Опис и симболика једнорога у француској књижевности XII и XIII века

Author(s): Marija Panić / Language(s): Serbian Issue: 2/2015

The paper considers naturalist and symbolic traits attributed to the unicorn in French 12th and 13th century literature. The corpus encompasses the bestiaries comprised by Philippe de Thaon, Gervaise, Guillaume de Normandy, Pierre de Beauvais, Richard de Fournival and pseudo-Pierre de Beauveis, which belong to the tradition of the Physiologoi, as well as other encyclopedic and other works which contain the bookish zoological and geographic knowledge of the middle ages: Mappemonde by Pierre de Beauvais, The letter of presbyter John, and the Mappemonde by Gossouin de Metz. In this corpus where the description of the animals comes mainly from the same written sources (from antiquity and late antiquity and the Bible), we consider how this nonexistent animal is described and to what extent a symbolic interpretation is present.

Odricanje (askeza) – smrt životne radosti

Author(s): Josip Andrić / Language(s): Croatian Issue: 1+2/2015

Prije devedeset godina (1926) književnik Ivo Andrić napisao je esej Legenda o svetom Francisku iz Asizija. Godina 1926. bila je jubilarna. Sedam stotina godina od smrti svetog Franje Asiškog koji bijaše jedna od najvećih pojava u duhovnom životu u povijesti čovječanstva.

Књиге огледала: Цинк и Мамац Давида Албахарија

Author(s): Marko Avramović / Language(s): Serbian Issue: 153/2014

Одбрана заборављања у Монтењевим Есејима

Author(s): Snežana Kalinić / Language(s): Serbian Issue: 153/2014

Између консензуса и конфликта: неколико теза Џералда Графа о студијама књижевности

Author(s): Ana Kolarić / Language(s): Serbian Issue: 153/2014

The ‘Grave Covering’ of St. Demetrios Between Byzantium and Rus

Author(s): Monica White / Language(s): English Issue: 152/2014

Помет – Il Principe

Author(s): Gordana Pokrajac / Language(s): Serbian Issue: 152/2014

Језичко-стилске карактеристике романа Ода мањем злу Воје Чолановића

Author(s): Jelena Žurić / Language(s): Serbian Issue: 152/2014

Хајди у југословенским преводима: ждановизам у дечјој књижевности

Author(s): Tijana Tropin / Language(s): Serbian Issue: 152/2014

Од авангарде до авангарде

Author(s): Predrag Todorović / Language(s): Serbian Issue: 152/2014

Ристић и Џојс – Без мере и Уликс у компаративној перспективи

Author(s): Biljana Andonovska / Language(s): Serbian Issue: 159/2016

Моћи рећи: Што текстови Радована Ившића могу рећи данашњим читатељима?

Author(s): Tvrtko Vuković / Language(s): Serbian Issue: 159/2016

СERVANTES INTER ARTES: Поводом 400 година од смрти Мигела де Сервантеса

Author(s): Aleksandra Mančić Milić / Language(s): Serbian Issue: 159/2016

Dulcinea Jazz: Don Quixote’s queen and lady in some jazz compositions of the past fifty years

Author(s): Hans Christian Hagedorn / Language(s): English Issue: 159/2016

The literary genre of art historiography in the european antiquity

Author(s): Zoja Bojić / Language(s): English Issue: 159/2016

Црњански у потрази за „правом“ Шпанијом

Author(s): Mirjana M. Sekulić / Language(s): Serbian Issue: 159/2016

The metaphysical noir of W. G. Sebald’s Vertigo

Author(s): Graley Herren / Language(s): English Issue: 159/2016

Koncepcja androgyna w utworze Mój księżycowy przyjaciel (Мой лунный друг) Zinaidy Gippius

Author(s): Kinga Okroj / Language(s): Polish Issue: 6/2016

The article comprises an analysis of My moon friend by the modernist Russian poet and diarist, Zinaida Gippius. Vladimir Solovyov’s theories about the possibility to create a new human (androgyny) as well as Otto Weininger’s ideas about bisexual nature of every human being serve as a starting point for the analysis. The author focuses on the image of the protagonist, the Russian poet Alexander Blok, and sees him as the eponymous moon friend, who possesses features typical of androgynous creatures.

Reclaiming Adolescent Sexuality: Images of Girlhood in Petra Collins’s Babe

Author(s): Aleksandra Kamińska / Language(s): English Issue: 09/2017

This paper examines photographs, drawings, collages and other art forms collected in the book Babe, edited by photographer Petra Collins and published by Prestel in 2015. I read the collected artwork as an attempt to present the image of the girl (including her sexuality) from a young woman’s perspective. Babe, which includes works such as photographs of teenagers with visible period blood on the underwear or a to-do list with the goal of never faking another orgasm, asks who a contemporary girl is and how young artists can challenge traditional images of femininity. In my analysis I focus on the excessive use of the color pink in Babe, characterizing the way artists blend innocence with eroticism. I argue that by playing with artifacts of “girlishness,” artists can both expose the absurdity of the image of the girl in popular culture and reclaim symbols of girlhood. I suggest that Collins – despite her ambitions to create an inclusive platform for female artists – does not present a diverse image of girls, who in Babe is still predominantly white and able-bodied. I introduce the potential reading of Babe as a feminist visual manifesto, in reference to the Riot Grrrl movement and the cultural phenomenon of “girl power.” I suggest that the book offers a possibility of exploring the figure of the girl from the perspective of young female artists.

Groteskowy obraz starczego ciała w powieści Mirra, kadzidło i złoto Slobodana Novaka

Author(s): Miłosz Bukwalt / Language(s): Polish Issue: 2/2016

The subject of research in this article are the grotesque creations of senile body present in the novel ofSlobodan Novak „Fragrances, Gold and Frankincense”. Based on Bakhtin’s theory of the grotesque body theauthor distinguishes various creations of senile body in the form of hybridization, zoomorphisation or humanbody objectification. In the grotesque representations of the senile body, the author also perceives the ritualsof food consumption and body orifices discharge, known inter alia from ribald prose of François Rabelais.