на инфодемията Ковид-19 в българския контекст

Author(s): Silvia Petrova / Language(s): Bulgarian Issue: 8/2020

The text focuses on the messages broadcast by the lifestyle and rhetoric of politicians and public leaders during the Covid-19 pandemic. The imposition of a central media trend is being studied - the machismo lifestyle, emphasizing the characteristics of the patriarchal type of masculinity: aggression, threats, austerity, military rhetoric. The focus on this type of patriarchal-masculine lifestyle can be used as a tool to study the consequences of infodemic.

Смяна на парадигмите: алтернативна журналистика е възможна

Author(s): Ilya Valkov / Language(s): Bulgarian Issue: 8/2020

For the last years in Bulgaria there are more and more examples about the capturing of the big media, indecent flirtation between the media, the government and the ruling parties, pressure on editorial content, expulsion of critical journalists in the media periphery. The public space is highly radicalized due to political and economic confrontations. This negative trend is also creating new forms of alternative, opposition journalism, which is even waging a guerrilla war with the powerful political and financial centers. And probably for the first time in Bulgaria we see an opportunity for changing the dominating model – new media platforms seek financial support from the citizens.

Il était une fois... un rêve. La chute d’une grande troupe du Levant

Author(s): Costin Petrescu / Language(s): French Issue: 5/2021

Né en 1947 à Bucarest, dans une famille d’intellectuels del’entre-deux-guerres, Costin Petrescu fait preuve d’un talent musical natif. À l’âge de 12 ans, il fonde avec ses collègues le groupe Pop-Rock The Pioneers, devenu en 1964 – année des JO de Tokyo – Olympic ‘64. Le groupe se fait connaître, il apparaît à la télévision nationale roumaine et à la radio. En1968, Costin Petrescu est étudie à l’Institut d’architecture ‘Ion Mincu’ de Bucarest. En 1971, il devient percussionniste du groupe Phoenix, participant à la renaissance de ce groupe. Il a pris sa retraite de Phoenix pour obtenir son diplôme en1974. Il devient architecte-scénographe aux Studios Buftea, puis architecte dans un institut de bâtiments et travaux publics à Bucarest. Il collabore avec les jazzmen Mircea Tiberian, Marius Popp et Johnny Răducanu, de même qu’aux projets Pop-Rock de Mircea Florian et Nicu Alifantis. Il fait de la musique d’avant-garde dans l’Ensemble Hyperion de Iancu Dumitrescu. Lors d’une tournée européenne de l’Ensemble, il reste à Paris et devient chef de projet dans l’une des agences françaises les plus réputées. Il apparaît rarementen Roumanie après 1992, à l’occasion des anniversaires de Phoenix et des collaborations avec Mircea Florian ou Mircea Baniciu. En 1997, il fonde la société ‘Magic Sign’, une entreprise de longue date, consacrée à l’importation de technologie française dans le bâtiment et l’architecture.

Към някои възможни интерпретации на грамофонната плоча като медия

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 11/2022

This article examines commercial gramophone records and focuses on their functioning as a medium in the first half of the twentieth century. During the first stage of the development of the shellac gramophone record (from the 1900s to the late 1920s), the gramophone record became the main medium of the music industry, had global distribution and sales, and competed with the leading media and forms of music and art reproduction: cinema and radio. The article focuses on several highlights. It asks how old commercial gramophone records should be studied today: as historical object, sound document, or media? Some methodological problems and directions for future research are pointed out. Examples are given of the history of the Bulgarian music industry and media music in the first half of the twentieth century.

Представата за идентичност в българското кино по време на кризи

Author(s): Petia Alexandrova / Language(s): Bulgarian Issue: 12/2022

National identity in Bulgarian socialist cinema and especially in the films of the program 1300 years of Bulgaria is understood mainly as a plot – to reflect events from our native history and way of life. Very cleverly, they glided over only those events that, even in their drama, are positive for our self-esteem. But the constructive direction was in the films about migration and guilds as a native modification of the results of industrialization and modernization. In the time of transition, national identity appeared as a problematization – ethnic minorities, ideological, religious, and other repressions came into focus. I define the third stage of identity as confusion. There is no magnetic energy, innovative ideas, deep truth, and sincerity – the screen is 18 percent gray.

Война, радио и музика: радиопропагандни мобилизации и настъпления на руско-украинските фронтове

Author(s): Ventsislav Dimov,Ventsislav Dimov / Language(s): Bulgarian Issue: 12/2022

The article explores current phenomena - the relationship between war, radio and music. The focus is on the army radio stations of two warring countries: Russia's Radio Zvezda and Ukraine's Army FM. The research examines the programming policy, funding, music content and audience attitudes of the two radio stations. The question is raised how the media and their musical contents are mobilized and "dressed" in a uniform. Observations on the radio stations and the changed music in them related to the wartime and regime in 2022 point to some new features of the radio propaganda mobilizations and the musical "weapons" used in them

Наратив и преживяване в "ХЕЛБЛЕЙД: жертвоприношението на Сенуа"

Author(s): Severina Stankeva / Language(s): Bulgarian Issue: 13/2023

The text examines the narrative of the video game Hellblade: Senua’s Sacrifice through Jean-Noël Thon’s three-part perspectivist model, focusing on its third dimension - the ideological perspective. It states that the elements of the gameplay, usually defined as purely ludic, in fact play a prominent narrative role. The game manages to trick the player without lying to them by relying on classic video game relations such as believing in what is seen and told, the self-identification of the player with the avatar, and uncritically accepting the game’s instructions/information as relating to their own actions, not to those of the avatar. The ideological perspective of the characters combined with the thus created ‘misleading’ gameplay question the game-player relationship, while at the same time succeeding in an original way to distance the player from the avatar and ultimately succeeding to make the player feel towards the game as the character feels within in his own world. Accordingly, if the gameplay has a message, i.e., allows itself to be semanticized independently of and in conflict with the cinematic cuts in the game, it functions narratively and creates a dissonance resulting from two different and parallel forms of storytelling.

Рецензия за „Журналистика, ценности, свят. Юбилеен сборник в чест на проф. д-р Мария Нейкова“

Author(s): Mariyan Karagyozov / Language(s): Bulgarian Issue: 13/2023

The edited volume “Journalism, Values, World. A Jubilee Collection in Honour of Prof. Dr. Maria Neykova” (University Press “St. Kliment Ohridski”, 2022) contains 20 articles united by 5 common themes that contribute to the understanding of a wide range of issues of journalistic practice and to professional debates in the field

Kobieta – naukowiec – mutant. Płeć w opowiadaniach Julii Nideckiej

Author(s): Kinga Wyskiel / Language(s): Polish Issue: 1 (21)/2023

Kinga Wyskiel’s article concerns the issue of gender in science fiction stories by Julia Nidecka. The following stories have been analysed and interpreted: “Wilki na wyspie” [Wolves on the Island], “Taśmy prawdy” [Tapes of Truth], “Kwiaty w bukiecie” [Flowers in a Bouquet] and “Goniący za słońcem” [Chasing the Sun]. Wyskiel considers two dominant strategies for the representation of femininity in these stories and focuses on Nidecka’s images of the woman scientist and the mutant woman present in them. Wyskiel also points out that gender is an a priori category in Nidecka’s future worlds and that, consequently, the construction of those worlds has been based on the gender matrix.

„Dajcie nam cywilizację naukową” – federacja ludów Europy, Naukowa Liga Narodów i ostatnia wojna o pokój. Ritchiego Caldera i Stefana Barszczewskiego fantastyczne wizje pokoju

Author(s): Jerzy Stachowicz / Language(s): Polish Issue: 1 (21)/2023

In this article, Jerzy Stachowicz examines selected literary works the represent the science fiction genre of the interwar period. He focuses on pacifist visions of the future in those works and argues that these scientistic, military, and superpower fantasies have an anti-war potential, and that fantasy literature itself can, to some extent, be regarded as a „pacifist practice”.

Introduction: Speculations of the Unconscious: Encounters between Philosophy, Psychoanalysis, Literature and the Arts

Author(s): Arleen Ionescu,Laurent Milesi,Edward Waysband / Language(s): English Issue: 1/2023

The unconscious (das Unbewusste; etymologically, that which is unknown) is a relatively modern concept that naturalized areas of the unknown previously explored by literature, mythology, and metaphysics. Each in their own domain, Karl Marx, Sigmund Freud and Friedrich Nietzsche, the three ‘masters of suspicion’ (according to Paul Ricoeur), debunked the hubristic claims of modern rational consciousness, exposing its social, existential and psychological grey zones. 1 Inspired by, yet critiquing humanity’s confidence in the power of reason, their acknowledgement of the limits of the Enlightenment is emblematized in Freud’s charting of the conflictual relations between the orderly ego and the unruly id.