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Творчески изяви на турските кописти от Самоков (XVII-XIX век)

Author(s): Stoyanka Kendrova / Language(s): English,Bulgarian Publication Year: 0

Representatives of the Turkish population in the town of Samokov develop a rich literary activity during the Ottoman period. Seven authors and 47 copyists create a very rich production, especially in 18th century. Ahmed el-Keshfi es-Samakova (d. 1747) is among the most prominent names from the end of 17th - first half of 18th century. He is a prolific writer, copyist, commentator of esoteric works and creator of a rich waqf library in Samokov. His production as a copyist counts 101 volumes, part of which feature collections containing two or more works. The earliest copy - Sharh Manar al-anwar li'n-Nasafi, which is a work in the field of Islamic law, has been completed in 1685. The analysis of the production of the authors and the copyists from Samokov gives us a reason to define this town as a center of literary activity of the local Muslim population.

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ВИРТУАЛНО ОБРАЗОВАТЕЛНО ПРОСТРАНСТВО – НАСТОЯЩЕ И БЪДЕЩЕ

Author(s): Stanimir Stoyanov,Daniela Ananieva Orozova,Ivan Popchev / Language(s): Bulgarian Publication Year: 0

Тhis paper provides briefly the current state-of-the-art of the Virtual Educational Space developing as an Internet of Things (IoT) ecosystem. The various types of components inhabiting the space are examined as well. In particular, the guards’ architecture is presented in more detail. The challenges of the space’ creating are also summarized in the paper.

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Граф Дракула и художествените образи на злото: Имагологии, идеологии, туризъм

Author(s): Nikolay Papuchiev / Language(s): Bulgarian Publication Year: 0

The article is focused on the role and the power of the horror and terror literature and movies to create very popular images, which become important factors in the developing of contemporary tourism. These supernatural creatures have turned into objects of cult for big fan-groups all over the world. The fans share common interests reflecting – along with the rest – the longing to see the special places that inspired authors and moviemakers. In this way, Bram Stoker’s novel Dracula, used as a basis for many literature and movie interpretations during 20th and the first two decades of the 21st century, has become an influential generator of images for mass consumption. The bloodthirsty Count gathers strength in people’s imaginations during the years and changes the historical medieval fortress – Bran Castle – into a very popular museum, visited by different people striving to see his scary home.

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Archives in a Non-institutional Environment: Documenting, Organization and Preservation

Author(s): Nikola Mokrović / Language(s): English Publication Year: 0

Documenting is a kind of relationship towards all documents or, in a wider sense, towards all artefacts created as a result of human action. Today there are three recognizable types of institutions which work on preserving memory: archives, libraries and museums. Although the principal difference in types of objects that these three institutions possess is clear and well-defined, what connects them is inheriting and preserving values which were created through human action. As such, these institutions are institutions of memory, as much as they are institutions of documenting. Documenting is mediation of human action, of each individual human act and its trace which connects it, in a meaningful way, with other acts. Acts and their traces are in a constant interplay of connecting, interpretation, change of shapes and media which constitute the overall record of human action. Although acting necessarily produces documented consequences, here we are particularly interested in its specific form as a conscious and subsequent, re-constructive establishment of previous practices and past actions, as well as in reconstruction of past documenting in the sphere of civil society and human rights protection. However, subsequent reconstruction does not only constitute a new order of documents or enable an overview with the aim of remembering or working with finished and established facts. It includes, from the starting motivation, through entire process to the end product, confirmation, realization and enrichment of certain values, which gain new meaning in new circumstances.

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Arhivi u neinstucionalnom okruženju: dokumentiranje, organizacija i prezervacija

Author(s): Nikola Mokrović / Language(s): Croatian Publication Year: 0

Dokumentiranje jest forma odnosa prema svim dokumentima ili u širem smislu svim artefaktima nastalim ljudskim djelovanjem. Danas postoje tri prepoznatljiva tipa institucija koje se bave prezervacijom sjećanja: arhivi, knjižnice i muzeji. Iako je načelna razlika u tipovima objekata koje te tri institucije sadrže u načelu jasna i profilirana, ono što ih zajedno povezuje jest baštinjenje i čuvanje vrijednosti nastalih ljudskim radom. Kao takve, te institucije jesu institucije sjećanja, jednako kao što ih to čini institucijama dokumentiranja.

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Evidence Národního archivního dědictví a program PEvA

Author(s): Jiří Jelínek / Language(s): Czech Publication Year: 0

Archivnictví a spisová služba v České republice je v současnosti upravena zákonem č. 499/2004 Sb., o archivnictví a spisové službě a o změně některých zákonů. Mezi jednu z důležitých problematik, kterou archivní zákon řeší, patří evidence archiválií uložených v jednotlivých archivech a kulturně vědeckých institucí. Právě přesná evidence spravovaných archiválií se řadí mezi základní činnosti každé z nich. Evidence archiválií a program PEvA, prostředek umožňující vést evidenci i v digitální podobě, spolu úzce souvisejí a jsou vzájemně zcela provázány. Následující text je proto spíše popisem evidence Národního archivního dědictví a program PEvA je představen především jako technická podpora této činnosti, která umožňuje vést co nejdokonalejší evidenci, sloužící nejen archivářům, ale zejména badatelské veřejnosti.

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Elektronické zpracování archiválií a pořádací program ELZA

Author(s): Michaela Zemánková / Language(s): Czech Publication Year: 0

Každý dokument se po převzetí do archivu stává součástí jednoho archivního souboru (archivního fondu nebo archivní sbírky). V rámci těchto celků se pak archiválie zpracovávají a zpřístupňují veřejnosti, což patří ke stěžejním úkolům každého archivu. Výsledkem procesu zpracování archiválií a zároveň prostředkem pro zpřístupnění archiválií badatelům jsou již od konce padesátých let 20. století, kdy byla vydána první základní pravidla pro zpracování archivního materiálu, jasně definované archivní pomůcky. Podle hloubky popisu archiválií rozlišujeme několik typů archivních pomůcek, přičemž za ty základní dnes považujeme manipulační seznam 1. a 2. typu, inventář, dílčí inventář a katalog. Speciální typy archivních pomůcek, jako jsou tematické katalogy či rejstříky, se vyhotovují výjimečně a pouze v případech, kde je vytvoření takového typu archivní pomůcky účelné.

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Digitalizace a tvorba bezpečnostních kopií v archivech

Author(s): Radana Červená / Language(s): Czech Publication Year: 0

Digitalizace archivních dokumentů patří mezi nejdůležitější a v současné době nejpoužívanější metody jejich ochrany. Zároveň je díky ní možné řešit problematiku předkládání archiválií veřejnosti. Povinnost řádně pečovat o archiválie jako součásti národního kulturního dědictví ukládá archivům zákon č. 499/2004 Sb., o archivnictví a spisové službě a o změně některých zákonů (dále jen archivní zákon). Digitalizace tedy náleží do skupiny informačních technologií, pomocí kterých je archiv schopen plnit úkoly v oblasti odborného zpracování, zpřístupňování a zejména uchovávání archiválií pro příští generace.

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Kresebná dokumentace sýpek v muzejních fondech

Author(s): Lubomír Procházka / Language(s): Czech Publication Year: 0

The aim of the contribution is to highlight the documentary funds related to folk architecture in the regions of Chodsko and Pošumaví, stored at the Chodsko Museum in Domažlice and the Dr. Hostaš Local History Museum in Klatovy. Václav Kohout (1904–1984) was one of the most significant authors of folk architecture documentation in the district of Domažlice, especially that of the house from the region of Chodsko. The author devoted himself to documentary work as early as since the second half of the 1930s when a voluminous set of surveys, aquarelles and drawings evolved, which is stored at the Chodsko Museum in Domažlice. V. Kohout paid his highest attention to document the development of the hearth and especially the open-hearth kitchen. His aquarelles document the timbered house from the region of Chodsko, which had been gradually provided with masonry since the second half of the 18th century.

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Külliyat-ı Tarih’in XV-XVI. Yüzyıla Ait Nüshaları Üzerine Değerlendirme

Author(s): Gulzoda Makhmudjonova Akay / Language(s): Turkish Publication Year: 0

Kulliyat-ı-Tarikhi has the feature of being a corpus of important history books of the period. It is a historical work prepared by the period historian Hâfız-ı Abru (d. 1430) upon the request of the Timurid ruler Sultan Shahrukh (d. 1447). There are one illustrated and three unpictured copies of the work, which is handled within the scope of the illustrated history tradition, examples of which have begun to be given. Only two of the unpainted copies are illuminated. Only one copy, without illumination and incomplete, has survived. The illustrated copy of Kulliyat-ı-Tarikhi is currently in the Directorate of National Palaces of the Presidency of the Republic of Türkiye, registered in TSM. B.282. Other copies are preserved in Istanbul Süleymaniye Library, Damat İbrahim Pasha (Nr. 919), Hekimoğlu Ali Pasha (Nr. 703) and Nuruosmaniye Library (Nr. 3267). The lack of many copies of the work mentioned in our study, as a world history, indicates that it was not adopted and gained popularity after the completion of Kulliyat-ı-Tarikhi, while it also shows that the text was actually written to meet the interests and purposes of Sultan Shahruh. In our study, the content of Kulliyat-ı-Tarikhi,the preparation process of the illustrated and unillustrated copies, and the codicological features will be evaluated.

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Networked art practice after digital preservation

Author(s): Sarah Cook,Roddy Hunter / Language(s): English Publication Year: 0

Over the last six decades, networked art practices have evolved in response to and in anticipation of changing material conditions of communications systems, infrastructures, and technologies. Whether pre-internet correspondence art, or born-digital software-based, or net art, the material and, at times, ideological dimensions of networked art challenge existing approaches, methods, and protocols of not only the production of contemporary art but also its conservation, which this text seeks to address. Often tactically amorphous, integrated, and inseparable from conditions and questions of (im)materiality (see Lillemose, 2006), networked art resists conservation efforts to trace its edges and boundaries. Therefore, how and should we develop conservation efforts to offer access to the ‘original’ work in context without undermining its unruly materiality and institutional critique, particularly after the digital? Whether these efforts are called ‘conservation’ by museum curators, or ‘preservation’ by librarians and archivists, they share the same intent: making the work accessible. In the words of Peggy Phelan this “ labour […] to ‘preserve’ [performance] is also a labour that fundamentally alters [it]” (Phelan, 1993, p. 148).

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