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The Portrait of the City in Wim Wenders’s “Lisbon Story”

Author(s): Sonia Front / Language(s): English Publication Year: 0

The paper addresses the depiction of the city in Wim Wenders’s film “Lisbon Story” (1994). The film meditates on the “death of the cinema” resulting from the commercialization of the image and globalization of culture, accompanied by the destruction of space. Wenders protests against the postmodernist consumption and homogeneity of space by presenting Lisbon as a city arrested in time, beyond the impact of corporate culture. Expressing his distrust of images, he creates a heterogeneous portrait of the city, superimposing soundscape over the landscape, whereby sounds, particularly music, encode the emotional attitude to the city, experienced in a kinesthetic manner.

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Amidst the Wonders of the City: Countenances of Moscow in Barbara Włodarczyk’s “Wide Tracks”

Author(s): Monika Kowalczyk-Piaseczna / Language(s): English Publication Year: 0

The article analyses the various countenances of Moscow which have been presented by Barbara Włodarczyk in the cycle of television reportages “Wide Tracks”. The text focuses on illustrating the specific features of a film report that allow its author to present the wondrous picture of the Russian capital emerging from the particular fragments of the discussed reportages. Moreover, as a result of juxtaposition of the reports from that part of the city, which overwhelms one with its richness and splendour, with the accounts from these corners of Moscow in which the continuous struggle for survival takes place, the article examines the internal contradictions which may be observed within the depicted urban space. The analysed cycle also exposes the series of political conflicts which undermine the immaculate image of Moscow as a wondrous city, presented by some of the characters of the discussed film pictures, and simultaneously, it allows one to discover some new, less known countenances of the metropolis.

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