Kako kazalište slijedi smjene svjetonazora ili zašto više ne volimo afirmativne priče!

Author(s): Sanja Nikčević / Language(s): Croatian Issue: 83-84/2015

Koliko god umjetnost pokušava uvjeriti samu sebe da je izvan politike, izvan ideologija i sl., današnja vladajuća poetika u umjetnosti, onoj tzv. visokoj i priznatoj umjetnosti, je naprosto trend ili moda. Koliko god se umjetnost pokušava uvjeriti da je slobodna i kritična prema društvu taj trend je posljedica smjene svjetonazora u društvu koju umjetnost poslušno odražava što ću u tekstu pokušati pokazati na kazališnim primjerima.

Европейско кино – глобално и локално

Author(s): Andronika Martonova / Language(s): Bulgarian Issue: 1/2015

Още един достоен юбилей – Иванка Гергова на 60 години!

Author(s): Emmanuel Moutafov / Language(s): Bulgarian Issue: 2/2015

Рецензия за книгата на проф. д-р Надежда Маринчевска „Анимационните хибриди“

Author(s): Nevelina Popova / Language(s): Bulgarian Issue: 3/2015

Международен филологически форум за студенти и докторанти (Софийски университет „Св. Климент Охридски“, 13–16 ноември 2014 г.). Направление „Фолклористика и културна антропология“

Author(s): Maria Marinova,Denitsa Zarkova / Language(s): Bulgarian Issue: 3/2015

„Музикалнокултурни практики”

Author(s): Rossitsa Draganova,Mihail Lukanov,Diana Danova-Damianova / Language(s): Bulgarian Issue: 1/2016

Since September 2015, a permanent seminar has been conducted at the Institute of Art Studies by the Musical Culture and Information research group. They make every effort the seminar’s editions to be attended by as many active participants as possible. Various topics are proposed every time by different members of the research group, who then open the discussions with keynote papers. Bulgarian Musicology journal would publish some of the papers as well as statements and communications made during the seminar. The topic of the first session, Short forms in music: aesthetics, history, modern times, was introduced by Assoc. Prof. Dr Rossitsa Draganova, who made a statement on Short forms in music and the other arts. Asst. Prof. Dr Mihail Lukanov and Asst. Prof. Dr Diana Danova-Damianova joined in, delivering papers on Short forms in music and Bulgarian schlager of the 1930s and Short forms in music in the programmes of ppIANISSIMO International Festival of Contemporary Piano Music respectively. Nadia Sotirova, director of Pancho Vladigerov’s museum, Sofia and Svetlana Avdala, a full-time doctoral student, Department of Music, presented the realised project Microcosm, performance of 60 one- minute pieces. Assoc. Prof. Dr Lubomir Kavaldjiev, founder of the research group, Prof. Elisaveta Valchinova- Chendova, DSc and Prof. Dr Rumyana Karakostova joined the discussion. The second session held in October dealt with the so-called free forms in music and particularly, with the free forms in the sixteenth-century lute repertory. Assoc. Prof. Dr Yavor Genov delivered a keynote paper on the topic. He believes that these forms have later generated a number of vital trends in instrumental thinking. Colleagues invited especially to take part in the seminar, Prof. Yavor Konov, DSc from NBU and Assoc. Prof. Dr Ivanka Vlaeva from SWU, an associate member of Department of Music, joined the discussion. The third session held in November was devoted to the nineteenth- and the twentieth-century song forms in music and to research aspects and issues related to them. A keynote paper on the specifics of some forms of the twentieth-century popular music (strophic, verse/ chorus, 32-bar and blues forms) was delivered by Asst. Prof. Dr Mihail Lukanov. Talking and arguing about these untraditional and at the same time topical issues, never broached for now in a special or a long-term study by any of the members of the Musical Culture and Information research group, proved to be intriguing and fruitful. There was a general sense of innovativeness, of refreshment of notions, generating resources of new approaches. New areas for discussion were established and formulated for the forthcoming editions of the seminar.

За Книгата на Йоана Спасова-Дикова „Мелпомена зад желязната завеса”

Author(s): Zornitca Kamenova / Language(s): Bulgarian Issue: 1/2016

С вкус към живота. Виолета Василчина на 70 години

Author(s): Maria Miteva / Language(s): Bulgarian Issue: 4/2015

Нова книга за един рядък илюстриран ръкопис

Author(s): Elissaveta Moussakova / Language(s): Bulgarian Issue: 4/2015

Международен музиковедски форум в София

Author(s): Stefan Harkov / Language(s): Bulgarian Issue: 4/2015

The 11th Congress of South- East European Studies (XIe Congrès d’études du Sud-Est européen, http:// balkanstudies.bg/congress2015/en/2- uncategorised.html) was held on 31 August – 4 September 2015 in Sofia, mounted mainly by the International Association of South-East European Studies (AIESEE), a large authoritative organisation founded in 1963 and enjoying all along moral and financial support granted by UNESCO. The event was hosted by the Bulgarian Academy of Sciences and particularly, by the Institute of Balkan Studies and Centre of Thracology. Over 250 leading scholars from 26 countries, experts in economics, politics, defence, history, culture, arts, media, etc., arrived in Sofia. The musicological session was organized in cooperation with the International Musicological Society as the Sixth International Conference of the Regional Association for the Study of Music in the Balkans. A total of 25 presentations by 29 participants from 19 countries (Albania, Austria, Azerbaijan, Bulgaria, Croatia, Cyprus, Greece, Georgia, Germany, Hong Kong, Italy, Macedonia, Romania, Russia, Serbia, Switzerland, Turkey, UK, US) were selected to be made at the international musicological event. The- matically, ​the presentations were grouped in five panels and a roundtable; moderators: Cor. Mem. Prof. Svetlana Kuyumdzhieva, DSc and Prof. Dr Tilman Seebass in cooperation with Mirjana Veselinović-Hofman, Velika Stojkova-Serafimovska, Maria Alexandru, Stefan Harkov, Katy Romanou, Francis-Nectarios Guy, Tatjana Marković, Evanthia Nika-Sampson. The Conference decided upon founding an academic journal, Studies Musicologica Balcanica with the support of and applying the standards of the International Musicological Society. The next, Seventh International Conference of the Regional Association for the Study of Music in the Balkans, was slated for 2017 to be held in Nicosia, Cyprus.

Втори конгрес на Обществото за теория на музиката

Author(s): Ivan K. Yanakiev / Language(s): Bulgarian Issue: 4/2015

Tchaikovsky Moscow State Conservatory hosted the Second Congress of the Music Theory Society 26–29 September 2015. This year the biennial themed Schools and Trends in Musicology, Composition and Performing Art was occasioned by the 150th anniversary of Moscow P.I. Tchaikovsky Conservatory. It was held in 16 sections (http://www.mosconsv. ru/upload/images/Documents/Events/ program_congress_2015_eng.pdf). Some of the most intriguing papers delivered at the conference were as follows: Natalia Plotnikova (Moscow P.I. Tchaikovsky Conservatory): The Counterpoint of the Russian Baroque: Present-Day Problems of Study; Valentina Kholopova (Moscow P.I. Tchaikovsky Conservatory): Boris Asafiev: Innovations for Centuries to Come; Konstantin Zenkin (Moscow P.I. Tchaikovsky Conservatory): Concerning the Problems and the Semantic Potential of the Concept of ‘Intonation’; Vyacheslav Medushevsky (Moscow P.I. Tchaikovsky Conservatory): The Neuro-Semiotic Aspect of Musical Intonation; Simon Perry (SchoolofMusic,UniversityofQueensland, Australia): Notation, Enharmonicism and ‘Musical-Dramaturgy’ in Musorgsky’s Boris Godunov; David Haas (Hodgson School of Music, University of Georgia, USA): Devices from Bruckner: Toward an Understanding of Their Significance for Shostakovich’s Symphonies. Two traditions clashed in the discussion on Riemann and Schenker in Various National Traditions: the Russian school with their functional theory of traditions, school and trends and that of the American school of music theory, based on Schenker’s works. Most of those involved in the discussion are members of the IMS (International Musicological Society), where such a discussion is also led in absentia, through exc​hange of articles for instance. Ivan K. Yanakiev, a full-time PhD student at the Institute of Art Studies, BAS, Sofia delivered a paper in the Section of Students and Post-Graduate Students on Concerning the Question of Unequal Temperaments in the 20th Century: the Theory of Maria Renold, part of his doctoral thesis.

Неделчо Милев. Теория за елементите на киното

Author(s): Bojidar Manov / Language(s): Bulgarian Issue: 2/2004

Николай Лазаров. Изкуство и техника на визуалните ефекти

Author(s): Venetz Dimitrov / Language(s): Bulgarian Issue: 2/2004

Петър Увалиев. Филмови трохи

Author(s): Nedelcho Milev / Language(s): Bulgarian Issue: 2/2004

Божидар Манов. Дигиталната аудиовизия

Author(s): Ingeborg Bratoeva-Daraktchieva / Language(s): Bulgarian Issue: 2/2004

Благовеста Иванова и Ружа Симеонова. Портретът през Българското Възраждане

Author(s): Elena Genova / Language(s): Bulgarian Issue: 3/2004

Андрей Б. Наков. Папазов. Franc-tireur du surréalisme

Author(s): Chavdar Popov / Language(s): Bulgarian Issue: 4/2004

HERMENEUTICĂ RADICALĂ ȘI TEOTANATOLGIE (POSIBILE INTERPRETARI ALE MITULUI MORȚII LUI DUMNEZEU)

Author(s): Radu Grigore / Language(s): Romanian Issue: 1/2025

The present article proposed to make an introduction to the hermeneutics of the phenomenon of the death of God (theothanatology) and the way in which this topic was interpreted in the space of Judeo-Christian thought. This theme was discussed in a more meaningful way with the 19th century and resumed after the Second World War especially in the United States of America but also in the area of Western Europe, being perceived first as a cultural phenomenon in the wider framework of a new model of secularism, vector of a new type of religiosity. The article explores the origins, influence and possible interpretations of this kind of radical theology.

Chad HATFIELD (ed.), Patriarch Daniel, Rebuilding Orthodoxy in Romania, St. Vladimir's Seminary Press, New York, 2021, 278 p

Author(s): Nicolae Dascălu / Language(s): Romanian Issue: 3/2021

This article contains a book review of Chad HATFIELD (ed.), Patriarch Daniel, Rebuilding Orthodoxy in Romania, St. Vladimir's Seminary Press, New York, 2021, 278 p.

Dumitru Oprișor despre ai săi/ Între Praeludium și postludium

Author(s): Cornel Ungureanu,Dan Negrescu / Language(s): Romanian Issue: 2/2025

This article contains two cultural essays.