Vreme i unutrašnji sukobi uma

Author(s): Jacques Taminiaux / Language(s): Serbian Publication Year: 0

Arentova zacelo duguje ranom Hajdegerovom učenju naročit fenomenološki metod. On kombinuje istorijsku genealogiju mnogih filozofskih pojmova i opis njihovog značaja za posebna iskustva. Taj metod ima za cilj da razgradi, ili dekonstruiše, mnoge teze ili pojmovne strukture koje pripadaju nasleđu istorije filozofije i koje se često uzimaju zdravo za gotovo jer se ne obraća pažnja na posebne pojave kojima one odgovaraju. Takva dekonstrukcija, otuda, ima dve strane: s jedne, ona uključuje kritiku mnogih pogrešnih generalizacija ili amalgamacija; s druge, zahteva uvođenje brojnih fenomenoloških razlikovanja koja te inače greške prikrivaju.

Promišljanje društvenog

Author(s): Hannah Fenichel Pitkin / Language(s): Serbian Publication Year: 0

Značaj koji pojam društvenog ima kod Hane Arent je jasan, kao i njegovo poreklo, značenje i to kako je ona uspela da nasluti da bi ono moglo biti nešto poput Bloba,* ali, najznačajniji rad počinje tek ovde. Ako je problem na koji je htela da se njen pojam odnosi stvaran i svagde gotovo onoliko važan i neodložan kao što je mislila, onda su nam, za bavljenje njime, očajnički potrebni bolji načini razmišljanja.

Novi Karl Kraus

Author(s): Elias Canetti / Language(s): Bosnian Publication Year: 0

Nerazdvojni je pratilac mladalačke nezajažljivosti, ali i naglosti, to da jedan fenomen, jedna avantura, jedan model protjeruje drugi. Zagrijavamo se, predajemo, podređujemo i vezujemo sa isključivom strašću. Čim nas jedan idol razočara, rušimo ga sa pijedestala i uništavamo bez ustezanja: nije u pitanju pravednost – on je jednostavno imao previše značaja. Onda na ruševine starog postavimo novog idola. Nije bitno što se on tu nelagodno osjeća. Prema idolima se ponašamo prevrtljivo, tiranski, ne tiče nas se kako se oni osjećaju, oni su tu da bi bili uzdignuti, a potom zbačeni; smjenjuju se u zapanjujućem broju, međusobno se toliko razlikuju, toliko su protivuriječni da bi se svako ko pokuša da ih sve zajedno posmatra uplašio.

Satirični diskurs i intertekstualnost: dijaloška konstrukcija satiričkog autoriteta u Die Fackel-u

Author(s): António Sousa Ribeiro / Language(s): Serbian Publication Year: 0

U proučavanju Krausa dugo je bila zanemarena perspektiva iz koje se Die Fackel čita kao književni tekst u kojem se za objekt proučavanja odabiraju specifično književne strategije koje su na delu u Krausovim tekstovima. Rezultat je to da je u većini studija o ovom bečkom satiričaru implicitno ili eksplicino postuliran apsolutni identitet autora i njegovog dela, nereflektovana pretpostavka koja je tek nedavno zaista dovedena u pitanje. U ovom eseju ću se koncentrisati na, kako mi se čini, određujuću osobenost Krausove književne strategije: dijalošku konstrukciju satiričkog autoriteta.

Arhetipski obrasci u satiri Karla Krausa

Author(s): Edward Timms / Language(s): Serbian Publication Year: 0

Kada je u aprilu 1899. godine pokrenuo časopis Die Fackel (Baklja), Krausov osnovni cilj je bilo razotkrivanje činjenica: »govoriti ono što jeste« (F 2, 1899, 1). Međutim, otprilike od 1904. godine činjenična polemika sve više ustupa mesto imaginativnijim oblicima satire. Time se afirmiše onaj kvalitet Krausovog rada koji nas najviše zbunjuje: mešanje dokumentovanih činjenica sa imaginativnom fantastikom. Da bismo razumeli ovaj paradoks pobliže ćemo ispitati dva konkretna pasusa iz Die Fackela i pokušati da razjasnimo njihovu strukturu povezujući ih sa radom drugih evropskih satiričara.

Krausova vizija jezika

Author(s): Joseph Peter Stern / Language(s): Serbian Publication Year: 0

Džon Raskin kaže da je jezik pisca jasan kada ovaj govori »saosećajno i sa željom da bude razumljiv«. Ovaj iskaz, koji je Karl Kraus citirao (u nemačkom prevodu) u svom časopisu Die Fackel, potiče iz jednog Raskinovog predavanja; ovo izgleda relativno neosporno. Pa ipak, ta »želja da se bude razumljiv« sama po sebi pretpostavlja postojanje zajedničkog polazišta – postojanje jezika poznatog i piscu i čitaocu (na taj način što autorova »saosećajnost« pretpostavlja njegovu spremnost da deli čitaočeva interesovanja i preokupacije).

Čemu to umiru filozofi? O političkoj funkciji jednog studentskog zahtjeva

Author(s): Borislav Mikulić / Language(s): Serbian Publication Year: 0

The purpose of this contribution is to reflect upon institutional and political sense of a local philosophy student group asking after Jacques Derrida when he died. The iniciative came in a philosophical context lacking, since 1970s, any serious reception of Derrida’s theoretical work by eather philosophical currents (marxist, analytical or hermeneutical), and in the very asking after Derrida the iniciative both fails to recognize its real philosophical target and succedes in reveiling the void of local philosophy as event of thought. It is, such is at least the message of this “postcard”, just this function of Derrida’s being mere name that might serve to re-organize a self-understanding of young philosophers.

Deridine sablasti: pogled vizira

Author(s): Nenad Daković / Language(s): Serbian Publication Year: 0

The aim of this paper is to propose an answer to the question of possibility of a Phenomenology of spectral.

Mislim, dakle, mislim drugo

Author(s): Jelisaveta Blagojević / Language(s): Serbian Publication Year: 0

This paper addresses Jacques Derrida’s concept of hospitality as a critical one for his non-canonical understanding of the political. As a concept that is political par excellence, hospitality and/or the paradoxical gesture of welcoming the other opens up a space for different and diverse, unknown and unexpected guest, for the other, aporetically understood as impossible and unpredictable future to come, that cuts across, destabilizes and deconstructs all rational, established and safe ways of thinking and doing.

Arhigrafija: arhiv i pamćenje kod Freuda i Derride

Author(s): Dragan Kujundžić / Language(s): Serbian Publication Year: 0

Jacques Derrida’s Archive Fever starts with the aporia of the archive. The word arkhe, he recalls at the beginning of his book, names at the same time the command to remember, to archive, protect and keep, and the commencement of an institution of archivization which leads to forgetting. This aporia therefore splits from the outset the commemorative gesture into two irreconcilable demands or tasks, the symptoms in fact, to which Derrida gives the name of Archive Fever (Mal d’archive).

Kulturowe a filozoficzne tło neokreacjonizmu amerykańskiego

Author(s): Robert Piotrowski / Language(s): Polish Publication Year: 0

Wyniki dotychczasowych badań nad konfliktem ewolucjonizm-kreacjonizm wydają się z filozoficznego punktu widzenia niezadowalające. Np. kluczowe pojęcie religii przywoływane jest z reguły w konkretnym kontekście chrześcijaństwa, a nawet węziej: tego czy innego wyznania chrześcijańskiego. Ograniczenie jest zresztą dwustronne, bo sam kreacjonizm identyfikuje się często z kreacjonizmem fundamentalistycznym lub literalnym (creation science), podporządkowanym dosłownemu odczytywaniu Biblii, a szczególnie wersji semickiego mitu o stworzeniu zawartej w Księdze Rodzaju. Jeżeli przyjmuje się naukoznawczy punkt widzenia, to „naukowość” przypisuje się często tylko jednej, ewolucjonistycznej, stronie sporu. Dlatego konkretne zjawisko współczesnej kultury amerykańskiej opiszemy dopiero w dalszej części artykułu, poprzedzając ten opis wyjaśnieniem spraw bezpośrednio związanych ze sporem dwóch szeroko pojętych stanowisk w sprawie pochodzenia i rozwoju życia, a przede wszystkim przedstawieniem ogólnych pojęć cywilizacji, kultury, ideologii i religii. Zasadniczo nasza analiza w pierwszej części artykułu polegać będzie na wydobyciu istotnych elementów tła ogólnokulturowego.Nasze podejście jest do pewnego stopnia zbieżne z metodą Kazimierza Jodkowskiego. Różnica polega na tym, że Jodkowski tło konkurencyjnych doktryn przedstawia przy pomocy koncepcji epistemicznych układów odniesienia, zaś my używamy aksjologicznej koncepcji kultury.

Poezija Maka Dizdara u kontekstu perenijalne flozofje

Author(s): Rosana Ratkovčić / Language(s): Croatian Publication Year: 0

This paper focuses on the launch of Mak Dizdar›s poetry in the context of the Perennial Philosophy (philosophia perennis) as interpreted by Rusmir Mahmutćehajić. The central idea of the Perennial Philosophy is that the Divine Truth is one, timeless and universal, while different religions are nothing more than different languages used to express the Unique Truth. In this context are interpreted some motives on stećci (medieval Bosnian tombstones) that are represented in the poetry of Mak Dizdar, such as universal symbols of the sun and moon, cross, grapevine and dance. Recent information on interconfesionallity of stećci, according to research by Dubravko Lovrenović, can be linked with the idea of Perennial Philosophy represented by Rusmir Mahmutćehajić, about the search for the Unity and Truth revealed both in the symbols on stećci and in the Mak Dizdar’s poetry

Sacrifice as a Symbol of Transition

Author(s): Maria Kristeva / Language(s): English Publication Year: 0

From the Formation of the Image to the Crystallization of the Idea

Author(s): Ivan Kasabov / Language(s): English Publication Year: 0

Narrative Self-Reference in a Literary Comic: M. -A. Mathieu`s L'Origine

Author(s): Winfried Nöth / Language(s): English Publication Year: 0

Boundaries and Identities in Religious Conversion: The Mirror

Author(s): Massimo Leone / Language(s): English Publication Year: 0

Signs Mediating the Media: Decoding Multiple Transmissions

Author(s): Guido Ipsen / Language(s): English Publication Year: 0

Translating Sameness and Difference: Henry James in Search of Canada

Author(s): Madeleine Danova / Language(s): English Publication Year: 0

The present article takes a closer look at Henry James’ only Canadian essay “Quebec" as a way of “translating” the sameness and the difference of Canada for his American readers in 1871, just a few years after the emergence of the new nation in Canada. I turn my attention to him rather than to the other nineteen-century travel writers in America as he was one of the major forces behind the shaping of the art of travel writing into an aesthetic experience during that time. The present paper also argues that there is a persistent cultural critique that runs through both the early and the late travel writings of fames, which becomes obvious when a comparison is made between that early travel writing and his last masterpiece, The American Scene. This is further illuminated by a brief comparison to another book, Letters from America, written by Rupert Brooke, to which Henry fames wrote a Preface in 1913.

The experience of exile in Eva Hoffman’s Lost in Translation: a Life in a New Language

Author(s): Stefana Roussenova / Language(s): English Publication Year: 0

The paper argues that the exiles experience of two cultures is matched by the double voice of the young narrator telling of the immediate events and of the adult narrator’s efforts to explain them. The double voice is exemplified by the discussion of the young protagonists changes in language and visual perception and the re-interpretation of the lived experience in terms of contemporary psychoanalytical and structuralist theories. Attention is also paid to the significance of the two dominant metaphors of translation and triangulation for the foregrounding of doubleness in the reconstitution of the self in exile.

Nauka, pseudonauka i zdrowy rozsądek

Author(s): Barry Markovsky,Lisa M. Dilks / Language(s): Polish Publication Year: 0