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Między nature a nurture. Transfer międzypokoleniowy, epigenetyka i „więzy krwi”

Author(s): Anna Artwińska / Language(s): Polish Issue: 1/2016

This article explores two family or generational narratives – Anna Janko’s A Minor Extermination and Sergey Lebedev’s Oblivion – to tackle the question of intergenerational transmission, including from a biological perspective. Artwińska is interested in the inscription of figures and metaphors belonging to the genealogical discourse, as well as in their function in and beyond the text. Janko’s work can be read as a literary manifestation of the concept of epigenetics, while Levedev’s presents the metaphorization of problems related to the image of ‘blood ties’. The two family narratives exemplify how topical the notion of generation is in its genealogical dimension.

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Na początku był błąd…

Author(s): Monika Rudaś-Grodzka / Language(s): Polish Issue: 2/2016

Plato’s Timaeus, a dialogue on the creation of the world and the soul of the world, mentions a hidden mistake or defect inscribed into the structure of the cosmos. Gnostic philosophers examined this passage in the first and second centuries. In the Syrian-Egyptian writings of the Nag Hammadi Library, this mistake, on which matter is founded, becomes key to understanding the world as emptiness (kenoma). A similar perspective can be found in Isaac Luria’s Kabbalistic ideas as well as in the works of Franz Kafka. The latter’s short story ‘The Cares of a Family Man,’ a testimony to spiritual experience in which the author approaches the limits of what is human, has been variously interpreted by Theodor Adorno and other philosophers. Walter Benjamin and Gershom Scholem have made Odradek a reference point in their theological discussions. Rudaś-Grodzka’s anamorphic approach, meanwhile, presents a new reading of the story.

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ФАНТАСТОВЕДЕНИЕ И ТЕОРИЯ ЖАНРОВ

Author(s): Artem Aleksandrovich Zubov / Language(s): Russian Issue: 1/2016

Science fiction studies is a relatively young branch of the humanities that has emerged in the middle of the 20th century. Currently, science fiction studies is a vast network of interdisciplinary research that concentrates on functionality and poetics of fantastic (or, as John Clute has promoted since 2007, ‘fantastika’) literature, cinema, video games, comics etc. Search for genre identity is one of the main concerns of the genre theory in both academic methodology and science fiction studies. Scholars commonly single out three main approaches in the genre theory: essentialism, structuralism, and pragmatism. None of the approaches is universal, i.e., they are all characterized by both benefits and certain limits. While the former two approaches are influential and established analytical paradigms, the latter one is a recent analytical invention. Pragmatism of the genre theory is interdisciplinary per se – its methodology is based on social sciences, sociology of literature, cultural studies, and discourse studies. Pragmatism derives from a number of branches of the humanities in order to solve fundamental problems of the literary theory, particularly the problem of genre genesis. This paper is an attempt to delineate contours of the genre theory in science fiction studies from essentialism to pragmatism.

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TEXTUL LITERAR ȘI ECRANIZAREA – FIDELITATE ȘI ECHIVALENȚĂ

Author(s): Maria Cătălina Radu / Language(s): Romanian Issue: 1/2013

This article aims at presenting the transposition of the literary work in the film, identifying the common elements between these two arts, as well as the incompatibility of these two semiotic systems. One of the main aspects of this article is the problem of the fidelity of adaptation in relation to the literary source. From this problematic, I developed the central theme of the article - the impossibility of finding a perfect equivalence between the text and the image. However, on the basis of this relation of equivalence and fidelity, I have analyzed the similarities between the process of adaptation and that of translation. The conclusion of this article is that literature and cinema are two different systems, two distinct arts, but similar in originality.

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autoproletaryzacja w prozie Polaków migrujących do Niemiec, Irlandii i Wielkiej Brytanii

Author(s): Dirk Uffelman / Language(s): Polish Issue: 3/2016

This article investigates prose by Polish migrant writers by scrutinizing depictions of low-paid work, not only in the fictional texts but also in biographical sketches about the authors in blurbs and anthologies. Uffelmann adduces sociological studies on the ‘contradictory social mobility’ of Polish work migrants to show that devices of social self-degradation in migrant literature allude to the no-less-contradictory social situation faced by many migrant workers. His methodological approach is rooted in postcolonial theories, especially those that focus on paradoxical appropriations of identity. The main focus of the article is on ‘self-proletarianization’ and its function as an apotropaic twist: writers who ‘proletarianize’ either their protagonist(s) or themselves aim to achieve paradoxical recognition as artists.

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Żywy trup. Jak kultura popularna reprodukuje lęk przed wykluczeniem

Author(s): Tomasz Nowicki / Language(s): Polish Issue: 02/2013

In this article I describe how “different” and “inclusion” act in texts of popular culture on ex­ample of the living dead concept. I claim that the living dead is a political category. There is a story about naked life which is designated to be a biopolitical substantiation. The paradigm for the concept of a living dead is a concentra­tion camp.

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Pour une esthétique de la traduction : traduire « Noël » de Stanisław Vincenz

Author(s): Olena Berezovska Picciocchi / Language(s): French Issue: 1/2018

In the 1970s, novelist and literary theory scholar Hans Robert Jauss developed the modern concept of the “aesthetics of reception” or “reception‐aesthetics” (German Rezeptionsästhetik) of a literary work. This notion can be applied to a translation process that aims at finding the strategies for an optimal aesthetic reception. In this article I shall examine the translation strategies of Barbara Wanders de Vincenz who translated into French the ethnographical studies on the traditional Christmas celebrations in the Carpathians. They were written by her father, Stanisław Vincenz, a 20th century Polish writer, and were included in his masterpiece Na wysokiej Połoninie (On the High Uplands).

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Alienation and Dislocation versus Homeliness and Norm in Patricia Highsmith’s Strangers on a Train and The Talented Mr Ripley

Author(s): Joanna Stolarek / Language(s): English Issue: 01/2018

The aim of this article is to scrutinise the problem of alienation and dislocation in the context of homeliness and norm in the United States after World War II in Patricia Highsmith’s (1921-1955) Strangers on a Train and The Talented Mr Ripley. The author examines normality and oddity with respect to the main characters’ home environment and their relations with other protagonists. The emphasis is placed on the analysis of Charles Anthony Bruno from Strangers on a Train (1950) and Tom Ripley from The Talented Mr. Ripley (1955), psychopaths and killers, depicted as unfulfilled artists, marginalized by their community, mostly due to their homosexual inclinations and extravagant behaviour. The author of the article is going to show how Highsmith’s protagonists, being homosexuals and strangers, are exposed to the suspicious examination of an orthodox society that hounds them. As a lesbian, the writer was imbued with a feeling of social non-conformity and her status as an American living in Europe also marginalized her, making her as much of an outsider in her chosen home as she had been in her country of birth (Fort Worth, Texas). The author of this article is going to prove how Patricia Highsmith’s living in deeply conservative American society affected her depiction of fictional homes and the creation of the characters who operate outside the norm and live on the fringe of society.

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Live and Let Di(n)e. Food and Race in the Text of the American South. Recenzja

Author(s): Aleksandra Drzał-Sierocka / Language(s): Polish Issue: 02/2018

Recenzja/Review

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The Shameless Dance Cannot Last Forever

Author(s): Kinga Dunin / Language(s): English Issue: 1/2017

From a sociological perspective, shame is an instrument of social control, while shamelessness is a way to break out from under that control. One strategy of shamelessness is camp, both as a poetics and as a practice. Dunin’s analysis of Witold Gombrowicz’s short story ‘Lawyer Kraykowski’s Dancer’ as well as Michał Witkowski’s ‘life writing’ attempts to answer how effective this strategy is and to identify its limits.

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In-Between-Space. Anthropologies of Everyday Life, of the City and of Literature in Miron Białoszewski’s Chamowo

Author(s): Agnieszka Karpowicz / Language(s): English Issue: 1/2016

This article builds on and supports Roch Sulima’s claim that Miron Białoszewski’s works, saturated with anthropology, can serve as an inspiration to anthropologists of everyday urban life. Focusing on the poetics of space in Chamowo, Karpowicz examines how a literary relationship to urban spaces intersects with their artistic creation. This creation not only problematizes the experience ability of urban spaces, but it also represents an anthropological perspective in research on everyday urban life as postulated and realized by Sulima. Reading Białoszewski’s Chamowo through such lenses as anthropology of everyday life, auto-ethnography, contemporary research on urban spaces and geopoetics, Karpowicz demonstrates the enormous significance of literature for the study of urban spaces within the humanities. Her article also highlights the motif of the city and of the above-mentioned research contexts as key for the task of interpreting a work of literature that self-consciously thematizes its biographical and geographical rootedness

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„Грозни прози“ на Гео Милев. Преосмисляне на библейските символи

Author(s): Evdokia Petrova / Language(s): Bulgarian Issue: 5/2015

The “Ugly proses” texts are devoted to uprising in 1919 in Germany. By his ecstatic expressionistc language Geo Milev paint a verbal picture of a burst, outdated moral reality, which is like a resurrection for those who are like already dead in this reality. This historical event is presented in the symbolism of the biblical context which enchances the feeling of predertermination of the event and its perception as an apocalypse. Namely that is typical in the spirit of expressionistic poetics.

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LES OUBLIS DE L’HISTOIRE LITTÉRAIRE ROUMAINE : LA POÉSIE DE GUERRE

Author(s): Corina Croitoru / Language(s): French Issue: 2/2019

Forgotten Issues of Romanian Literary History: War Poetry. Having as a starting point a general reflection on the belonging of Romanian literature to a cultural geography constantly conditioned by history, this study aims to question the reasons why Romanian poetry of the Great War represents for over a century a taboo subject of Romanian literary history, contrary to tendencies in international literary history.

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FROM CLOSE TO DISTANT READING OF 100 ROMANIAN NOVELS FROM 1850 TO 1920

Author(s): Luiza Marinescu / Language(s): English Issue: 2/2019

From Close to Distant Reading of 100 Romanian Novels from 1850 to 1920. In Romania, among the academic personalities, Solomon Marcus (b. the 1st of March 1925, Bacău – d. the 17th of March 2016, Bucharest) was perhaps the only one who happily combined linguistics and mathematics, being known in the Romanian philological environment especially for Lingvistica matematică [Mathematical Linguistic], Modele matematice în lingvistică [Mathematical Models in Linguistics], 1963, 1966, and Poetica matematică [Mathematical Poetics], in 1970, and in the international scientific field for numerous translation and also for numerous papers published in prestigious publishing houses in Paris, New York and Bologna. Grounded in the Distant reading paradigm (i.e. using digital humanities in analyzing large collection of literary texts) the paper, From close and to distant reading of Romanian novels from 1850 to 1920 provides a historical classification of texts in order to be included in a multilingual European Literary text Collection (ELTeC), permitting to test methods and compare results across national traditions and consider the consequences of such resources and methods for rethinking fundamental concepts in literary history. The paper is following main ideas in relation with the consequences of an absent research field in Romanian academic studies, digital humanities: Close and distant reading in digital humanities: Romanian literature case from 1850 to 1920; Romanian literary history and ways of transnational knowledge through Distant Reading of literary facts: 100 Romanian novels from 1850 to 1920; Transnational redefinition of periods in national history through a literary species: the novel; The problem of "translation / export" of national literary histories.

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BEYOND THE HISTORY OF A LITERARY GENRE: THE ENCYCLOPEDIA OF ROMANAIN MEMORY WRITING

Author(s): Doris Mironescu / Language(s): English Issue: 2/2019

Beyond the History of a Literary Genre: The Encyclopedia of Romanian Memory Writing. The paper presents the theoretical frame of the research project The Encyclopedia of Romanian Memory Writing, currently being developed at the “A. Philippide” Institute for Romanian Philology. This encyclopedia joins other recent projects, such as literary dictionaries, in an effort to construct an alternative approach to the (national) literary history by subverting the (legitimizing) causal narration. It will include canonical texts, memoirists, various categories of title-articles, but also a set of operative concepts that allow for a definition of memoir-writing starting from the psychological, philosophical and anthropological implications of memory. By indexing literary phenomena in an encyclopedic manner, the textual corpora of Romanian literature may be described and analyzed in a transnational, comparative and interdisciplinary manner.

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LIRE LE SOCIAL DANS LA DÉNÉGATION. SUR LES POSSIBILITÉS D’UNE SOCIOLECTURE DU LITTÉRAIRE

Author(s): Magda Răduță / Language(s): French Issue: 2/2019

Looking for the Denegation. Possibilities of Reading the Social Reality in Literature. Despite a disciplinary history filled with embarrassing determinisms, the sociology of literature still tries to overcome al methodological obstacles, by proposing a mediate reading between the literary work and its socio-historical conditions. The present paper examines two recent examples of this mediate reading: Pierre Bourdieu’s homological model between the author’s position in the literary field and its literary production, respectively Jacques Rancière’s argument for an internal literary structure capable of self-explaining. Irreconcilably different, these two readings present nonetheless a common effort: both of them look for the categories of denegation – unintentional textual structures and silent style choices caused by the author’s habitus and by the social practices and constraints.

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FOLKLORE ARCHIVES – WITNESSES OF THE HISTORY OF ETHNOLOGICAL STUDIES

Author(s): Eleonora Sava / Language(s): English Issue: 2/2019

Folklore archives – witnesses of the history of ethnological studies. This study proposes a rereading of the documents kept in a folklore archive from Romania, with a focus on the methods used by those who drafted and archived these documents. The research demonstrates that, in the absence of testimonies regarding the manner in which fieldwork was conducted, the documents of the archive can provide valuable information on the field research and the vision on folklore of several generations of researchers. Thus, archives of folklore are seen as witnesses of the history of ethnology.

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Où est La femme dans les films de Kiarostami ?

Author(s): Radu-Cristian Andreescu / Language(s): French Issue: 1/2019

The aim of this paper is to analyse femininity as a cinematic depiction of uniqueness in three of Abbas Kiarostami’s films, Certified Copy, Like Someone in Love and a short film included in the anthology film Tickets, investigating the problem of universality and individuality in close connection with Jacques Lacan’s formula “The Woman does not exist”. Following the psychoanalytical approach that leads us to the problem of feminine jouissance and the way women escape from the phallocentric generalisation, we will emphasize the philosophical relevance of three recurring themes in Kiarostami’s films: woman’s identity, past-present continuity and artwork originality. This approach will allow us to grasp the problem of time, uniqueness, continuity and perception in Husserlian phenomenology and Gadamer’s philosophy of art, alongside the critique of truth in Heidegger’s ontology as well as in Austin&Searle’s “speech act theory”. The nodal point of these theories will be a concept of reality involving the consciousness and the interpretive acts of a subject and the woman’s role in expressing originality

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„Wahrlich fuck you du Sau“ – Sprachliche Gewalt und Selbstermächtigung bei Lydia Haider

Author(s): Susanne Teutsch / Language(s): German Issue: 5/2023

The article deals with linguistic violence, the functions of swear words and their use in literature. It aims to show how cursing can be used as an act of self empowerment. Austrian writer Lydia Haider’s text Wahrlich fuck you du Sau, bist du komplett zugeschissen in deinem Leib drin. oder: Zehrung Reiser Rosi. Ein Gesang. Is aggressive, not fair, irrational and arbitrary in the sense of violence as violentia. A linguistic violence that becomes semantically blind. She rises above everything else escaping argument and control. But her language is also comedic. The higher it rises, the lower it falls, in the excessiveness there is a form of jubilation and, last but not least, (self-)irony.

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LITERARY DEVICES IN THE ROMANIAN FAIRY-TALE NAMING

Author(s): Cristina Rogojină / Language(s): English Issue: 38/2024

Fairy tale characters often serve a descriptive purpose and hold significant literary value as they embody archetypal structures deeply ingrained in the collective consciousness. These characters have developed specific linguistic expressions within the creative community and the aim of this paper is to illustrate what types of literary devices the naming of the Romanian fairy tale employs.

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