Труд и игра: бележки към една политическа икономия на естетическото
The article deals with the meaning of Kant’s metaphor of free play of faculties in aesthetic judgment, discussed in the perspective of Schiller’s contrasting of work (labour) and play, which gave rise to a peculiar fictional, but conciliatory, status for the aesthetic. The article then traces some articulations between the realms of alienated labour and of free creativity in Hegel and Marx, and concludes with notes on the lasting social significance of this contrastive aesthetic metaphor.
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